Tifa for today!!
$LAYYYTER
todays bird
Sade Olutola

#extradirty
The Stonewall Inn

tannertan36
h
cherry valley forever
ojovivo

❣ Chile in a Photography ❣
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hello vonnie
d e v o n
PUT YOUR BEARD IN MY MOUTH
Mike Driver
I'd rather be in outer space 🛸

Jimmy Eat World
Cookie Run:Kingdom Official!
KIROKAZE
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@whostoleanisarian
Tifa for today!!
Hypothetically In an AU where Taylor and Amy had a cluster trigger and formed a kiss/kill dynamic (mutual obsession) how do you think that would affect Amy's feelings towards Victoria?
the two main possibilities that I see are 1. Amy's feelings are dimmed but still there or 2. Amy keeps having both emotions in equal measure which would create a conflicted mess inside her head.
Thoughts?
My theory is this: the power simply short-cuts, taking her obsession with Victoria and transplanting it on Taylor. Amy responds weirdly to this, since on one hand she now has an 'acceptable' person she is romantically attracted too, but due to Victoria would know it wasn't really anything she did to solve her problem. Add into this the Shard just not doing a great job of disentangling her platonic and romantic emotions and she develops this sort of resentful emotionally dependent dynamic, where she oscillates between incredibly overly invested with periods of emotional distance when she's mad she lost her choice over it.
cannot stop thinking about the fact that dinah had seen taylor as khepri all those years ago
she knew what would happen the whole time, or at least that there was a high chance
"you're there but you're... different"
fuck
taylor doing in everything in her power to save dinah, and all dinah can see is what she will become
To make it worse, she can't see what Taylor will become. If she was capable of seeing the specifics, the plan would have been derailed when the Simurgh started to influence things after Eidolon died. It is likely that, originally, Dinah's Khepri was done by Riley, Tattletale having been talked around.
She saw Taylor but different. She got Queen Administrator with Meat.
When I was diagnosed at age sixteen, after having one period in the eighth grade and then never again till a medically induced one my junior year of high school - my uterine lining measured in centimeters because it was so thick, my mother turned to me in the car. She was upset. Literal tears in her eyes. And she told me her friend had PCOS, but was still able to have kids. That this was still a possibility for me if I did injections and fertility treatments, etc. My mom had never asked me if I wanted kids, she just assumed.
My first conversation about PCOS with my new endocrine/OBGYN was about weight management and how that could improve my fertility when I eventually wanted kids. It wasn't asked what my goals were for my health or if I wanted kids, just assumed.
I was a hormonal, depressed mess. I hated my body. My body dysmorphia was so bad that I cloistered myself away from so much. I wore hoodies and jeans in the 90°F, 80% humidity summers. This was considered fine. I was given metformin and birth control pills and told this was all that could be done. That PCOS wouldn't affect my life until I wanted to be pregnant. I wasn't asked if I wanted to be pregnant, just assumed.
I don't know how many PCOS groups I joined on my early 20s hoping to find community and commonality for body dysmorphia and symptom management, only to be bombarded with fertility treatments and tips and 'inspirational conception' anecdotes. They never asked if I was attempting to conceive, just assumed.
It's a problem. It's been a problem. And thank god I learned to speak up and find medical professionals that would help me with *MY* goals. I shouldn't have had to, someone should have recognized the needs of that sixteen y.o. and protected her, but I can only hope the conversation changes as awareness increases.
I refer to the protagonist of fallout 4 as NateNora because both the man and woman versions of the character are essentially the same person.
Because they gave this game a voiced protagonist, Bethesda has invited me to analyze the sole survivor NateNora as a person and my analysis says that because it doesn’t really matter much which spouse you choose to literally fridge that they’re one of those couples who have been together since high school and as a result are basically two halves of the same braincell.
Same sense of humor, same homicidal tendencies, same compulsion to collect random magazines.
If you knew Nate and Nora before the apocalypse you probably couldn’t invite one without inviting the other and both of them probably kept the exact same pictures of baby Shaun in their wallets. Not exactly the same person per se, but they’ve been together for so long that if you remove one of them the other basically doesn’t know who they are.
Which is my theory as to why one of the possible first thoughts they have upon being unfrozen to a dead spouse is violence. You killed their other braincell, Kellogg. That was all of their impulse control and you’re about to pay the price for that. They actually have to develop a personality now and it’s all your fault.
Something I've wanted to talk about, and something I intend to cover with Tortuga the Fanfic is Capes and 'old age' relatively speaking.
Consider this:
The Thinker and the Warrior arrive around 1980, and its sorta doubtful how many triggers happened that first day as Scion was getting settled and Eden was crash landing. What we know for certain is that the same day Eden crashed, Fortuna got her power and promptly lobotomized Eden. It appeals to me to think of Fortuna as the first parahuman considering both her conceptualization of her power as 'The Path', in the sense that she needed to be the one to take the first step on something that'll set the future of Earth Bet and adjacent dimensions both in motion and in stone. We know that Earth Bet considers Vikare as the first parahuman, at least to those who don't consider Scion to be the first, so if there were other parahumans active from around 1980 they would've been considered first or second or what have you if they were more notable. The world does not know about Contessa and largely remains ignorant of her all the way through Gold Morning (i still have yet to read Ward so she might become known to the public).
We can therefore place Contessa as probably the one person who has been a parahuman the longest, all the way up to our 2011 start date for Worm and many fanfictions. If I remember correctly, she was around eleven years old when she got her shard. Young but not too far from the usual teenager trigger area. Influenced more by her shard, like Bonesaw (who was even younger iirc, like six?) and granted breadth and depth. Her entire life was guided by her power after all. She'd be 42 as of 2011.
I've mentioned Vikare but in the spirit of preserving my own time from wiki-diving and yours by reading, I think I'll dismiss the dead heroes who don't have a long career. Of those that pass that filter off the top of my head there's Vikare who had a 7 year career from his meeting with Scion in 1982 and his death in 1989, and Hero, who must've been given a vial somewhere around the same time since his vial was one of the first batch extracted, so lets also give him 1982 as his vial point. They probably took a year to figure out how or even if they should extract powers from Eden's dying body, and Hero was one of the first ten vials they tested and he coincides with Scion appearing above the ocean so 1982 makes sense to me, and his death in 2000, giving him a 18 year career. If there are other capes with long careers that died before 2011 I'd love to hear it, considering both the topic of this post and the interest Tortuga herself would have in the longevity of other parahumans and their careers. Hopefully you'll begin to see why she'd care.
Of the living (as of 2011) heroes and villains who have had long careers, we've got a few that spring to mind. The surviving members of the Triumverate, Eidolon, Legend and Alexandria. Doormaker was in the same batch as Hero was, and there were six survivors, five having no complications, Doormaker being the only unmutated one. Doormaker, Hero and a "girl who can teleport" who probably died before the start of Worm. There's also one who might have been Eidolon in the first batch since Contessa refers to him as "Only one was a little harder to figure out, coming with a fog around him." and that honestly sounds like Eidolon's whole schtick. Lets throw Legend into that first round as well. We know Alexandria came later with a private visit with Doctor Mother and Contessa in 1986. Alexandria meets Hero, Eidolon and Legend in 1988 where they formally create the Protectorate (team) to counteract the rise of natural triggers creating more Villains than Heroes, and the tone of their introductions to eachother seem to imply that Alexandria is the impressive rookie out in Los Angeles and has been pulling a good track record in her two years since getting a vial. So, that gives us Eidolon and Legend starting in 1982~ and therefore 29 years of being parahumans/capes and Alexandria 25 years of being a parahuman/cape.
Off the top of my head on the villain side I think Uppercrust might be the only one that springs to mind. He's been dying of cancer/unspecified medical problems since his trigger event and I sorta recall him being an older man. I don't have a start date but I assumed, and intend to write it into Tortuga the Fanfic, as him having around 20ish years of being a cape and running the Elite to pay for his medical bills.
I'm honestly drawing a blank on any other heroes/villains. But these seem to be the most important to point out. Everyone else who is alive but a veteran hero either has a shorter career or died before they could break that barrier of 20 years. Hero was probably the greatest Tinker of all time and even he couldn't make it past 20~ years. The ones who do make it past that barrier are a man who can have any feasible power, a woman who literally cannot be harmed except by an all-or-nothing power, and a man who can transform himself into a light breaker form to cheat death and regenerate. Uppercrust might even be outright apocryphal from my reading of Trailblazer. I don't actually know of any villains that have been around since the 1980s in Worm, which makes a lot of sense actually. They're not likely to survive the increased attrition rates of Villains relative to Heroes and independents.
So now we come to the point of my post. Tortuga triggers the afternoon of Vikare's death, 1989, from the traumatic mixture of a dysfunctional african-american home life, a decade and a half of institutionalized racism, squashed daydream fantasies of heroes like Vikare rescuing her from both of these, and the neglectful discharge of a gung-ho police officer responding aggressively to a domestic disturbance call. As of 2011 she has been a parahuman for twenty two years, and at the start of our story, has come out of a restless retirement that began in 2009 after an attack on Mexico City by Behemoth on May 14th shook her confidence in her ability to stay in the game for two years. She has been a mercenary cape for twenty years, moving across the southern united states, central and south americas working for villians, freedom fighters, heroes, villainous heroes, the people and governments all across this range.
A question she is asking herself is; how long can she keep rolling the dice? She's outlasted the best Tinker in the world, which she supposes means that title would pass to her, if not at least making her the most experienced tinker in the world and she's rapidly coming up behind the most respected, most experienced and longest running parahumans, a gap that is more likely to shrink over time as Alexandria, Eidolon and Legend continue to actively work as Heroes and fight Endbringers. Without finding any Villains who I can point to in the text or canon and say "They've lived longer and been more experienced" that would leave Tortuga as the most experienced Villain in Worm (or at least the fanfic.)
A lot of our protagonists in the Worm fanfiction community are teenagers. This is largely because our favorite protagonist, Taylor, is herself teenaged, but it seems like the setting favors young children to young adults fighting for their lives against a system designed to force them into conflict and their inevitable confrontation with the end of the world. How many fanfics take the perspective of an older cape as center stage? An older woman, an older parahuman who perhaps has a better sense of self than our angst ridden, fresh off the trigger protagonists. Someone who has maybe gotten over a few of the things that turned her into a parahuman in the first place. Someone who has at least turned some of her wounds into scars.
My main motivation for this is rooted in my own age. I'm getting older. There's a metatextual bend to my intent here. I'm probably not alone in the idea that if I could give fifteen year old me some advice, it would probably look and sound very similar to how I want Tortuga to mentor Taylor in this story.
When I first read Worm, I was Taylor's age. It gripped me tightly with how much I found myself reflected in her. As an older woman now, I certainly read Worm wishing I could put my hand on Taylor's shoulder and say "No. None of this is normal. Children shouldn't have to fight wars. You need someone on your side, someone who can help you not have to carry it all on your shoulders. You need to take time to be with the people you love before you look around and can't find them anymore because you've been fighting your way forward."
There's a sobering thought to this. I will grow older, but Taylor Hebert, in the text of Worm, will stay the same age. Forever. Nothing I do (except a trip to Canada and a recreation of Stephen King's Misery. joke.) will change that.
But I can give her a version of her story where she had someone, an adult, who wasn't out to get her, who gave her every piece of advice she could as she needed, and would advocate for some reason and accountability. It's the kind of story I would've liked for myself, and some of the best advice I've gotten on writing stories is to write for myself.
So that's two of the many things I want to address in this story I'm writing up. Age, and how to survive it when the odds are stacked against you, and Youth, and what I wish I could've said to a younger me being said to Taylor. We were both 16 in 2011. I'd like to think she's in Earth Aleph, facing the same things we are. Getting older.
Since you where wondering about others with careers longer then twenty years there are some, most ended up triggering as Children though.
Miss Militia and Chevalier are both probably about 20. The Inaugural Wards team was set up a 'a few years' before Behemoth first showed up, and Behemoth is 18. Hana definitely has a 'career' longer then 20 years since she triggered in 1985 in a warzone.
New Wave's older generation are probably approaching 20 years for their career, if not over it. Crystal was born after Sarah and Carol triggered, and she's 19. Presuming that Manpower and Lady Photon got together due to caping their career probably starts 1991-2ish.
There are a few other heroes pushing that career length, especially internationally, but we know a lot less about them since Wildbow doesn't actually love giving dates for things.
In terms of villains, the big one who breaches 20 years is Jack Slash. Jack Slash took up the mantle of the leader of the Slaughterhouse 9 at 12 years of age in 1987. He was obviously previous to that point a member with Kurt/Number Man under King, so his career at the start of canon is pushing 25 years. His reign of terror began when he was a pre-teen, which is just so fucking funny to think about.
Speaking of Slaughterhouse 9 members who killed King, Kurt assumed his Number Man identity after helping Jack kill King. While that persona clearly evolved from his early days, he likely was a known entity for most of that time.
Beyond those two though villains tend to have smaller careers, probably because Cauldron will make sure things upsetting the status quo to much get sent back.
Hope that list is helpful at all!
I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
Like this, mostly.
The boobs thing is arguably even funnier
I have an important update to this saga:
In chapter 299, the main character unleashes a special attack (???), and immediately after, her boobs DEFLATE BACK DOWN TO A REASONABLE SIZE
And then later in the match, she has to use another special move
And now she's completely flat-chested
In Saki, magical mahjongg power is literally stored in the boobs, which in my opinion is the best possible explanation for all this.
So I’m rewatching the ep where Olivier kills General Raven and uses her gloves to clean her sword and BUCCANEER JUST PULLS A SPARE PAIR OUT OF HIS JACKET???? Does he just keep spare gloves on him at all times for her?? Did he come prepared because he knew she was going to kill Raven??? DOES HE KNOW THAT LITTLE THINGS LIKE THIS KEEP ME UP AT NIGHT?????
#buccaneer having a spare set of ‘just in case armstrong kills a bitch today’ gloves is a headcanon i will live for
#Buccaner keeps a spare pair of gloves because his boss kicks ass#Hawkeye keeps a spare pair of gloves because her boss is a loser (via holioc)
@imaginesharks
The protagonists' first times killing.
Taylor:
Victoria:
whoever isn’t renewing sonic boom right this very second is a coward and a fool
there’s no way that’s real
@pakabear bro i can assure you absolutely every line in this compilation is fucking real and aired on a children’s television show
I feel like everyone's too chipper lately, so here's a question to take the wind out of your sails:
Do we think Dinah originally had the "I'm sorry" note, or did she only add it because it increased the odds that Taylor would do what she wanted her to?
She likely added it to increase the numbers, but partly because in her visions Taylor was likely not as badly fucked by becoming whatever Dinah's version of Khepri was.
It's important to remember that Khepri is specifically the Simurgh co-opting Dinah's plan last minute, positioning things so her Shard connection is altered by Amy, at a point when Lisa is specifically distracted and primed to respond about as poorly as she possibly could.
Without the Simurgh interfering, Taylor likely still manages to get the boost done, but under Bonesaw rather then Amy. Bonesaw says the process will fuck her up regardless, but it probably is a more controlled descent, rather then the freefall collapse we see in canon.
Thoughts on Victoria X Sveta?
I'm not sure what this ship is called, but I am calling it Broken Dolls.
Ah yes, my thoughts. Approved!
God damn get it Vic 🦑 🌟
if you think for even just a second how fucking crazy bonkers it is that women are so frequently kept from being protagonists or important or fully realized characters when its like. That is literally 50% of the world population. Half of all people (more or less. hopefully more as time marches on!) are women. And you look at media and think about how many protagonists are men and their best friends are men and the ensemble cast is 80-100% men and the fandoms are about men and the romances are about men. well. YOU GO INSANE
Of course the fucking fandoms are about men if everything else here is true. If you go into a series dominated by female characters you'll see female characters dominating the fandom (MLP, Genshin Impact, Madoka Magica, hell even House of the Dragon to some extent and all that show does is give its women interiority).
See you'd think that, but stats simply don't bear this out. It's actually very funny that you chose Genshin Impact as an example of female characters dominating the fandom because despite having a 2:1 ratio of Female to Male characters, the stats look like this:
Even if you add every other category together, you only have about 12,000 more fics then the m/m category alone. The category that largely focuses exclusively on men. In addition these numbers are actually a bit misleading because it fails to account for how much of the f/m category is primarily focused on Lumine as the female partner, which often still puts narrative primacy towards the male characters.
This trend isn't specific to Genshin btw. Looking at the year in review for 2025 shows that 66 of the Top 100 ships on AO3 are m/m. Fandom simply put on aggregate will focus on men even when the media has perfectly fine women with interiority to write about. Writing stories that where men are not the focal point either as the two main characters or the object of desire for a specific woman is incredibly rare, and often those fandoms that do become defined by that lack of men.
It is basically impossible to engage with most fandoms if you want content that doesn't center men, regardless of the quality of writing the women have. You can make some arguments about whether that's an indictment of fandom or not, but it is the simple statistical reality unfortunately.
I love this text post so I drew it
19th century ukiyo-e woodblock print of women sumo wrestlers
Incredibly violent take of mine but I actually don’t think you need to relate to a story in any way to enjoy it. You can enjoy a story even if you can’t point at a character and insert some aspect of your personality or identity into them. In fact I would argue the need for a character like that to be present in every single story you experience is a sign of stunted growth.