Click for better quality// Unfortunately the handwriting cannot be improved.
(this is... my best attempt to condense this down. Already I’ve thought of like 6 different things I should have included as well-- did I mention that “I” is how to denote “any base” for nucleic acid sequences? --- does jod’s real name start with J (is he John or Jesus), E (is he Eve), A (is he Adam), or N (lots of N’s show up, also Nikolai our friend up there) or is his name simply JEAN? That would make an epic Jod the denim god joke, considering I’m pretty sure it would only have been a very contemperary prediction and not a certainty we’d adopt for him the moniker Jod.)
just re-read the gid/babs fight in gtn & i’m rotating that disarm in my mind. there are parallels here.
gideon is losing the fight to babs because she’s a brutal fighter constrained by the rules of cav duels. but the moment he disarms her, she immediately floors him.
similarly, in htn, nonius is losing the fight to wake bc he’s constrained by the rules of the dream bubble’s logic and ortus’s mythology. but the moment she disarms him, he’s set loose, a brutal fighter willing to play dirty to win.
gid and nonius are both efficient, brutal warriors constrained by false personae.
ironically, babs also says:
(lol. lmao, even.)
and then! from babs’s point of view: the disarm was the end of his fight with gid. technically, he won.
you know who else duels a cav and technically wins, but loses the actual battle? ianthe, in babs’s body, when she duels cam in ntn.
babs’s muscle memory and training allows her to beat cam according to the terms of the duel… but she loses the larger battle because her opponent is playing to win.
even after death and lyctorhood and antioch, babs is still an excellent duelist, but he’s still not the best fighter.
Thinking about memory as a form of control in HtN. Because obviously Cristabel and Alfred and Loveday don't appear in the story, they survive only in the memories of the people who ate them. And remembering a dead person is an act of control, because memories are not objective. Someone's perception or memory of another person will never be entirely accurate, it will instead be their own version of the person. Even if someone loves you - perhaps especially if they love you - their idea of you will be influenced by how they want you to be, and there will be things about you that they have never seen or noticed.
If you are dead you no longer exist as an individual person with agency and an internal world; so the image that living people have of you will be superimposed over the person you actually were. You are no longer yourself, you have been made into what other people think you were or want you to have been.
And of course this is particularly relevant when it comes to the cavs. Someone consumes and destroys you, and then they commit a final act of violence and control by replacing you with the idealised or demonised picture that they have of you in their head. The narrative itself participates in this violence by erasing you and prioritising your consumer - they appear in the story as a character, whereas the readers know you only through their descriptions and memories.
We also see the memory-as-control thing pretty explicitly with Nonius. He shows up speaking differently than he did in life because that fits with Ortus's image of him as an idealised epic hero. It's not clear how much of his ghost is actually him as he was, versus the version of him created by Ortus and the Ninth after his death.
I think it's significant that in order to preserve Gideon's actual existence, Harrow has to remove her own ability to remember or perceive Gideon. Harrow stopping herself from being able to create her own image of Gideon also stops her from consuming Gideon and entirely destroying the person Gideon was. The lobotomy protects Gideon from the violence of being made into a memory, and so it protects Gideon from the violence of Lyctorhood.
The joy of having a niche blorbo in a series with wildly differing POV narrators:
Gideon The Ninth: Here's Magnus' autistic wife, who isn't hot, can't have kids, and is talking about really boring stuff. Aaaand they're both dead.
Harrow The Ninth: Here's the famous historian Abigail Pent! I don't trust her or her agenda, but wow, she has nice hands. Like, really nice hands. Her towering intellect is a loss to the world! She's feral and otherworldly and heretical! She has declared herself my mom and won't let me stay up past my bedtime 😠
Sometimes I think about Harrow’s AUs and like. There is a LOT more to worry about but I have to wonder what Abigail and Magnus Got from that.
Because, if I remember right, they only had the one real conversation with her, right? But while the fandom LOVES making Abigail and Magnus Gideon’s parents in AUs and stuff, the same can’t be said for Harrow.
But like. They’ve now seen deeper into her mind more than anyone else. They’ve seen the Ninth, they’ve seen how she views the actions of her parents in the lenses of how she’d be treated if she didn’t have necromancy, they’ve seen her deepest desires when her dreams how much she wanted her duties to the Ninth to somehow match having Gideon and they saw that she was at her core just a teenage girl who wanted a meet cute with the hot girl she had a crush on.
Anyway: more Abigail and Magnus becoming Harrow’s parents. Gideon can still have them as in-laws.
I had assumed you had picked this battlefield deliberately, and raised an army to fight alongside you. I didn't quite know why you'd chosen us. Now I know, but it seems you did not. (HTN ch 43)
What a rug pulling out moment this must have been: the realisation that she had not been summoned as some act of Lyctoral mystery to assist in Harrow's battle against a ghostly invader, but that she was there because a frightened teenage girl - who had met her once at a dinner party - had instinctively reached out for her help.
I understand you didn't ask on purpose, but I like to think that there was a grain in your soul that saw yourself in need, and perhaps thought to itself, I wish I had Abigail Pent. It takes a great deal of ego to be a psychopomp. Thank you for letting me by yours." (HTN ch. 47)
I think Abigail is meant to call to mind the classical psychopomp Hecate, associated with ghosts, keys, pomegranates, and the liminal transitions of girls (whether into death or adulthood). Harrow at this moment is literally dying, but her AU dreams are also all explorations of what a transition into some kind of adulthood that didn't involve ascending to Lyctorhood and losing Gideon might have looked like. But staying in those dreams means death.
Also...there's a tendency to assume that Harrow reached for the Fifth because Magnus was kind to Gideon, but a through-line of HTN is very much Harrow processing her feelings about Priamhark and Pelleamena in relation to the respective parental figures of John and Abigail. After all, like Pelleamena, Abigail is a brilliant necromancer with a complicated relationship with both motherhood and the demands of leadership, and a willingness to use other peoples' children to her own ends. But unlike Pelleamena, Abigail demands that Harrow live, rather than asking her to die.
hello locked tomblr! i was at the tamsyn muir event in oxford - here are my notes
i've tried to group them thematically rather than chronologically, and to point out spoilers when i can. there are some parts that i missed/didn't hear correctly - i would appreciate it if others at the event correct me :D
Key takeaways
Alecto is still being written! Muir was reluctant to say a year, so it will probably be more than that
Alecto won’t be written in a Biblical style, and there will be multiple POVs. It will mostly be told from Harrow’s POV (I hope I heard that right)
Muir loves the idea of a TLT videogame
Muir’s not yet done with Floralinda
Q&A: Alecto when?
(putting this first because I know you want to know!)
Alecto is not yet finished
Reason why:
Muir was already slated to write another book before Alecto (Floralinda, I think)
Floralinda took longer than expected
Muir also suffered from health issues
Muir was about to say Alecto would come out in a year, but was reluctant. It will be soon. It will be before she dies.
Once Alecto gets to the editor, it will be fast-tracked. There will be few advance reader copies
And Alecto will not be 2 books, do not fret!
Publishing journey for the Locked Tomb Series
TL;DR – Muir got published because she had good contacts
George R. R. Martin was Tamsyn Muir’s mentor at Clarion
Muir took what she described as the ‘traditional route’ into publishing
She spent around 3 years publishing short stories
Then she got contacted by an agent for a novel
Muir acknowledges that routes into publishing are not like that now
Sometimes, fanfiction writers are approached – Muir doesn’t approve as that ruins the hobby, it adds a financial incentive and makes people do it for a career rather than for fun.
Muir wouldn’t do anything differently
We joked a bit about an agent who remarked on the ‘sisterly relationship’ between characters in Muir’s manuscript
Advice for aspiring authors
Send stuff to an agent regardless of where you are
Work in the industry
There was a bit of discussion on self-publishing – it doesn’t suit Muir personally, but it’s a good route for someone with the energy to be their own editor, advertiser, etc.
Q&A: something about being a successful writer (sorry I forgot)
Basically, getting successful requires having good connections
Videogame Influence on Locked Tomb Series
Muir is a big fan of the emergent narrative that videogames afford
Muir worked for Disney and wrote videogame scripts before GtN. There’s an insane House of Mouse script archived somewhere, which Muir wrote.
Novel writing is very different from videogame writing.
In a videogame, you have to fully flesh out the in-game universe and provide enough choices and points of interest for players
This taught Muir to be in-depth when writing her novel universes…
…which particularly influenced her to write tonnes of AUs for the Locked Tomb series
There are two versions of Nona, for example: one which is what’s really happening, and one which is Nona’s POV
Q&A: did the videogame influence help Muir to write so confusingly in the Locked Tomb series?
Muir strongly cites Umineko as a key influence
This is a perfect example of a slow reveal, like in the Locked Tomb books
Muir doesn’t strictly plan her reveals (e.g., on the second reread, the reader finds this out), but she does love a slow reveal and works hard to make close reading rewarding for the reader
Tamsyn Muir would love for the Locked Tomb series to be adapted into a videogame!!
A funny story was told where Muir got approached by a gacha game company… which didn’t come to anything
POV voice shifts in the Locked Tomb series
A key reason for the books being so different is that Muir didn’t want to write the same thing again – she gets ‘easily bored’
She focussed on the sentence links of each character – Gideon’s sentence links are very different from Harrow’s
Vocabulary also played a key role (again, compare Gideon and Harrow)
The second person narrative in HtN was planned for a while, the tricky thing was convincing publishers to accept it
Muir has an HtN draft somewhere, 50% written, that’s in third person
POV in Alecto the Ninth: It will not be written in a biblical style
There will be different POVs
Q&A: Book inspiration for writing in the second person?
Muir notes that she didn’t write in perfect second person – it was actually first person
She will always turn to On a Winter’s Night a Traveller
And this is another videogame inspiration
She mentioned Homestuck then said don’t mention Homestuck so…
The theme of memory in the Locked Tomb series
Memory as a result of love, and memories which are a source of pain
This is a key theme in HtN – note how memory affected Harrow throughout the book
It’s also going to be a key theme in Alecto
Muir is using memory as horror
The horror of not being able to trust yourself and to know what is real
She’s drawing on her own experiences of being schizophrenic
Magic systems in the Locked Tomb series
Muir wasn’t actually a big fan of necromancy before writing TLT
She found it too passive in Dungeons & Dragons
She wanted an active magic system, something unintuitive that required hard work and study to learn
She also wanted a magic system to be gross!
TLT magic system was described as “telekinesis with meat”
Worldbuilding in the Locked Tomb series
Q&A: what was Muir’s worldbuilding starting point/seed?
Muir struggled to find this out. There’s no magic formula
Creative writing can’t be taught, only practiced
For GtN, she wanted a story about duty, and duty vs freedom
She wanted the story to be about two young women
Gideon was originally a cop/fireman
For Muir, worldbuilding is there to serve the plot. She does not worldbuild for worldbuilding’s sake
Everything in Muir’s books is there to serve the plot
Would the TLT protagonists make a good DnD party?
Absolutely not!
Although Camilla and Palamedes would be fine
There was some joking around about how Muir and her friends tried to play as Gideon and Harrow in DnD and it didn’t work out
Genre merging in the Locked Tomb series
Muir identified her blend of comedy and horror as unique to Kiwi fiction
She used Peter Jackson’s early films before the Lord of the Rings as an example
For Muir, science fiction and fantasy are merged – it only really feels like science if you do hard sci-fi
Muir grew up with Star Wars, so it felt natural to set her fantasy world in space
The genre merging created publishing problems
Publishers want an easy comparison to other books to make it sell, but there was nothing like Gideon the Ninth
We joked a bit about TLT being compared with Dune
Q&A: now that TLT books are out, has Muir noticed any very similar books that GtN etc. are being compared to?
Not really.
Muir sees the most similarities with people who know her and have had similar influences
An example is A. K. Markwood
Another book that seemed very similar is ‘Dawn Hound by Necksy Strownack’ another New Zealand author (I did a quick google and I think this is the Dawnhounds by Sascha Stronach?)
Comedy and Humour in the Locked Tomb series
Muir’s advice for aspiring writers is not to write humour to appeal to everyone, as you’ll please no one. Stay true to yourself.
Muir writes plenty of humour into her manuscripts, which are often cut away during editing
Q&A: memes that didn’t make it: (note: I struggled to catch what was being said under all the laughter and I am also woefully uncultured – many of these are me transcribing as best as I can. Do correct me if I’m wrong!)
Mr Bones’ Wild Ride
Emperish meme
Horse Plinko (this got referred to a lot!)
Harrow calling Ianthe the ‘God of Thot’ in HtN
And many more
Muir mused about whether she will dial back the humour in later work, or whether she will go full throttle as she doesn’t care anymore
Writing process for short stories vs books
Muir sees her short story days as mostly behind her, although she is getting one published soon (as we are aware!)
With short stories, you only have time for one thing, whilst with a novella, you have time for plot and subplot
Short stories are great to practise your technical writing skills
Muir personally would not turn her short stories into novels – she wants to do something new
Q&A: The planning process for the Locked Tomb series
Muir had already planned the whole story before writing GtN
GtN and HtN are the question arcs
NtN and AtN are the answering arcs
Muir really enjoyed writing a New Zealand story
Lesbians as epic heroes in the Locked Tomb series
Muir doesn’t see this as jarring – why can’t epics have lesbians in them?
All epics want you do to is die gloriously
You can do anything after that
Q&A: Epic influences on the Locked Tomb series
The Iliad. It all comes back to Homer, and the Iliad.
There was some insightful discussion on how the Locked Tomb world codifies its past. In a sense, it’s stuck in time. There’s no golden period to hark back to.
The discussion then turned to the idea of the hero, and what a hero should be.
This is heavily explored in Gideon the Ninth, which centres around Harrow failing to prevent Gideon from being the hero
Add lesbian to anything
Muir would love to see a lesbian Hunger Games
Floralinda vs Gideon and Harrow
“Floralinda blows” – Tamsyn Muir
Floralinda is a supervillain story about a ‘bad girl who gets worse’
Muir has written/is planning to write more on Floralinda
Q&A: Advice for writing characters who suck?
Just let them be shit, go hard first and don’t hold back
Take a sin, take a virtue
All of Muir’s characters, in some way, are a ‘fuck up’
Catholic imagery in the Locked Tomb series and Catholicism in general
Q&A: was it difficult to link lesbians with Catholicism in the Locked Tomb series?
It felt good for Muir, a lesbian Catholic
And also very fun!
Q&A: who’s the hottest saint?
In the TLT universe: Valancy!
In the real world: Saint Barbara
This sparked some light-hearted banter
Q&A: Meaningful names in the Locked Tomb series
Muir loves writing meaningful names that hide things in plain sight
Muir does not browse ‘Behind the Name’ lol
She has a ‘laundry list’ of names she likes which she’s accumulated throughout her life
Homer and ancient Greek influences played a key role
Also Biblical names
Changing names are highly important in the books, e.g., Gideon to Kiriona
Muir doesn’t mind if people sus out a character’s plot after immediately reading their names
Umineko inspiration
Lolita and the Locked Tomb series
Q&A: the audience member read Lolita at the same time as NtN. They were wondering if the similarities between the two were deliberate.
Muir loves Lolita and thinks that Nabokov is an expert in writing misery
Muir was open about being a child sexual abuse survivor. The influence of this is pervasive in her work.
There is a strong focus on relationships with authority people
Particularly in NtN, which contains sexual threats. This was hard for Muir to write.
Another example is the relationship between John and Alecto.
They are not a one on one comparison between Humbert and Lolita, but the theme of a man fashioning a girl into the perfect partner is there
Whether there is a sexual element in this will be answered in Alecto the Ninth
Muir explicitly does not want to include overt sexual violence in her work
Misogyny in the Locked Tomb series
Q&A: In the worldbuilding of the Locked Tomb series, how do you balance the misogyny that still exists (which is particularly obvious when John talks to/about Mercymorn) and the outward appearance/initial impression people get of the houses having gender equality (e.g., Abigail as head of the fifth, Jeannemary as a knight)?
This question had Muir wriggling in delight
The answer to this is addressed in Alecto
Why is John fucking up in the creation of his utopia?
Muir encourages readers to question what you, the reader, perceive as misogyny, versus what the characters perceive as misogyny.
Q&A: Cannibalism in the Locked Tomb series
Cannibalism is a metaphor for toxic love
Cannibalism of the soul is much more severe than cannibalism of the flesh
Link to Lolita
It’s eating someone’s life and personhood. A central theme in TLT is exploring love as something taken violently
Can you love someone without taking something from them? This is one of Muir’s favourite ideas
And, it’s not necessarily negative
Example of Camilla and Palamedes (spoiler for NtN!!)
They had to eat each other
Grappling with the question: Is love weightless?
Q&A: How much of their old selves are preserved in the Lyctors?
HtN spoilers!!
John didn’t simply wipe and rewrite them – if not, why are they trying to kill him?
John wanted his friends, so he tried to bring his friends back
Interesting implications for the two people he didn’t know well and only saw as cowrokers
BUT then the Lyctors are changed by their immortality and John
Q&A: What was it like to write immortality?
Muir acknowledges that she doesn’t do a perfect job, and that it’s actually impossible to actually write immortality – it will be too alien for the reader
But this links back to the theme of memory – how much can the Lyctors retain?
The Lyctors are heavily weighed down by time, Mercymorn in particular
Q&A: How long would Muir last in the TLT universe?
0.5 seconds
Muir doesn’t see herself as a necromancer or cavalier
Nor is she particularly aligned with any House
Q&A: Books that Muir is reading right now that she would recommend
(again, my poor listening skills and lack of culture limit me here!)
Spoiled Milk by Avery Curran
‘Payback for Malory Towers’
A.K. Markwood’s new book, the Seventh Banisher
Muir has advance access. AK is her friend.
Q&A: Books and media that influenced Muir as a child
She was a highly prolific reader as a child!
Obviously Animorphs
Weird Kiwi fantasy stories
Margaret Margey
She read a lot of David Eddings as a teenager and got annoyed at the role of women in the books
Gormandust was a key inspiration for TLT (I googled this and ‘Gormandust’ doesn’t exist, hopefully someone more in the know can help to translate my poor transcription!)
Grimmbolts was another influence (again, I probably didn’t hear this correctly)
Q&A: Warhammer inspiration
Muir didn’t get into Warhammer until after HtN. She loves it.
She has been approached to write for the Black Library but she had to decline as she had too much work
Q&A: What’s Muir going to do next?
Muir does not want to keep going back to TLT, she is happy to release it to the fanfiction writers once it’s done!
There are a couple more things in the TLT universe she may add
For example, there’s a big Harrow AU…
Muir wants to go back to videogames
But in her history, the projects she works on tend to fold
Muir is trying to write her own videogames and is slowly learning Python
A very good question about deconstruction was asked, but I missed it because I was too excited
Everyone was really lovely at the event! Cambridge folk, you have a lot to look forward to :))
The swords in The Locked Tomb make sense. Listen to me. Liste - no, I'm not crazy. Or I am, but this isn't crazy. No seriously.
In the extra material at the end of Harrow the Ninth there's this bit. Blood of Eden Memorandum for Record. It explains everything their enemies know about necromancers, cavaliers, and how to fight them. And it explains why the people with swords keep winning hands down against the people with guns.
The relationship between necromantic abilities and death by bullets has been both overstated and understated by most personnel. It is certainly not the case that necromancers cannot be harmed by bullets. On the other hand, firing on House troops without proper advance reconnaissance is extremely unwise. The “death sense” is not only applicable to the enemy gaining intel, but is sophisticated enough that the death of a minion can be used to create a connection between the gunner and the necromancer. The perfect sniper round that kills a necromancer’s minion will not only tell the necromancer exactly where the sniper is, but give them a conduit to kill or disable the sniper directly. A necromancer’s range has been clocked at three thousand metres using this method.
So basically: If you're a cav and the enemy takes you out, your necromancer can instantly retaliate and kill your killer with their brain. And also they just gave their position away and can be tracked using that thanergetic link for quite some time after.
To effectively fight Cohort troops, BoE needs to move with absolutely no detection (which with necromancers means no killing anyone) until the instant they can attack and take out all the necromancers. If there's a single necromancer left alive, the person who delivered the critical strike is as good as dead, and an active threat to anyone around them.
Jod's empire equips cavaliers with swords because the necromancers are the guns.
