This is how it went down right?
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Not today Justin
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@whateverisonhere
This is how it went down right?
FIC RECS FOR ALL THE GOOD HADES/PERSEPHONE FICS OUT THERE PLEASE GO
OK MOST OF THESE ARE SMUTTY (SEE: ALL) BECAUSE LET’S BE REAL
The Lito: This is a modern-day Olympus/Greek Mythology fic community so everyone’s there (no really - everyone). The Gods and Heroes have jumped ship to modern day, so they all have to get jobs and lives and shit but it’s Greek Gods so of course shit’s bound to happen. Hades and Persephone are married and super great (there’s bathtub shenanigans, elevator hijinks and more) and it’s got pretty good plot which is always a huge bonus. I’m fairly certain it’s still ongoing, too.
The Earth Dies: This I stumbled on in the tags on tumblr, so I was hesitsant. It’s pretty much the myth retelling with an extra serving of smut so it’s all good. Plot-wise/writing-wise, it does start to go downhill, and it does feel slightly rushed, which is chalked up to writer’s block. But the first half filled with the delicious smutty stuff is ace.
Lover: Just a little one-shot with Persephone coming back to Hades for the first time. He doesn’t believe she wants to, so she proves that she’s doing it of her own free will. Nice, well-written with some lovin’ there for you.
If Not, Winter: Again, another retelling of the abduction.
King & Queen of the Underworld: A short series (well, two stories) about the abduction. The first part has warnings of non-consensual sex, but it wasn’t altogether as bad (that sounds really bad doesn’t it?)
This author on AO3 does a lot of little smutty one-shots for the Greek Mythology fandom. They’re quite short, but nicely written.
Queen of the Dead: Here we have Persephone totally dtf. This starts off really well, then dialogue happens. This doesn’t seem like much of a recommendation, but really, it’s a laugh. And the beginning is quite good.
The Year-Wheel’s Reunion: Persephone returns to the underworld for some lovin’.
can we get a blurb of h and persephone on a night they reunite on earth when he’s visiting her 🥺🤲🏼
yeah🥺 we can🥺
…
Persephone is already on her second drink when she finally sees him. He’s standing by the entrance to the hotel bar, dressed in an ostentatious suit. His hair is a bit longer since she last saw him, having been three months, but the recognizes the familiar curl of it. She’s missed playing with it as he falls asleep.
When Hades spots her sitting at the bar, he grins. But she doesn’t return it.
“You’re late.” She says, her eyes on her glass as he approaches her. “We said 5pm. Sharp.”
“I know, Petal. But I had to take care of some business.” He doesn’t sit down, but instead waits for her to acknowledge him. “I’m sorry. Please forgive me.”
Keep reading
As Above, So Below Ch. 12
Summary: Your average, mundane life as a college student is flipped upside down when the man you thought you knew as your next-door neighbor turns out to be the God of the dead. When Michael lures you down to Hell, everything that you thought you knew about the world is proven wrong.
Word Count: 2878
A/N: This chapter’s sad, not gonna lie :( But it’ll get better, I promise! Feedback is always appreciated and my inbox is always open!
Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6 | Chapter 7| Chapter 8 | Chapter 9 | Chapter 10 | Chapter 11 | Chapter 12: Wish You Were Here
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Global Warming Dance
Sunny spring days are good days for exploring 🐓🐓🐓
Part of your world 💜
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A knight in shining armor outsmarts the dragon and climbs to the highest tower, only the princess locked away at the top of the tower is… a lesbian.
“Oh thank god,” Thomas says, laying his helmet down. “Because I kept thinking on the climb up here that this was going to be a really awkward first meeting, and its stupid to expect you to fall in love with me just because I saved you.”
Lucinda gives him a surprised look. “You’re rather weird. Usually I get guys that demand I fall in love with them because they ‘saved’ me. Which by the way, you didn’t actually do.” She jabs a thumb towards the direction of the dragon. “She’s trained. I tell her to keep assholes away from me, but if I tell her to let you in, she won’t do anything to you.”
“Oh.” Well now he feels a bit better. “But um, the whole lesbian thing? I uh… god this is going to sound weird, but would you consider dating my sister if I brought her to you?”
Lucinda blinks, opens her mouth, and then shuts it. She finally settles on, “Is your sister cute?”
“Um, I don’t know? I mean to me she is, because she’s my sister. But um.”
“Describe her.”
“Red hair, freckles, five foot… two, I think? Likes to make dresses and pretty headdresses out of flowers, her favorite activity is scrapbooking. She’s nineteen and looking for a nice girl to settle down with.”
Lucinda admits, she sounds tempting. “Fine, I’ll meet her. But why are you acting as the go-between for your sister’s love life, exactly?”
Thomas grimaces. “Dad wants to marry her off, and she’s… kind of a lesbian too. Except dad thinks if he throws her at the right dick, she’ll suddenly want that, so… yeah.”
Lucinda cackles. “Oh my god, you climbed a tower to wingman for your sister?”
“Um, yes?”
She stands, brushes her dress off. “I like you. Show me this cute little sister of yours. We’ll take the dragon - let’s see what that old man of yours thinks when a stolen princess shows up riding a dragon wanting to marry his daughter.”
“I think he’ll have a heart attack.”
“Even better. Now let’s move. Pudding, come!”
“You named your dragon Pudding?”
“He named himself Pudding.”
You have done a good thing
the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA
That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body.
OKAY BUT HOLD ON THOUGH.
I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.
Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.
Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.
And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.
The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.
Daaaamn, Tony. That’s fucking deep, my guy
I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.
TEXAS?!
…Texas?
NGC 3532
Image credit: Maicon Germiniani
Crescent image of Titan taken by the Cassini spacecraft from a distance of 1.2 million km on October 12, 2010.
Image credits: NASA / JPL / Space Science Institute / Mike Malaska
hm, yes. I have decided to love myself from now on
and i don’t know anything except that green is so green and there’s a special kind of sadness that seems to come with spring
The flowers, from Disney’s Alice in Wonderland.