Be yourself as best you can whenever you can.

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I'd rather be in outer space 🛸

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Sweet Seals For You, Always
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Not today Justin
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@widdershinswise
Be yourself as best you can whenever you can.
spontaneous generation is true but only for fruit flies
hi Bookblr plz think I’m funny
How many vampires do you think have been hit by a car backing up in a parking lot because the driver couldn't see their reflection
I’ve never considered it but you’re really shining light on what’s probably a very serious issue
great job everyone lets hit the showers
Not again
World Heritage Post
Babe, you okay? you reblogged “and we were nice to each other” like 12 times again
(USAmerican trying to imagine a societal environment) Okay, so picture a highway,
inability to correctly perceive 3d objects is in fact far more dangerous when someone is driving a car next to you then when they're like, sending emails to you.
can we focus on the gnome for a second
wait sorry i was not wearing my glasses. that is a cat
these are the people i have to share a highway with
Kids sitcom about a group of friends where all of them are a part of secret magical or superhero based underground society that don’t know about each other and they all think that the others are ignorant normies that they have to protect from their magical shenanigans.
The witch kid, the superhero sidekick, the cryptid hunter, and the half fairy kid are all unknowingly trying to hide the same talking cat from the principal of their school and the talking cat doesn’t tell any of them about each other because it’s currently getting many extra helpings of treats in exchange for its silence.
During the episode where they all find out about each other’s secret lives there’s obviously a slow look over to the cat who’s like “well you never asked. Anyways, completely unrelated but I’ve gotta go.”
As more seasons pass, it's eventually revealed the rich kid who bullies the main cast is secretly child of some dark lord all the societies fear and eventually the bully works with the main cast to defeat them in the series finale or movie
Yeah I’m down for some 8th graders taking down the devil that’s good tv
Really important. You cannot make one of the secret societies the "real" one that all other magic systems are derived from in some way.
The sci-fi explanations of super powers cannot fully explain the fairy magic, nor can the sci-fi superpowers tap into fairy magic energy cores. The witch's arcane knowledge cannot fully explain the existence of the cryptids. The fairy magic and the witch magic are fundamentally incompatible but both demonstrably effective.
After they all know each other, trying to decipher and/or argue about whose domain the monster of the week belongs to (and therefore whose foreknowledge about its strengths and weaknesses is most accurate) is a not irregular occurrence. Sometimes the monster is known in multiple domains and the conflicting information is somehow both correct. Sometimes the monster is definitively one aspect, and another appears to be, but there are errors or circumstances evidence. Sometimes the monster is a secret third thing that doesn't properly fit any of them.
Yes. Also whenever you ask the talking cat why he can talk he gives you a completely different explanation.
Oh what's that? You only read books with lots of "spice" in them? Well then I've got a great one for you, practically the whole plot revolves around "spice". Ahem. In the week before the departure to Arrakis,
i saw this sign in a bookstore and it made me laugh so hard :’)
Performance art is good and listening to people who don't understand art talk about performance art is a unique type of torture.
Which is probably a thought that could be the core of a pretty fun, masturbatory piece of performance art.
Oh. Oh actually. Actually.
Okay, so the name of the piece is "It's what you make of it" and you have a setup that's a cross between a zoltar fortune-teller machine and a crank penny press. The room the piece is performed in has a warning about recording the performance and cautions the viewer to only interact with the piece of they consent to being recorded and photographed.
The artist is in the box, made up as a marionette and the viewer can use pulleys and switches to position the artist's limbs and to change the background and lighting of the box and can type a short prompt for the artist to repeat and act out verbatim.
The viewer has to drop a token (provided as part of the piece) into a coin slot and work a crank to complete the prompt. While the artist is acting out the prompt, the prompt is printed on a photo strip that includes a picture of the prompter (taken by a hidden webcam on the booth). One copy of the prompt and photo is spit out along with the cranked token (which has the phrase "it's what you make of it" and an image of a clown pressed into it) for the viewer to keep, one copy of the prompt and photo is spit out inside the booth where the artist can collect it after completing the prompt.
What the artist is going to do with the photo strip is not explained, the artist doesn't speak or move except as a response to a prompt.
People will prompt the artist to say "this is stupid." People will prompt the artist say explicit phrases, or to swear incessantly. People will prompt the artist to say slurs.
And they will walk away with their prompt attributed to them with their photo and a coin they used their energy to mint into a reminder that the art is what they made of it. And their creation is documented in the hands of the artist as well. What did they put into the world? What did they decide to say when they had a chance to say anything? What were they comfortable saying before they realized that someone would quote them on it? What did they make of it, and how would they feel if their photo was attached to their prompt in a book or video or somewhere that people might see it?
How did they approach the piece? How would they approach it a second time?
Also the artist goes hog fucking wild on the prompts. They're acted out *loudly* and melodramatically with as much emotion as the artist can put into the performance.
And whenever the machine is not in motion the artist is still and vacant, but the performance of the prompt involves as much eye contact and emoting as possible.
The piece is dead and meaningless until you approach it, and as soon as you start interacting with it it should become disconcertingly alive with your intention.
That sounds like an actual, literal nightmare I had as a kid where I fucked up giving instructions to a mimic-biological construct and didn't say anything b/c I didn't want to get in trouble and the construct was killed for not following the instructions correctly.
I absolutely would never want to be put in a situation where someone couldn't refuse my orders.
Well. Clearly as performance it it works already. I need to go drink of a cup of tea about this to stop being upset. I'm sure it would also make other people feel things they perhaps didn't realize they were going to feel.
Marina Abramović, Rhythm 0 (1974)
This post was directly provoked by stumbling across a reddit thread of non-artsy people reacting to Rhythm 0.
"Mario Mario" is an anachronism. He and his brother were only ever referred to by mononyms in their lifetime, like most residents of the Mushroom Kingdom at the time - multi-part names were typically reserved for members of the Toadstool dynasty, and even these were more like titles or Roman cognomina than what we would call a surname today. His putative ennoblement as founder of the "House of Mario" came centuries later as the collapsing feudal order sought additional sources of legitimacy
#mushroom kingdom folklore says that he sleeps beneath a warp pipe to arise in the time of the kingdom's greatest need #he's definitely shown up a few times but it's hard to tell if he has risen from the dead or is just in the middle of some time travel shit #historians hate him.
While the historical evidence for Mario having a younger brother is quite concrete, the name of said brother is less certain. "Luigi" is generally held to originate with a separate figure from a series of chthonic myths, who originally served as a sort of psychopomp charged with capturing spirits that escaped the underworld. The strongest case for a contemporary figure named Luigi comes from the Waffle Kingdom sagas; however, this Luigi's brother is a gladiator named Gonzales.
now I know that there's no way for me to respond to this without a bunch of fans of the modern adaptations ruining my inbox for the next week, but there's no evidence of Waluigi - or indeed Luigi - in any of the contemporary versions of the Mario-Wario sagas. The name "Wario" itself is a later invention, held to be a pun on warui that likely emerged after the adoption of Japanese scripts in the Koopa States.
The conflict between Mario and his "boyhood rival" was one over political influence on his home island and Mario's long absences - in particular his trip to Sarasaland. While later Sarasan sources would heavily reference Mario's brother, he is absent from both the preceding narrative and the unrest in Mario's homeland. The historical consensus is that the Sarasaland journey was one of Mario's earliest wanderings, with his brother attempting to manage affairs in his absence and proving unfit. The invention of a separate "Wario" character and its development into an explicit coup d'etat were later poetic creations, as is distancing of the "Wario" figure from the later depictions of Mario's brother as the more cowardly and reserved "Luigi".
(As an aside: "Mario Land" is a mistranslation. The original Mushroomer and Sarasan chronicles are better translated as "the land of Mario", without connotations of ownership. The modern scholastic consensus is that it refers to Yoshi's Island, where Mario and his brother spent their youth and later established a small manor, not, as commonly depicted, a "Mario Castle". The emphasis on Mario as king of "Mario Land" was a mostly successful political maneuver by the Yoshis to retain coequal status with the Mushroom Kingdom heartlands in the face of 18th-century expansionist pan-Mushroomism.)
The later emergence of "Waluigi" is an ironic recombination of two figures from the same historical source, and may have originated as a farce parodying the Mario stories. (The name "Waluigi" is also conflated with the early Norman figure Varr Yngwi, who is generally credited with the invention of tennis.)
“Ghosts are real” I can see how you could believe that
“Ghosts aren’t real” it’s very fair and rational that you believe that
“Ghosts aren’t real anymore” I’m about to hear a poem or very sad story
“Ghosts aren’t real yet” the fuck are you going to do
I completely forgot I did this! I must have done it earlier this year but my mind completely deleted it from my memory.
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Just saw a tweet like "REAL libraries check for quality!" as some kinda gotcha at AO3?? But I'm a librarian, so... heads up that "quality checks," AKA "weeding" or "pulling," means looking for damaged books or ones that haven't circulated in a few years to clear up shelf space. We don't Quality Check for if the library books have nontoxic romance or good grammar. :U I assure you every library in your area has absolute ABOMINATIONS of bad storytelling as well as your favorite pop lit.
"ReAl LiBrArIeS cHeCk fOR qUaLiTy" LISTEN. There was a collection of poems in circulation at one of my previous libraries that had never actually been published, and we only found out about it because the author called while I was on the reference desk one day asking how the hell a book that never went to print had ended up in our online catalogue. And you think we're monitoring content?
I got to try some new archery, and I LOVE IT!
Huge thanks to Richard, Emily, Wojtek, and everyone else out here who let me learn with and from them, and were willing to put me on a horse with a bow. And massive thanks to Santos for letting me sit on his back and shoot arrows!