walking for an hour is a such factory reset for when you want to kill yourself shoes on coat on hands in your pockets and keep it moving playa
ojovivo
almost home
No title available

gracie abrams
The Bowery Presents
NASA
The Stonewall Inn
untitled

Origami Around
🪼
RMH

pixel skylines

ellievsbear
Not today Justin
EXPECTATIONS

Kiana Khansmith
art blog(derogatory)

#extradirty
Sade Olutola
No title available

seen from United States

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@twoheadeddyke
walking for an hour is a such factory reset for when you want to kill yourself shoes on coat on hands in your pockets and keep it moving playa
once I snorted a fat line of nuance and everything started depending. watch out
i love wearing jeans. i feel so beautiful. like bruce springsteen
Who Even Am I? with the cast of The Odyssey
i ❤️ anachronisms i ❤️ historically inaccurate costumes i ❤️ big swings i ❤️ the ways stories shift with the contexts of their time i ❤️ thematic unspooling and respooling i ❤️ transformative work i ❤️ looking at a story through a new lens i ❤️ formal changes between mediums i ❤️ remixes i ❤️ amalgamation i ❤️ changes that desecrate the “sanctity” of a work i ❤️ iteration i ❤️ adaptation
PORTRAIT OF A LADY ON FIRE (2019) dir. Céline Sciamma
looking. at you
Eurasian nuthatch/Sitta europaea/nötväcka. Värmland, Sweden (16 July 2020).
Studying the hundred years war so I can study the war of the roses so I can read Shakespeare so I can read Macchiavelli so I can study the 30 Years War so I can appreciate Rembrandt so I can understand the rise of colonialism as a means of European hegemony so I can read Victor Hugo so I can read Marx so I can read Edward Said so I can read Dune so I can read Fevre Dream so I can read ASOIAF so I can write au fanfiction on the internet
Bowl, Wilhelm Kage, 20th Century.
the idea of going to the movies alone being like sad and pathetic is crazy to me like thats barely a social event to me. If you try to talk to me during a movie at the movies I will kill you.
Motorcycle Psychosis - Simon Angel
With Rachel Sweeney
Photography, 2026
Something about the bastardization of the story time and time again proves that nobody in power really cares about the people who would resonate with King’s Carrie White. A girl so ugly and repulsive she’s been removed from her own story. The societal need for women and girls to be constantly perceived as attractive is what fuels a fair amount of her torment in the book, but that person isn’t even allowed to exist on the screen. We cannot empathize with her; it isn’t allowed. It’s fascinating to me.
HOUSE OF THE DRAGON (2022—)