shark vs the universe
Game of Thrones Daily
JBB: An Artblog!
he wasn't even looking at me and he found me
Sade Olutola
oozey mess
h
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
almost home
KIROKAZE
★
Origami Around
Andulka
dirt enthusiast
d e v o n
NASA
No title available
2025 on Tumblr: Trends That Defined the Year
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@walleater3000
I love this moment with Eden. Even though Eden hates the town, he still goes there to find PC because he's so worried about her and wants to bring her home soon. Yeah, he's… Not good person, but we still see that he cares deeply for PC. I suppose it should be creepy, since Eden is looking for PC and he's very angry, but the fact that he spent part of his time drawing a portrait of PC and then walking around with it, pestering random people in the town, makes me giggle.
Ohellyeaboi!!! Cornfed x Duckman!!!!!
the things he’d do for his boss…
Tv girl duckfed frrrr
The second one is a future redraw of this screenshot
good morning
the things he’d do for his boss…
what genre of character is this because I want to consume more
I'm not afraid to admit that Cornfed's voice does something to me
the m in evil morty stands for mistress
they be doing allat for what
Guys if you want queer shit written by queers on our own terms you're going to have to start seeking out weird independent media. I'm sorry that's the only place you can regularly find it idk what to tell you, we can't keep acting like there's nothing if we're not getting blockbusters and triple A titles or whatever it is we're waiting around for. The thing you keep saying you want is already being offered for free by one person making a passion project on the internet and you would both benefit enormously if you interacted with it instead of lamenting that the only options we have for representation are pandering afterthoughts from corporate shit
I say this with so, so much care: Real queer shit written by real queers can and will sometimes make you uncomfortable. That's one of the defining features of weird, independent queer media. And weird independent media more broadly. Art that comes from true individual passion and authenticity has edges and bite to it that mass market corporate products intentionally do not. Has a rawness that can offend.
You are allowed to feel uncomfortable about it. But don't ask for queers to self censor for your comfort.
Always bear in mind that there is absolutely no legitimate evidence that Luigi was actually the one who killed the insurance company guy.
Of course he wasn't. He was at a party with me that day.
No but like literally, actually. All bits aside.
He didn't do it.
The cops very clearly planted evidence on him because they had to make an arrest because all eyes were on them and whoever actually did the deed was making them look stupid.
Why would the real killer hero have kept the weapon on his person and traveled two states over while carrying it and a manifesto in his bag, conveniently turning the crime into a federal matter? The same guy whose bag they found in a park, filled with monopoly money? Why did the police turn off their bodycams, take Luigi's stuff, drive a block away, turn their bodycams back on, go back into the restaurant, and then arrest him?
From the moment of his arrest, even left-of-center media has been presuming his guilt without examining anything (e.g. calling him "the killer" instead of "alleged" or "accused") and then when I say he didn't do it, the nearest person chimes in with some quip that tells me they think he did do it but should go free anyway. Don't get me wrong, I would have the same attitude if he had done it. But he didn't. It makes me feel like the only sane person in the world, even among my staunchly leftist friends.
game of the year 2026
The most intuitive, most versatile, most adaptive, and greatest artists of our time are using their skills to create discomforting, high-concept abstractions of analog horror characters and Pack Of 500 Cigarettes in Tomodachi Life
rate the fit
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
reblogging for Black History Month!
