[teenage-disillusion-blog]

If someone ever tells you a certain song is important to them you should turn it up and lay on your bed and close your eyes and really listen to it even if its 10 minutes long because at the end you will know that person much better I think

[pleasetakemeoutofmybody]

My love for this post is unbelievable.

[funkelly]

Ghostbusters (1066)

by @FunKelly @ILoveHoltzbert and @lizvelic on twitter

[highwaytohell-a]

I, for one, think it is hilarious and perfectly in character

[femaleganondorfdragmire]

If you’re an artist, then this is for you.

This year, I want you to be unapologetic when you create.

Don’t apologize for your writing, drawing, music, designs, films, sculptures, cosplays, knitting, sewing, cooking, and anything else I might’ve missed.

Don’t apologize for the quality.

Stop being afraid of what you can accomplish. You might think you can do so much better, well guess what? You will. You’re always improving. But if you start to apologize for the best you can do at this moment, then you might restrain yourself, stop yourself from taking risks that will help you.

I know this is a hard thing to stop. I do it all the time. When I submit art to people that I’m not so confident about, I’ll apologize in advance.

This year, I challenge you, and myself, to stop doing it.

[bisexualahsoka-deactivated20180]

i’m screaming someone used an AI predictive text trained on all 7 harry potter books to write a new chapter and it’s the funniest goddamn thing i’ve ever read

[bvkspine]

[twelfth-river]

so i know that first drafts are allowed to be crap, that learning to write well takes time, and that the first audience i need to have in mind when i write is myself. i know all the things. but i’m not very good at doing them. every word feels like a test my future happiness depends on and sometimes i feel totally incapable of producing any work at all let alone the kind i want to. no real reason for venting this here, just sending it out into the universe, but i guess there are probably people who can relate. 

[salsastronk]

When the author deletes your favorite fanfic:

[help-n-quotes]

And kid, you’ve got to love yourself. You’ve got wake up at four in the morning, brew black coffee, and stare at the birds drowning in the darkness of the dawn. You’ve got to sit next to the man at the train station who’s reading your favorite book and start a conversation. You’ve got to come home after a bad day and burn your skin from a shower. Then you’ve got to wash all your sheets until they smell of lemon detergent you bought for four dollars at the local grocery store. You’ve got to stop taking everything so goddam personally. You are not the moon kissing the black sky. You’ve got to compliment someones crooked brows at an art fair and tell them that their eyes remind you of green swimming pools in mid July. You’ve got to stop letting yourself get upset about things that won’t matter in two years. Sleep in on Saturday mornings and wake yourself up early on Sunday. You’ve got to stop worrying about what you’re going to tell her when she finds out. You’ve got to stop over thinking why he stopped caring about you over six months ago. You’ve got to stop asking everyone for their opinions. Fuck it. Love yourself, kiddo. You’ve got to love yourself.

Unknown (via help-n-quotes)

[demonicvulcan]

person: but it’s canon

me: yes, but it’s very badly written, so we ignore it

[fozmeadows]

on fanfic & emotional continuity

Writing and reading fanfic is a masterclass in characterisation. 

Consider: in order to successfully write two different “versions” of the same character - let alone ten, or fifty, or a hundred - you have to make an informed judgement about their core personality traits, distinguishing between the results of nature and nurture, and decide how best to replicate those conditions in a new narrative context. The character you produce has to be recognisably congruent with the canonical version, yet distinct enough to fit within a different - perhaps wildly so - story. And you physically can’t accomplish this if the character in question is poorly understood, or viewed as a stereotype, or one-dimensional. Yes, you can still produce the fic, but chances are, if your interest in or knowledge of the character(s) is that shallow, you’re not going to bother in the first place. 

Because ficwriters care about nuance, and they especially care about continuity - not just literal continuity, in the sense of corroborating established facts, but the far more important (and yet more frequently neglected) emotional continuity. Too often in film and TV canons in particular, emotional continuity is mistakenly viewed as a synonym for static characterisation, and therefore held anathema: if the character(s) don’t change, then where’s the story? But emotional continuity isn’t anti-change; it’s pro-context. It means showing how the character gets from Point A to Point B as an actual journey, not just dumping them in a new location and yelling Because Reasons! while moving on to the next development. Emotional continuity requires a close reading, not just of the letter of the canon, but its spirit - the beats between the dialogue; the implications never overtly stated, but which must logically occur off-screen. As such, emotional continuity is often the first casualty of canonical forward momentum: when each new TV season demands the creation of a new challenge for the protagonists, regardless of where and how we left them last, then dealing with the consequences of what’s already happened is automatically put on the backburner.

Fanfic does not do this. 

Fanfic embraces the gaps in the narrative, the gracenotes in characterisation that the original story glosses, forgets or simply doesn’t find time for. That’s not all it does, of course, but in the context of learning how to write characters, it’s vital, because it teaches ficwriters - and fic readers - the difference between rich and cardboard characters. A rich character is one whose original incarnation is detailed enough that, in order to put them in fanfic, the writer has to consider which elements of their personality are integral to their existence, which clash irreparably with the new setting, and which can be modified to fit, to say nothing of how this adapted version works with other similarly adapted characters. A cardboard character, by contrast, boasts so few original or distinct attributes that the ficwriter has to invent them almost out of whole cloth. Note, please, that attributes are not necessarily synonymous with details in this context: we might know a character’s favourite song and their number of siblings, but if this information gives us no actual insight into them as a person, then it’s only window-dressing. By the same token, we might know very few concrete facts about a character, but still have an incredibly well-developed sense of their personhood on the basis of their actions. 

The fact that ficwriters en masse - or even the same ficwriter in different AUs - can produce multiple contradictory yet still fundamentally believable incarnations of the same person is a testament to their understanding of characterisation, emotional continuity and narrative. 

[earlgreytea68]

So I was reading this rumination on fanfic and I was thinking about something @involuntaryorange once talked to me about, about fanfic being its own genre, and something about this way of thinking really rocked my world? Because for a long time I have thought like a lawyer, and I have defined fanfiction as “fiction using characters that originated elsewhere,” or something like that. And now I feel like…fanfiction has nothing to do with using other people’s characters, it’s just a character-driven *genre* that is so character-driven that it can be more effective to use other people’s characters because then we can really get the impact of the storyteller’s message but I feel like it could also be not using other people’s characters, just a more character-driven story. Like, I feel like my original stuff–the novellas I have up on AO3, the draft I just finished–are probably really fanfiction, even though they’re original, because they’re hitting fanfic beats. And my frustration with getting original stuff published has been, all along, that I’m calling it a genre it really isn’t. 

And this is why many people who discover fic stop reading other stuff. Once you find the genre you prefer, you tend to read a lot in that genre. Some people love mysteries, some people love high-fantasy. Saying you love “fic” really means you love this character-driven genre. 

So when I hear people be dismissive of fic I used to think, Are they just not reading the good fic? Maybe I need to put the good fic in front of them? But I think it turns out that fanfiction is a genre that is so entirely character-focused that it actually feels weird and different, because most of our fiction is not that character-focused. 

It turns out, when I think about it, I am simply a character-based consumer of pop culture. I will read and watch almost anything but the stuff that’s going to stick with me is because I fall for a particular character. This is why once a show falters and disagrees with my view of the character, I can’t just, like, push past it, because the show *was* the character for me. 

Right now my big thing is the Juno Steel stories, and I know that they’re doing all this genre stuff and they have mysteries and there’s sci-fi and meanwhile I’m just like, “Okay, whatever, I don’t care about that, JUNO STEEL IS THE BEST AND I WANT TO JUST ROLL AROUND IN HIS SARCASTIC, HILARIOUS, EMOTIONALLY PINING HEAD.” That is the fanfiction-genre fan in me coming out. Someone looking for sci-fi might not care about that, but I’m the type of consumer (and I think most fic-people are) who will spend a week focusing on what one throwaway line might reveal about a character’s state of mind. That’s why so many fics *focus* on those one throwaway lines. That’s what we’re thinking about. 

And this is what makes coffee shop AUs so amazing. Like, you take some characters and you stick them in a coffee shop. That’s it. And yet I love every single one of them. Because the focus is entirely on the characters. There is no plot. The plot is they get coffee every day and fall in love. That’s the entire plot. And that’s the perfect fanfic plot. Fanfic plots are almost always like that. Almost always references to other things that clue you in to where the story is going. Think of “friends to lovers” or “enemies to lovers” or “fake relationship,” and you’re like, “Yes. I love those. Give me those,” and you know it’s going to be the same plot, but that’s okay, you’re not reading for the plot. It’s like that Tumblr post that goes around that’s like, “Me starting a fake relationship fic: Ooooh, do you think they’ll fall in love for real????” But you’re not reading for the suspense. Fic frees you up from having to spend effort thinking about the plot. Fic gives your brain space to focus entirely on the characters. And, especially in an age of plot-twist-heavy pop culture, that almost feels like a luxury. “Come in. Spend a little time in this character’s head. SPEND HOURS OF YOUR LIFE READING SO MANY STORIES ABOUT THIS CHARACTER’S HEAD. Until you know them like a friend. Until you know them so well that you miss them when you’re not hanging out with them.” 

When that is your story, when the characters become like your friends, it makes sense that you’re freed from plot. It’s like how many people don’t really have a “plot” to hanging out with their friends. There’s this huge obsession with plot, but lives don’t have plots. Lives just happen. We try to shape them into plots later, but that’s just this organizational fiction we’re imposing. Plot doesn’t have to be the raison d’etre of all story-telling, and fic reminds us of that. 

Idk, this was a lot of random rambling but I’ve been thinking about it a lot lately. 

[nianeyna]

“fanfiction has nothing to do with using other people’s characters, it’s just a character-driven *genre* that is so character-driven that it can be more effective to use other people’s characters”

yes!!!! I feel like I knew this on some level but I’ve never explicitly thought about it that way. this feels right, yep. Mainstream fiction often seems very dry to me and I think this is why - it tends to skip right over stuff that would be a huge plot arc in a fanfic, if not an entire fanfic in itself. And I’m like, “hey, wait, go back to that. Why are you skipping that? Where’s the story?” But now I think maybe people who don’t like fanfiction are going like, “why is there an entire fanfic about something that could have happened offscreen? Is anything interesting ever going to happen here? Where’s the story?”

[earlgreytea68]

Yes! Exactly! This!!!

This crystallized for me when I taught my first class of fanfiction to non-fic-readers and they just kept being like, “But nothing happens. What’s the plot?” and I was so confused, like, “What are you talking about? They fall in love. That’s the plot.” But we were, I think, talking past each other. They kept waiting for some big moment to happen, but for me the point was that the little moments were the big moments. 

[cosmotronic]

“the little moments were the big moments”

Exactamundo.

[ma-ghostly-petite]

Fic: Hot Chocolate and Fairy Lights

Title: Hot Chocolate and Fairy Lights

Rating: T

Summary: When the Ghostbusters are relocated back to the restaurant for the holiday season tempers run a little high and Erin ends up spending the night in an unexpected way.

This is my @holtzbertsecretsanta gift for @twelfth-river! I hope you enjoy, and happy holidays!

(I do not own Ghostbusters or its characters and all mistakes are my own.)

A03

[twelfth-river]

I can’t wait to read this!  I just finished editing my own gift so I finally get to spend some time reading all the fics from the secret santa tomorrow :D

[twelfth-river]

An Archive of Our Own, a project of the Organization for Transformative Works

This is my @holtzbertsecretsanta gift for @googoogojob ! Merry Christmas and Happy New Year! I really hope you’ll enjoy the fic! (this is the first of 3 chapters, I’ll be posting the others soon)

A big thankyou to @ma-ghostly-petite for all your help!

[twelfth-river]

Your Secret Santa here again! Your prompts are awesome. I'm having so much fun with them. I do have one question though! Have you seen Stranger Things? :0 Cause I have the potential for a reference but I don't wanna make one if you haven't seen the show. haha (And don't worry, you're not the only one a little behind on the writing. I am too. lol)

Hi! Yay, I’m glad you’re liking them! Nope, I haven’t seen Stranger Things yet- if you still wanna include a reference that’s cool though :D but I’m probably not gonna get it (I know a little bit about the show, but only what I've picked up from people discussing it online). Going to attempt marathon writing session this afternoon lol, no fear. wish me luck!

[twelfth-river]

Hi there, it's your Secret Santa! I just wanted to stop by and say I hope you've had a good weekend! :D

Hey there, thankyou! :D My weekend/week has been pretty busy but good (hence the late reply, sorry). I hope you’ve had a great week too, and I hope you found my prompts useful/not too vague :)  I’m really looking forward to seeing who’s who in this, though I do really need to get writing a bit faster to be ready for christmas... lots of ideas, delayed execution lol