you are alone with yourself, in a world without miracles

30-something, lesbian, ADHD, you know the drill. i draw sometimes.

[paperclip6]

everythings a joke now and its all funny as fuck too but sometimes it makes me sick to my stomach

[nadjasnandor]

consuming media like

[janellemnicole]

[hrgifs]

shane taking care of ilya ♥️

[theinternetarchive]

System wallpapers from Windows XP's RTM, Build 2600; Microsoft Co., August 24, 2001.

[skarchomp]

advertising lemonade is pointless. the human body already knows it needs it

[darlingofdots]

been stewing on an analytical approach to fiction which I call "is this book afraid of me?" and in order to answer this question you determine how hard the book is trying to make sure you don't come after the writer on twitter

[playwrongs]

Tags via @deadpanwalking, editor and ass-kicker extraordinaire

[gingisnap]

Please keep making art. Please make it for yourself. Please don’t let everything become even more of the same flat general appeal nonsense that doesn’t seem to have anything to say

[soup-mother]

Step back everyone. This post requires the delicate touch of an annoying gimmick blog

[lizardsfromspace]

Wordle is running out of words. Only 2,000 five letter words remain. When that supply is exhausted the Creation shall begin. One day the word will be ZHURM, and all shall get it, and all shall understand it to mean "an ache from suddenly remembering a long-ago friend, who meant something to you once, but whose face you can no longer conjure". The next day the word shall be JOROL, and all will get it, and all will know it means "the melancholy confusion of passing by somewhere where you once could have died". The next day it will be GREFT, and all will understand it to be a small brown bird with white streaks found only in South America, and suddenly, it will appear, in the shrubs of the Atacama desert, in the streets of São Paulo, and all will know that it once was not there, but now, will always be

[byjove]

idioms are always funnier in languages you do not understand, especially when a native speaker is struggling to explain and actively digesting how ridiculous it is in real time

[a-book-of-creatures]

Is it socially acceptable to use opaque watercolors, or is that considered gouache?

[willpowers]

white usamericans when asked how they're doing, will never say "bad". they'll just say "I'm hanging in there" and that is universally understood as them being so so bad. like. no american is happily hanging in there. we don't like the hang.

[lostinhistory]

[fouroclockwren]

YES OMG BRÜNNHILDE

[discreetwithabellyring-deactiva]

https://thenewinquiry.com/blog/social-media-is-not-self-expression/

[derrickwildsun-deactivated20250]

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[sci-fantasy]

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

[transhuman-priestess]

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.

[kyuka-bse]

[charl0ttan]

ok are you a guy?

[charl0ttan]

this tweet has been uining me