Tony Stan

19 They/Them En/Spa. I love you 3000 occasional artist and roleplayer

[serpentstyles]

[sinnerism]

Stevie Nicks performing on stage

[thegettingbyii]

finally finished my skeleton carhartt, based off this jacket

[queerpeers]

yeah im “transitioning” *dissolves into tiny pieces as i click to the next slide*

[queerpeers]

[xuxii-bunny]

Is there a transfem version?!?

[queerpeers]

ask and ye shall receive

[roseycanvas]

Nonbinary version?

[queerpeers]

enjoy 💛🤍💜🖤

[bluberry-parfait]

The Pond- Mary Oliver // Elena Katsyura // ‘Orange-Like’ from ‘Almond Blossoms and Beyond’- Mahmoud Darwish // ‘Notebook Fragments’ from ‘Night Sky With Exit Wounds’- Ocean Vuong // Elena Katsyura // Summer in Calcutta- Kamala Das // Darker Than Erebus- L.L. @darkerthanerebus // Oranges- Roisin Kelly (2) // Stolen Moments- Kim Addonizio

[mitskey]

one orange, so many stories

— Gary Soto, Oranges/ Casey McQuiston, One Last Stop/ Nina Lacour, We Are Okay/ Wendy Cope, The Orange/ Francisca Matos, And Where Were You That Summer

[myheartbeside]

[vellichnora]

Love is stored in the orange segment

@rosewater1997

@sunlightafterdark on instagram

Helge Helme

Herbert P. Barnett

Night sky with Exit Wounds- Ocean Vuong

And where were you that summer- Francisca Matos

Yasica, Puerto Plata - JP Infante

The Orange, Wendy Cope

@all-the-bad-dreams-that-you-hide

And where were you that summer- Francisca Matos

[teethofselene]

a study in sapphic love and intimacy

girls like girls by hayley kiyoko// black iris by elliot wake// gentleman jack written by sally wainright// if she ever leaves me by the high women// atypical written by robia rashid// texas rezkinoff by mitski// slumber by hélène delmaire (2016)

[rendevok]

CW: Blood

“My fate in your hands”

[promethiae]

If you like the wellerman, try on this classic

this is a pathologic ass song 

[rosslynpaladin]

The Chemical Worker’s Song. Not far off our current days’ wage slave experience. I’m telling you, you need Union Songs.

Sailors aboard a ship used to hum to warn the captain they were THIS close to a mutiny and didn’t like conditions AT ALL. Because humming was something others could keep doing when you stopped. Anyone comes close you stop, but the hum of the rest keeps on and they can’t prove who, exactly, is doing it.

Just saying.

[fuckyeahnaturalphilosophy]

Sea shanties are a gateway drug to work/labour songs of all kinds, labour songs always end up including union songs, and that’s how you end up extremely hardcore for organised labour.

And if people want more information, this particular song is called “The Chemical Worker’s Song (Process Man)”, written by the Canadian folk group Great Big Sea.

Sea shanties and labour songs are an active tradition! Are you pissed? Sing about it.

[trisshawkeye]

The Chemical Worker’s Song is iconic (and in fact a longtime staple of UK LARP filk!) but while Great Big Sea did a cover of it, it was in fact written by Ron Angel in the UK, in 1964. Originally called the ICI Song, it referred to the grim working conditions in an Imperial Chemical Industries factory in north-east England. 

[beowulf22121]

The lighting in this video takes it from great to awesome.

[sally-mun]

I have officially concluded that this woman is a siren. My evidence:

1) Outstanding vocal ability no mere mortal could hope to achieve 2) Haunting lyrics that speak to deep and depressing truths of the world 3) No way to prove she has legs 4) I feel so enchanted listening to her sing that I’d probably let her drown me

[spiritsonic]

Here’s a full version of The Chemical Worker’s Song, for anyone who’s curious

[gwywnnydd]

This whole song hits like a sledgehammer, but the stanza that sticks out to me lately is this one: 

There’s overtime and bonus opportunities galore The young men like their money and they all come back for more But soon you’re knockin’ on and you look older than you should For every bob made on the job, you pay with flesh and blood

[billspreston-esq]

[llovelymoonn]

hi, please could i request a webweaving about apathy/numbness?

toi derricotte the undertaker's daughter: "my dad & sardines" \\ nadzeya kryvulia a multi-faceted person \\ roya marsh dayliGht: “in dayliGht black victims looked gagged” \\ glenn brady sedated \\ william matthews apathy \\ graig gamboa 1309186094861206410967039417290341 \\ hanif kureishi the buddha of suburbia \\ yiannis galanakis apathy \\ rainer maria rilke selected letters, 1902-1922 \\ marta geras fatigue \\ heather havrilesky how to be a person in the world \\ cai ruei-heng everyone juice \\ anne carson glass, irony and god: “the glass essay” 

kofi

[primulaceas]

Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead (translated by Antonia Lloyd-Jones)

[theotherkingdoms]

i. Kaveh Akbar, "My Father's Accent" from Pilgrim Bell | ii. Hayley Williams, "Simmer" from Petals for Armor | iii. Sjohnna McCray, "Portrait of my Father as a Young Black Man" from Rapture

[maroonracoon]

Drawing for you

[julyhighcry]

to want and be wanted

georges bataille / emily palermo / olivia laing / @chaandajaan / georges bataille / cj hauser / @kvetchkween / @nicholasbraungf / vi khi nao / silas denver melvin