art blog(derogatory)

@theartofmadeline
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almost home
The Stonewall Inn
untitled

bliss lane
Claire Keane
h

oozey mess

Love Begins

❣ Chile in a Photography ❣
Monterey Bay Aquarium

tannertan36
One Nice Bug Per Day
🩵 avery cochrane 🩵
RMH
NASA
Today's Document
"I'm Dorothy Gale from Kansas"
seen from United Kingdom

seen from Malaysia

seen from United States
seen from Germany
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seen from United States

seen from United States
seen from Chile

seen from Italy
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seen from Australia
seen from Vietnam

seen from Uzbekistan
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seen from Brazil

seen from Spain
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seen from United States
seen from Kenya
@wateryrealm
An anatomy teacher holding a skull and talking to students.
Sketch from f.2v of MS A.19, a 15th-century Flemish copy of Jan Yperman’s Cyrurgie.
This is slightly terrifying.
(via)
i just remembered i dont want to be flayed alive at all actually
Baudelaire himself feels the influence of this surgical metaphor of love when in Fusées, a section of his Journaux intimes, he claims several times that “the act of love is quite similar to a moment of torture or a surgical operation.” […] As for metaphorical surgery, it appears in Baudelaire’s Paris Spleen […] Baudelaire introduces a Parisian prostitute in the poem “Miss Scalpel,” in which we witness the humorous meeting between Miss Scalpel and the poet. Miss Scalpel is described by the poetic subject as an “unexpected enigma” who mistakes him for a surgeon of love “so nice and good to women.” The poet is attracted to her enigmatic figure—enigmatic because of her incongruous fantasy of being loved by a surgeon, or a man disguised as a surgeon who would come to see her “with his bag and his apron even stained with a bit of blood”. Miss Scalpel thus offers the poet a new identity, that of a surgeon, “a man who loves to cut, and hack and carve” the bodies placed in his professional hands. […] “Miss Scalpel” transfigures the poet into a surgeon whose love for cutting bodies is transmuted into poetic operations of dissection.
—Cutting the Body, Eliane DalMolin
Fatemaxxing by believing in myself
[A white fortune cookie paper with blue text reading: The stars appear every night in the sky. All is well. Lucky Numbers 10, 16, 18, 27, 30, 32]
“…unharmed by the fading of our senses, immune to all change, immune in the most unthinkably far regions of ourselves, of our hearts, of our souls, perception lived on, imperceptible, unevocable, unexplorable, unrecognizable to itself, and it sought the counter-perception in the other soul, in the other heart, in the invisible depths of the other,”
— Hermann Broch, The Death of Virgil, trans. Jean Starr Untermeyer.
A few little things from plein-air at my friend @krulbert 's place 🏰✨
Lauren Cuthbertson in rehearsal for Christopher Weeldon’s Alice’s Adventures in Wonderland
ph. Charlotte MacMillan
“In myself, too many things have perished which, I imagined, would last forever.”
— Marcel Proust, from Swann’s Way, volume one of In Search of Lost Time (via days-of-reading)
It’s plum season
Desire in itself is empty, in other words it merely indicates direction, but never destination; destinations, in any case, always remain phantasmagoric and unclear; the closer we get to them, the more enigmatic they become.
Olga Tokarczuk, Flights (tr. Jennifer Croft)
Album credits from the inner sleeve of Kate Bush’s ‘The Dreaming’ (1982)
my little explorer resting in a velvet box