CIVICAMENTE è Valentina Carrara @valentinacarrara - Tumblr Blog

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International Women's Day: Sexism rife in textbooks, says Unesco -

grace--upon--grace

Emma Vidmar

valentinacarrara

Next time. Ecco si, farei questo la prossima volta.

#newyork #autunno #ricordi

“E’ forse nostro questo cielo azzurro, queste nuvole di striscio, quest’erba tutta intorno?”

Falecchio, novembre 2015 fa così bene ricominciare.

#falecchio #bergamo #piccola orchestra karasciò #ricordi

La passione nasce dalla terra stessa tra le mani infangate dei più piccoli, viaggia lungo maniche sporche di erba e arriva diritta al cuore

Richard Louv

#educazione ambientale #bambini #asilo nel bosco

my-sun-is-your-sun

The most important thing to develop in human beings is a sense of love, and an understanding of unconditional love. I’m not talking about the love towards a specific person, but love in a general sense; for life, for the planet, for purely existing.

Marina Abramovic (via my-sun-is-your-sun)

Love.

#marina abramovic #arte

mrgnmrgn

Marina Abramović - Artist Manifesto

1. An artist’s conduct in his life: – An artist should not lie to himself or others – An artist should not steal ideas from other artists – An artist should not compromise for themselves or in regards to the art market – An artist should not kill other human beings – An artist should not make themselves into an idol – An artist should not make themselves into an idol – An artist should not make themselves into an idol 2. An artist’s relation to his love life: – An artist should avoid falling in love with another artist – An artist should avoid falling in love with another artist – An artist should avoid falling in love with another artist 3. An artist’s relation to the erotic: – An artist should develop an erotic point of view on the world – An artist should be erotic – An artist should be erotic – An artist should be erotic

4. An artist’s relation to suffering: – An artist should suffer – From the suffering comes the best work – Suffering brings transformation – Through the suffering an artist transcends their spirit – Through the suffering an artist transcends their spirit – Through the suffering an artist transcends their spirit 5. An artist’s relation to depression:

– An artist should not be depressed – Depression is a disease and should be cured – Depression is not productive for an artist – Depression is not productive for an artist – Depression is not productive for an artist 6. An artist’s relation to suicide: – Suicide is a crime against life – An artist should not commit suicide – An artist should not commit suicide – An artist should not commit suicide 7. An artist’s relation to inspiration: – An artist should look deep inside themselves for inspiration – The deeper they look inside themselves, the more universal they become – The artist is universe – The artist is universe – The artist is universe 8. An artist’s relation to self-control: – The artist should not have self-control about his life – The artist should have total self-control about his work – The artist should not have self-control about his life – The artist should have total self-control about his work

9. An artist’s relation with transparency: – The artist should give and receive at the same time – Transparency means receptive – Transparency means to give – Transparency means to receive – Transparency means receptive – Transparency means to give – Transparency means to receive – Transparency means receptive – Transparency means to give – Transparency means to receive 10. An artist’s relation to symbols: – An artist creates his own symbols – Symbols are an artist’s language – The language must then be translated – Sometimes it is difficult to find the key – Sometimes it is difficult to find the key – Sometimes it is difficult to find the key 11. An artist’s relation to silence: – An artist has to understand silence – An artist has to create a space for silence to enter his work – Silence is like an island in the middle of a turbulent ocean – Silence is like an island in the middle of a turbulent ocean – Silence is like an island in the middle of a turbulent ocean 12. An artist’s relation to solitude: – An artist must make time for the long periods of solitude – Solitude is extremely important – Away from home – Away from the studio – Away from family – Away from friends – An artist should stay for long periods of time at waterfalls – An artist should stay for long periods of time at exploding volcanoes – An artist should stay for long periods of time looking at the fast running rivers – An artist should stay for long periods of time looking at the horizon where the ocean and sky meet – An artist should stay for long periods of time looking at the stars in the night sky 13. An artist’s conduct in relation to work: – An artist should avoid going to the studio every day – An artist should not treat his work schedule as a bank employee does – An artist should explore life and work only when an idea comes to him in a dream or during the day as a vision that arises as a surprise – An artist should not repeat himself – An artist should not overproduce – An artist should avoid his own art pollution – An artist should avoid his own art pollution – An artist should avoid his own art pollution 14. An artist’s possessions: - Buddhist monks advise it is best to have nine possessions in their life:

1 robe for the summer

1 robe for the winter

1 pair of shoes

1 begging bowl for food

1 mosquito net

1 prayer book

1 umbrella

1 mat to sleep on

1 pair of glasses if needed

– An artist should decide for himself the minimum personal possessions they should have – An artist should have more and more of less and less – An artist should have more and more of less and less – An artist should have more and more of less and less 15. A list of an artist’s friends: – An artist should have friends that lift their spirits – An artist should have friends that lift their spirits – An artist should have friends that lift their spirits

16. A list of an artist’s enemies: – Enemies are very important – The Dalai Lama has said that it is easy to have compassion with friends but much more difficult to have compassion with enemies – An artist has to learn to forgive – An artist has to learn to forgive – An artist has to learn to forgive 17. Different death scenarios: – An artist has to be aware of his own mortality – For an artist, it is not only important how he lives his life but also how he dies – An artist should look at the symbols of his work for the signs of different death scenarios – An artist should die consciously without fear – An artist should die consciously without fear – An artist should die consciously without fear 18. Different funeral scenarios: – An artist should give instructions before the funeral so that everything is done the way he wants it – The funeral is the artist’s last art piece before leaving – The funeral is the artist’s last art piece before leaving – The funeral is the artist’s last art piece before leaving

valentinacarrara

Un'estate d'arte.

#marina abramovic #arte

Quest’anno: argilla! Non vedo l’ora.

#Museo Fantoni #arte #argilla #scultura #rovetta

Primavera 2015.

Sono tornate, le rondini. Grazie ai miei ragazzi, variazioni in blu e ocra.

#ecomuseo val san martino #ecomusei #abbazia di pontida #arte #bambini #educazione ambientale

christinekellyandpartners-deact

I mean, can Annabelle be any more perfect? (Spoiler alert: NO). The only thing she needs is MORE DINOSAUR. As an avid lover of all things dinos, I can only concur.

valentinacarrara

Love it. And love MoMA.

#MoMA NYC #new york #children

wildlife-pirate

Wildlife corridors

Habitat fragmentation is a major contributor to human-wildlife conflict. Small “islands” of habitat often don’t have the carrying capacity for the animals that are forced to depend on it, which leads them to wander out into human settlements in search of food. Also, in the case of migratory species, when their migration routes are broken up by man-made structures the species will often continue on these routes, and in doing so, come in contact with humans, cars, homes, and farms.

What’s the solution? The real solution is to account for habitat connectivity when planning on where to put villages, farms, roads, and whatever else. But, this future planning can’t help the places where fragmentation is already a problem. For habitat that is already fragmented, one method is to “unfragment” it. Enter wildlife corridors. Wildlife corridors connect patches of habitat. They can be overpasses, underpasses, swaths of land, backyards etc. In most papers their main purpose is stated as aiding in dispersal and genetic exchange between populations. However, an added perk is that increasing habitat connectivity decreases the need for animals to leave their habitat in the first place, thusly decreasing conflict. Designing these corridors is no small feat though. Their design takes careful planning and a thorough understanding of the target species and their movement patterns. Luckily, there are people out there who devote their time to making these corridors happen:

A Maasai group ranch recently leased some of their land to be designated as a corridor for elephants in Kenya; Panthera has their huge Jaguar Corridor Initiative where they are trying to connect jaguar ranges throughout South America; and a corridor is being planned in California across route 101. And of course there are the hugely successful corridors that have already been trod upon by many paws and hooves. Banff National Park has an overpass and underpass, both shown above (2nd and 3rd pics). In Kenya, a highway underpass as reunited two herds of elephants (bottom picture). There is also the China-Russia Tiger Corridor, established in 2012 for the highly endangered Amur Tiger!

Image sources HERE, HERE, and HERE.

valentinacarrara

E dai primi di marzo ... attraversamento rospi. Ovvero gli animali wild di casa mia!

#rospi #guardiaecologicavolontaria

Milano, gennaio 2015

This city cares not for its past, leggo in un blog dedicato a Berlino e mi dico ma no, io la penso proprio al contrario. E poi mi dico, che venissero a Milano, a vedere com è quaggiù.

Milano che ci prova, dal fascino irresistibile dall'alto della torre. Ma anche dal basso, nelle sue cascine e cavalcavia e orti condivisi. E, infine, nelle sue viscere, in quella stazione centrale che ha visto troppa gente andarsene via.

Milano che forse per la prima vedo chiaro il tuo passato. http://www.memorialeshoah.it

#milano #eccomi #memorialeshoahmilano #ricordi