Meaty meaty
Game of Thrones Daily
RMH
Three Goblin Art
occasionally subtle

if i look back, i am lost

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blake kathryn
Keni
Sweet Seals For You, Always
Show & Tell
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Stranger Things

tannertan36
almost home

PR's Tumblrdome
NASA
Cosimo Galluzzi
Monterey Bay Aquarium
AnasAbdin
we're not kids anymore.
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@vladcvnt
Meaty meaty
Well remembered 180th deathday John Torrigton!!!(1825-1/1/1846)
Here's triptych I made a year ago of the beechey island mummies, it was meant for a zine project but it wasn't finished in time. I find the portraits quite ugly now that I actually had a painting course.
@corydoric
Cherry Garrard photo study
1915 polar exploration wrap up: this year you were all about THE PROF you listened to 5000 hours of THE PROF your number one genre was GEOLOGY
good dirk will have a mf laid up watching italian film saying shit like so that's the night porter?
so that's gustav von aschenbach?
The Terror (2018) / The Great White Silence (1924)
One of my biggest dislikes in au fanfic is when Silna is just there as a cameo character - or when she's happily married to Goodsir (and worse, when she's taken his last name!) with no real explanation of how she got there or what she's doing in England (usually it's England). This is not to say I don't want her there! But to have her cameo as just "part of the gang" often feels so disingenuous. In canon, she is fundamentally an outsider, she is not there by choice, and her entire relationship with the individual men and with English/Western society is defined by her status as an indigenous woman of color and the trauma that brought her there. I'm not saying every fic she shows up in needs to discuss her Trauma or dive into the colonial politics of it all, far from it, but throwing her in as a "fun" namecheck feels very different than it does with the rest of the characters. I love it when she shows up in a well thought out way, I also love to see her get to flourish in other circumstances. I just want the author to have answer to why Silna specifically is in this story. Nothing throws me like having her just randomly be in England with no reference to what she's doing there, her background, etc. It's not the same as having Pilkington be the bus driver: one is a character with a very specific and marginalized history and character, one is a background white man known in the fandom as "if you know this guy you're never getting out".
(While I'm here, "Silna Goodsir" especially feels like the author missed a huge part of the point and the entirety who she is as as character. You expect me to believe this Indigenous woman is taking the name--an inherently Western custom--of an English man?? On a similar note, making Tuunbaq her pet dog in the vein a fun fluffy Great Pyrenees is just as galling if not more so in ways that would take an entire other ask to get into.)
This fandom is filled with incredible writers. I just want Silna to get the same (ideally more, really) consideration when transposing her into an AU as the English/male characters get.
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Drax & Cavendish + Me and Michael by MGMT
By Christ, that was the best rendition of Hamlet the world will ever see! The only pity was it was only the wolves that saw it.
Withnail and I (1987) dir. Bruce Robinson
MILD hurt/comfort? nuh uh. torture him. sepsis. swept downstream in a frozen river. 6 month convalescence. commit to it.
paddy mayne: lt col blair 'paddy' mayne, 1 sas regiment/photos taken of eoin mcgonigal by paddy mayne/army portraits
i love this shot. just a little guy and his armful of stolen guns.
Jack O'Connell as Paddy Mayne SAS ROGUE HEROES S01 E05
“and i think of you” - unknown poet x paddy/eoin