I would like to propose the term "brain compost" as an equal but opposite to brainrot
todays bird
Monterey Bay Aquarium

blake kathryn
he wasn't even looking at me and he found me

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Misplaced Lens Cap
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NASA

Discoholic šŖ©
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cherry valley forever

titsay
YOU ARE THE REASON
The Bowery Presents

tannertan36

ā

Love Begins

Jar Jar Binks Fan Club
Claire Keane

seen from France
seen from Brazil

seen from United States
seen from Ecuador

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from Spain

seen from Singapore

seen from United States

seen from United States
seen from Vietnam

seen from Malaysia

seen from Brazil

seen from Malaysia

seen from United States

seen from United States

seen from Singapore
@wretched-hive
I would like to propose the term "brain compost" as an equal but opposite to brainrot
save me, rice mixed with some bullshit
glad to see stu is also posting offseason workouts
Drawing dragons is always fun hehe c:.
hello!! lol Iām back š but I have another request! I donāt know if you have done this already but a Jack Abbot x EMT/paramedic reader! It can be either jacks first time seeing EMT reader when she comes in with a patient and Jack is like shocked because heās never seen her before and tries to flirt with her or whatever take you want to take with it! Another would be same thing but EMT reader is everyoneās favorite EMT person because she always gives them what they need and basically āhelpsā the ER if that makes sense, and everything she comes in Jack always tries to her! Again or whatever take you want to do!
Thinking about Jack and his fave EMT...
The thing about the Pitt is that it has a rhythm.
Not a gentle one not the kind you settle into easily or carry home without noticing. It's the rhythm of a place that runs on controlled urgency, on the particular cadence of people who have learned to move fast without looking like they're moving fast, who have learned to hold hard things in their hands without dropping them and come back the next day and do it again. You compared it to whatever rhythym Queen were composing when writing Bohemian Rhapsody. It is not a rhythm for everyone.
You had learned it from the outside.
Which was, you had always thought, its own kind of education.
You ran to the Pitt the way you ran to all the hospitals on your route, efficiently, professionally, with the handoff delivered clean and the paperwork tight and the patient transferred in the best possible condition given whatever the last twenty minutes had looked like. You were good at your job. You had always been good at your job. But the Pitt was different from the other stops on your route in a way that had taken you a little while to identify and that you had eventually put down to this: the people there treated you like you were part of it.
Not a visitor. Not a courier. Part of it.
Dana had been the first, because Dana was always the first ā she had taken your handoff on your third run to the Pitt, eighteen months ago, listened to your report with the focused attention of someone who respected the information being given to her, and then said, at the end of it,Ā good catch on the BP drop,Ā and gone to work. Two words. But the right two words, said in the right way, by the right person, and something had clicked into place.
After that, the nurses learned your name. Then the residents. Then Robby, who had a way of making everyone feel like they mattered to the floor.
You had a drawer at the nurses' station.
This was Dana's doing. A small drawer, third from the left, which contained a spare pair of gloves in your size, a granola bar, and a phone charger, and which had appeared one day without explanation or ceremony. You had looked at it and then at Dana and she had looked back at you with the expression she wore when she had done something kind and considered the matter closed.
You had not argued.
You were not entirely sure anyone argued with Dana Evans and won.
The Jack thing had developed slowly, the way things do when both people involved are very good at not acknowledging them.
You had been aware of him before he was aware of you, which was not how you would have predicted it going. He was not the kind of man who was easy to miss, the particular steadiness of him filling whatever space he was in without him trying. But he had a focused quality about him on the floor that meant his attention went to the work first and everything else second, and for the first several months of your runs to the Pitt you had been, to Jack Abbott, simply part of the procedural background of the ambulance bay.
And then one Monday in August you had come in with a forty-year-old cardiac arrest, done the handoff to Robby, given your report clean and fast, and were turning to go when Jack had said, without looking up from the chart:Ā Good call on the epi timing.
You had stopped.
He had still not looked up.
Thank you,Ā you had said.
He had nodded, once, and gone back to the chart.
You had walked back to your rig thinking about it for longer than was strictly proportionate, which was the first sign that something was happening that you were not going to be able to manage as easily as you would have liked.
After that, he always came out.
Not always immediately. Sometimes he was mid-case and sent someone else, the way it should work, the way the system was designed, but when he was available, when the floor allowed it, he was at the bay doors when your rig pulled in. You noticed it before you said anything about it. You filed it and let it sit and watched to see if it was real or if you were making something out of nothing.
It was real.
He met your rigs. He listened to your handoffs with the particular focused attention he gave everything, and occasionally, occasionally, not always, not in a way that could be pointed to easily, he asked you something that wasn't strictly necessary for the clinical handoff.Ā How far out were you when the vitals dropped?Ā orĀ Did she say anything before she went under?Ā or, once, in a way that had no clinical justification whatsoever:Ā You eaten today?
You had stared at him.
It's a long shift,Ā he had said, with perfect composure.
I had something at the station,Ā you had said.
He had looked at you in a way that suggested he found this answer inadequate and had decided not to pursue it, and gone back inside, and you had stood in the ambulance bay for a moment afterward doing absolutely nothing useful.
The nurses knew.
You became aware of this gradually, through the accumulation of small evidence ā the way Donnie smiled at something above your head whenever you and Jack were in the same vicinity, which was the smile of someone watching something they found entertaining. The way Princess had once said, completely unprompted,Ā he's always like that with you,Ā and then walked away before you could ask what she meant. The way Perlah had handed you a coffee one morning and saidĀ from the drawerĀ and then looked very specifically at the middle distance.
Dana, when you had finally looked at her directly and raised an eyebrow, had simply said:Ā He's not very subtle,Ā in the tone of someone delivering a medical opinion.
He's not doing anything,Ā you had said.
No,Ā Dana had agreed.Ā He's not. That's the point.
You had thought about that for a while.
The shift that broke it open was a Thursday.
You had been running since six in the morning and it was now past seven in the evening and the last call had been, well, hard. Not the hardest you'd ever had, because you had a collection of those and you kept them in a specific part of yourself that you didn't open too often, but hard enough. A kid. Eight years old. Bike accident, head injury, the particular helplessness of a case where you do everything right and it still might not be enough and you won't know the outcome because you hand off at the bay and go back to the rig and that's the nature of the job, that's just what the job is.
You knew that.
You had always known that.
It didn't always help.
You did the handoff to Robby, clean and fast, all the right information in the right order, your voice steady because your voice was always steady at handoff, that was a professional requirement and you met your professional requirements. And then the bay doors closed and you were standing in the ambulance bay in the cooling evening air and your partner was restocking the rig and you were supposed to be helping and instead you were standing very still with your hands at your sides doing absolutely nothing.
You heard the bay door.
Footsteps.
You didn't turn around because you were fairly sure if you turned around your face would do something you couldn't take back, and you were in a professional space, and there were standards.
"Hey."
Jack. Low and quiet.
"Hey," you said, to the parking lot.
He came to stand beside you. Not close enough to crowd. Just beside you, in the way he stood beside people when he had assessed that proximity was what was needed and words were secondary.
The evening was doing its thing ā the sky going orange and grey over the rooftops, the city carrying on the way it always did.
"The kid," you said, because apparently you were going to say something after all.
"He's in surgery," Jack said. "Neurosurg got there fast. It's, the odds are reasonable."
You nodded.
ReasonableĀ was notĀ good,Ā and you both knew it, and neither of you dressed it up.
"He was eight," you said.
"I know."
"He had a Spiderman helmet on. It was ā the helmet wasā" You stopped. Pressed your lips together. "It was cracked. Which means it did its job. Which means it could have been worse. Which I know." You exhaled. "I know all of that."
"Yes," Jack said. "You do."
"Knowing it doesn't alwaysā"
"No," he said. "It doesn't."
You stood there for a moment, the both of you, in the ambulance bay in the cooling evening with the city behind you and the Pitt behind you and the particular weight of a Thursday that had asked a lot sitting between you like something that needed to be acknowledged before it could be set down.
And then Jack did something unexpected.
He didn't say anything. He didn't offer the clinical reframe or the professional perspective or any of the things that were available to him and that would have been ā fine, would have been appropriate, would have been enough. Instead he simply turned slightly toward you and put his hand on your back, flat and warm between your shoulder blades, and left it there.
Just the weight of it.
You closed your eyes for a second.
"I'm fine," you said, quietly.
"I know you are," he said. "You're allowed to be fine and still need a minute."
You looked at him then, properly, turning your head to find him already looking at you, and his face was doing the open thing, the real thing, and it was so ā it was soĀ there, so completely present and uncomplicated, that something in you that had been very tightly held for the last several months just quietly, completely gave.
"Jack," you said.
"Yeah," he said, like he already knew.
"I think youā" You stopped. Started again. "I think you've beenā for a while now you've beenā"
"Yes," he said, simply.
You looked at him.
"Yes?" you said.
"Yes," he said again, in the same even tone, the tone of a man who has decided to stop being managed about something and is finding it surprisingly uncomplicated. "For a while."
"You could have said something."
"So could you."
That was, that was fair, actually. That was entirely fair.
"I run to twelve hospitals," you said, and you weren't entirely sure where you were going with this.
"I know," he said.
"I'm not here every day."
"I know that too."
"This isā" You gestured, slightly. "This is not a simpleā"
"No," he agreed. "It's not."
"So what are youā"
"I'm telling you yes," he said, patiently. "You were getting there and I'm telling you yes. We can figure the rest out."
You stared at him.
At this man who had been meeting your rigs for months and asking unnecessary questions and checking whether you'd eaten and putting his hand on your back in an ambulance bay on a Thursday evening, and who had just reduced the entire complicated architecture of whatever this was toĀ yesĀ andĀ we can figure the rest outĀ as if it were the most reasonable thing in the world.
"Dana knew," you said.
"Dana knows everything."
"The nursesā"
"Yes."
"How long have theyā"
"A while," he said, and the corner of his mouth did its thing, the small tucked-away almost-smile. "Donnie had a timeline."
"Donnie had a timeline?"
"I've chosen not to know the details."
You looked at him for one more second, this impossible steady man in the evening light, and felt something that had been complicated become, suddenly and without fanfare, very simple.
"Okay," you said.
His hand was still on your back.
"Okay," he said.
Behind you, the bay doors opened and Donnie Donahue appeared, looked at the two of you, looked at Jack's hand, looked back at the Pitt interior, and said loudly enough to be heard, it happened,Ā before the doors swung shut again.
You closed your eyes.
Jack exhaled through his nose.
"We should probablyā" you started.
"Yes," he said. "Probably."
Neither of you moved for another moment.
The city kept going beyond the parking lot, indifferent and alive, and the evening kept doing its orange and grey thing over the rooftops, and somewhere inside the Pitt a small boy with a cracked Spiderman helmet was in surgery with reasonable odds, and out here in the ambulance bay two people who had been not-saying-something for a very long time had finally, quietly, said it.
Your partner appeared around the side of the rig, clocked the situation in approximately half a second, and turned straight back around.
"Take your time!" he called, from somewhere he could no longer be seen.
Jack looked at the space where your partner had been.
"I like him," he said.
"He's going to be insufferable about this," you said.
"So is everyone inside."
"I know."
"Worth it," he said, simply, and his hand was still warm on your back, and the evening was still doing what evenings do, and you decided, without a great deal of further deliberation, that he was right.
the three times you worry about jack's wedding ring , and the one time he reassures you you have nothing to worry about
written in response to a lovely message from my queen @mrssssmalfoy š
Part One: The Gloves
You noticed Jack on your first day.
This was not, you told yourself, unprofessional. It was simply observational. You were new to Pittsburgh, new to this ER, new to the rhythm of the Pitt, and you were paying attention to everything ā the layout, the board, the staff, the way the floor moved. Jack Abbott was simply part of the inventory.
A very distracting part of the inventory, but part of it nonetheless.
He was the kind of person who commanded a room without trying to, which you found both impressive and mildly irritating, because people who did that without trying always seemed to know they did it even when they were pretending not to. He moved through the floor with the focused economy of someone who had been doing this for a long time and had stopped wasting motion, and he ran a trauma with a quiet authority that made everyone in the room better.
You watched him work and thought:Ā good doctor.Ā And then, somewhat against your will:Ā also, objectively, extremely attractive,Ā which was an entirely separate assessment that you filed underĀ irrelevantĀ and tried to leave there.
He found you at the computer bank at nine-fifteen.
"New attending," he said, not a question, appearing at your elbow with a chart.
"That's me," you said.
"Jack Abbott," he said.
"I know," you said. "Dana briefed me."
Something moved at the corner of his mouth. "What did she say?"
"That you were the person to go to if I had clinical questions," you said, "and that you took your coffee black and didn't like small talk."
"Both accurate," he said. "She leave anything else out?"
"She said you were good," you said. "She seemed to mean it."
"She does," he said, and the corner of his mouth did the thing again ā not quite a smile, but the territory adjacent to one. He had, you noticed, gloves on. Blue nitrile, the standard issue. He had presumably just come from a patient room. "Welcome to the Pitt."
"Thank you," you said.
He moved on.
You went back to your chart and told yourself, very firmly, that the corner of his mouth was not your business.
He was in and out of patient rooms all morning, which meant gloves on and gloves off at a rate that kept your peripheral vision unreasonably occupied, which you were not proud of but couldn't entirely help.
He stopped at your station at eleven with a question about a shared patient ā clinical, direct, exactly the kind of question Dana had told you to expect ā and you answered it, and he nodded, and then said, with the carefully neutral tone of someone who had thought about whether to say something and decided to:
"You ordered the CT before the labs."
"The presentation warranted it," you said.
"I would have waited for the labs," he said.
"I know," you said. "I wouldn't have. The CT came back positive, which is why Mr. Harrington is in surgery right now instead of waiting another hour."
A pause.
He looked at you with an expression that was doing something careful.
"Good call," he said.
"I know," you said again, pleasantly, and went back to your chart.
You heard him make a sound that might have been a laugh, and then he was gone.
It continued like that.
Not flirting, exactly ā Jack Abbott did not flirt the way other people flirted, there was no performance to it, no obvious effort. It was more like the sustained and specific attention of someone who had decided you were interesting and was acting on that in the most low-key way possible. The questions that were slightly more than clinical. The appearing at your station between cases. The dry comments aimed specifically at you that landed differently than his comments to everyone else, which you noticed and told yourself you weren't noticing.
By the end of the shift you were tired and satisfied in the particular way of a first day that had gone well, and you were also, against your better judgment, thinking about the corner of his mouth approximately forty percent more than was appropriate.
You were getting your jacket from the locker room when you saw him in the corridor.
Jacket on. Badge unclipped. End of shift.
And his hands, finally ungloved after a day of patient rooms and clinical procedure, resting at his sides.
His left hand.
The ring on his left hand.
Gold. Simple. Worn in the way things were worn when they'd been there for a long time.
You looked at it for exactly one second before you looked away, and something that had been building quietly all day simply ā deflated. Cleanly and completely, like a door closing.
Of course,Ā you thought.
Obviously.
You got your jacket and went home and told yourself it didn't matter, because it didn't, because it had been one day and a corner of someone's mouth and nothing more than that.
Part Two: The Conversation
You were professional about it.
This was something you were proud of, in retrospect ā that you had taken the information and recalibrated cleanly, that you had come in on the second day and been entirely, thoroughly professional. Polite. Efficient. Clinical. You answered his questions and asked your own and did your job excellently and gave him nothing that was not strictly necessary.
He noticed within an hour.
You could tell by the slight shift in his attention ā the way it sharpened, the assessing quality of it, the looking-for-something quality that he had about him when something had changed and he was trying to locate the source.
He found you in the break room at eleven.
"You're different today," he said.
"I'm the same," you said, pouring coffee.
"You're not," he said. "Yesterday you told me I was wrong about the CT in a way that wasā" He paused. "Refreshing. Today you've said approximately twelve words to me."
"I've been busy," you said.
"The floor is slower today than yesterday," he said.
You looked at him.
He looked back.
"I don't know what you want me to say," you said, carefully.
"I want you to tell me what changed," he said, with the directness that was simply his default setting, the unwillingness to talk around the thing when he could talk directly at it.
You looked at him for a moment.
At his hands, resting at his sides, ungloved right now between patients.
The ring.
He followed your eyeline.
A beat of silence.
"Ah," he said.
"I'm notā" You started. Stopped. "It's not my business. I'm sorry if I've beenā"
"She died," he said.
You looked up at him.
"Four years ago," he said, simply. "Her name was Claire. She wasā" He paused, and something moved in his expression ā not fresh grief, not the raw kind, but the settled kind, the kind that had found its shape after a long time. "She was good. And she died, and I still wear the ring because I haven't decided not to." He held your gaze. "It's not what you thought."
The break room was very quiet.
"I'm sorry," you said, and meant it completely. "I assumed ā I shouldn't have assumed. I should have justā"
"You didn't know," he said. "You saw a ring and you drew the most reasonable conclusion." He looked at his hand, briefly. "I should probablyā" He stopped. "People make that assumption."
"Does it bother you?" you said. "When they do?"
He considered this, with the honesty he gave most things.
"No," he said. "She deserves to be remembered. The ring isā" He paused. "It's not about moving on or not moving on. It's justā" He stopped again, and for a moment he looked like a man who was trying to describe something that didn't have a clean word. "It's mine to carry."
You looked at him.
At the ring, and the hand it was on, and the face of the man who had worn it for four years because he hadn't decided not to and because she deserved to be remembered.
"I'm sorry I went quiet," you said.
"I'm sorry you had to find out like that," he said.
A pause.
"Dana should have mentioned it," you said.
"Dana probably thought I should mention it," he said.
"Did she say that?"
"She didn't have to," he said, and the corner of his mouth did the thing, and something that had deflated the evening before quietly reinflated, which you noted and filed underĀ deal with later.
"Okay," you said.
"Okay," he said.
And that was that ā the both of them going back to the floor, back to the work, back to the particular ordinary rhythm of the day, except that something had shifted, and you both knew it, and neither of you mentioned it directly, and that was fine.
That was, actually, a very good start.
Part Three: Still
You had been together for eight months when someone said something about the ring.
Not maliciously ā it was Santos, who said most things without filtering them through a politeness consideration first, who had glanced at Jack's hand during a handoff and said to you afterward, in the break room, with genuine curiosity rather than cruelty:Ā does it bother you? That he still wears it?
You had said no, which was true.
And then you had gone home that evening and looked at his hand across the dinner table and thought about it for the first time in a way you hadn't let yourself think about it, and something small and complicated had taken up residence in your chest.
Not jealousy, exactly. You had turned it over carefully and decided it wasn't that. It was something more like ā uncertainty. The particular uncertainty of loving someone who was still visibly, tangibly connected to someone else, who had a whole life that had happened before you that you could see on his hand every day.
You hadn't said anything.
For two weeks you hadn't said anything, because it wasn't your ring and it wasn't your grief and you had no right to make it about you.
And then he had noticed.
Because he always noticed.
"You're thinking about something," he said, on a Sunday evening, from across the couch.
"I'm always thinking about something," you said.
"Something specific," he said. "You've been looking at my hand."
You went still.
He looked at you, and his face had the careful quality it had when he was preparing to hear something he might not like.
"Santos said something," you said, finally. "A couple of weeks ago. About the ring. And I've been ā I told her it didn't bother me, which is true, it doesn'tā" You stopped. "I don't want you to take it off. I want to be clear about that. It's yours and she's yours to carry and I would neverā"
"But," he said, quietly.
"But sometimes I wonder," you said, "if there's room. For me. In all of it." You held his gaze. "And I know that's not fair, and I know it's not rational, and I wasn't going to say anythingā"
"I'm glad you said something," he said.
"I don't want you to take it off," you said again. "I mean that."
"I know you mean it," he said. He was quiet for a moment, turning something over. "Can I tell you something?"
"Yes," you said.
"I've thought about taking it off," he said. "Not because of ā not because she matters less. But becauseā" He paused. "Because you matter. And I've been wondering if carrying her this way means I'm not ā fully here. With you." He looked at his hand. "I don't have an answer. I'm still working it out."
You looked at him.
"You don't have to work it out on my schedule," you said, softly.
"I know," he said. "But I want you to know I'm working it out. That it's not ā that you're notā" He stopped, and the controlled thing slipped, just slightly. "There is room," he said. "For you. There has been for a while. The ring isn't about the room."
"Okay," you said, quietly.
"Okay," he said.
You moved across the couch and into his side, and his arm came around you immediately, and you sat there in the particular quiet of two people who had said true things and were sitting with them.
His hand ā the one with the ring ā rested at your shoulder.
You said nothing about it.
He knew.
Three months later, you noticed it was gone.
Not immediately ā it was a Tuesday, an ordinary Tuesday, and you were in the kitchen making coffee and he was getting his jacket, and something made you look at his hand, and the ring wasn't there.
You didn't say anything.
He came into the kitchen and you handed him his coffee and he took it and looked at you with an expression that was open and slightly uncertain in a way Jack Abbott rarely was.
"Okay?" you said.
"Yeah," he said. "I think so."
"Do you want to talk about it?"
"Not right now," he said. "Later, maybe."
"Okay," you said.
He nodded. Drank his coffee. And then, before he left, he put the mug down and kissed you ā longer than the usual morning kiss, more deliberate, the kind that meant something specific ā and you held onto him for a second and felt him hold on too.
"Later," he said, against your mouth.
"Later," you agreed.
He left.
You stood in the kitchen and thought about a gold ring on a left hand and a man who carried things carefully and had decided, in his own time, in his own way, to set one of them down.
Not to forget.
Just to move forward.
With you.
Part Four: Emergency Contact
The call came on a Thursday evening.
You were at the stove, the particular domestic calm of a Thursday that had no plans ā dinner on, music low, the comfortable quiet of your apartment, which was in the process of becoming your apartment and his apartment simultaneously in the way that things became shared without any single moment of decision.
Your phone rang.
Unknown number. Pittsburgh area code.
"Hello?"
"Is thisā" A pause, the sound of papers. "Is this Y/N?"
"Yes," you said, and something in your stomach dropped before you knew why.
"This is Pittsburgh Trauma Medical Center," the voice said, and the bottom of your stomach arrived somewhere near the floor. "We have a Dr. Jack Abbott here ā he's okay, I want to say that first, he's okay ā but he fainted during his shift and we'd like someone to come and pick him up. You're listed as his emergency contact."
You were already moving.
You found him in a bay.
Sitting on the bed with the expression of a man who had been told to sit on the bed and was complying under protest, his arms folded, his jaw doing the thing it did when he was annoyed at circumstances beyond his control. He was in his scrubs still, badge clipped, looking like a person who had very recently been horizontal and had opinions about it.
He looked up when you came through the curtain.
"I'm fine," he said, immediately.
"Hello to you too," you said.
"It was a long shift and I hadn't eaten," he said.
"How long a shift?"
A pause.
"Sixteen hours," he said.
"Jack."
"There was a lot of incomingā"
"Sixteen hours without eating," you said.
"I had coffeeā"
"That's not foodā"
"It was a busy shiftā"
"I don't care how busy the shift was," you said, and your voice came out with more feeling in it than you'd planned, the particular shaky quality of someone who had been scared and was now expressing it as something adjacent to anger. "You fainted. In the hospital. In your own hospital."
"It was a brief loss of consciousness," he said, with great dignity.
"Jack."
"I'm fine," he said. "The labs are fine. My pressure is fine. It was dehydration and low blood sugar and it won't happen again."
You looked at him.
At the entirely too-composed face of a man trying to make a medical event into a non-event, and underneath the composure the slight pallor that told you it had been more frightening than he was going to say.
You sat in the chair beside the bed and took a breath.
"Okay," you said.
"Okay?" he said, slightly wary.
"You're going to drink the water on that table," you said, "and eat whatever they bring you, and then I'm taking you home."
"I can driveā"
"You fainted," you said. "You're not driving."
He looked at the ceiling briefly, in the manner of a man choosing his battles.
"Fine," he said.
"Good," you said.
You sat there while he drank the water, in the particular quiet of a hospital bay on a Thursday evening, and something was turning over in the back of your mind that it took you a few minutes to fully formulate.
"Jack," you said.
"Mm."
"The hospital called me," you said.
"Yes," he said.
"They said I was your emergency contact."
A pause.
A very specific pause.
"Yes," he said.
"When did that happen?" you said.
He was quiet for a moment, looking at the water in his hand with the studied attention of a man who was deciding how to say something.
"A while ago," he said. "After the first few months."
You looked at him.
"You changed your emergency contact to me," you said, "and didn't mention it."
"It didn't come up," he said.
"Jackā"
"It seemed like the right thing to do," he said, simply. "You'reā" He paused. "You're who I'd want to know. If something happened. You're who I'd want there." He looked at you, the fully open quality of it, no management, just him. "That's all."
The bay was very quiet.
Your chest did something enormous and completely unmanageable.
"You could have told me," you said, softly.
"I know," he said. "I wasn't sure how to say it without it beingā" He stopped. "It felt like a lot to put on someone."
"It's not a lot," you said. "It's ā Jack, that's not a lot. That's everything. That's the best thing you could have told me."
He looked at you.
"Yeah?" he said, and his voice was quieter than usual, the managed quality of it entirely gone.
"Yeah," you said.
You reached out and took his hand ā the left one, bare now for three months, the absence of the ring something you had quietly, thoroughly made your peace with ā and held it, and he held yours back with the immediate certainty of someone who had made a decision a while ago and was living comfortably inside it.
"You scared me," you said. "When the hospital called."
"I know," he said. "I'm sorry."
"Don't be sorry," you said. "Just eat something on your shifts."
"I'll try," he said.
"You'll try for three days and then there'll be a busy shiftā"
"And you'll remind me," he said.
"I'll remind you," you confirmed.
He looked at you with that expression ā the open, warm, entirely real one ā and squeezed your hand once.
"Thank you for coming," he said.
"Where else would I be," you said, and it landed the way it was meant to ā as the plain, undecorated truth of someone who had decided, without fanfare, that this was simply where they were.
He almost smiled.
"Take me home," he said.
"Gladly," you said.
And you did.
Snakes
-Wild Beasts, Birds, and Reptiles of the World 1892
first shift
and happy trans visibility day <3
I love you. Thank you. I forgive you. Please forgive me.
itās weird that professional letters are supposed to start with ādear.ā i donāt even call my mom that
my darling hiring manager. my springtime rose. if hired i will bring a strong work ethic to this position
Anti-bacterial hand gel
Pairing: Dr. Jack Abbot x resident!reader Warnings: fluff, pediatric patients, mention of hospital smells. Summary: working in the ER means getting used to the clinical scent of antiseptic. Dr. Jack Abbot is a man of protocols, which is why he finds your collection of antibacterial hand gel to be a glittery distraction, until a terrified toddler refuses to cooperate. A/N i have no idea if doctors can use this, ok? This is pure fiction
The sharp scent of isopropyl alcohol was, for Dr. Jack Abbot, the smell of job. It was efficient, it was clean and it was professional.
So, when he stepped into Trauma 2 to help his favorite resident with a pediatric intake, the sudden burst of Sweet Strawberry was enough to make him pause mid stride.
Thank you, handsome
Pairing: Dr. Jack Abbot x Resident!Reader Warnings: pure fluff, teasing, flirty Abbot. Summary: You decide itās finally time to pay him back for all his flirting.
The air conditioning was aggressive on a good day but today it felt personal cause they didn't turn it down when the weather outside turned cold. By 8:00 PM, you were a shivering human held together by a thin scrub top.
You had checked the weather this morning.
But nobody mentioned the temperature would drop when the sun hided.
"You're shivering 'cause of a new medical condition or are you happy to see me?" a familiar voice spoke behind you.
FROYOYO: LangdonĀ & GarciaĀ Series 5/? 'Bummer'
THE PITTĀ 2x01 = 2x09
missing my sweetie big dick fictional man right now and thinking about how pope cody would have no idea heās good at sex.
like completely clueless.
he would be on his knees, eating you out until youāre clawing at the sheets, eyes brimming with tears, spine arching like itās about to snap. pope doesnāt even really know what heās doing. he just makes sure to repeat everything that makes you clench around his fingers and twitch on his tongue. and youāre so close when he curls his two thick digits and sucks you into his mouth. your legs lock up.. your belly feels tight with tingles.. pleasure starts to rise almost alllll the way to your ears andā¦
he pulls away with a gruff ādāya like that?ā. and itās not a sexy taunt. his tone is questioning and heās being completely, utterly serious. you whine in frustration āandrew!!ā he looks genuinely confused. āw-what?ā your hips buck towards his mouth involuntarily, body aching with the need to come. āi was so close!ā popes dark brows furrow in confusion. āyou wereā¦ā it takes him three slow blinks while staring at your squirming thighs and fluttering pussy to finally understand. his eyes widen āoh shit- mā sorry sweetheart..ā then dives back in. sucking you and scissoring his fingers until you cry out his name and come on his face about twenty seconds later.
or or or. he doesnāt really understand how huge his cock feels inside of you. heās aware heās well endowed. but he thinks youāre just being a good girlfriend when you moan so loud at his first push into your tight pussy. pope always forgets that youāre not just stroking his ego. not quite understanding that your loud whimpers that accompany his thick length are authentic. heāll thrust in and out of you harsh at the start. you can barely speak through the painful stretch of his rapid plunges. your gasps are choked āa-andy! andy s-slow down!ā and he does get a little lost in the sauce as he watches your tits bounce beneath him. you have to slap at his shoulder to snap him out of it. āfuck- sorry. feels sāgood. iāll- hhnng- iāll go slow. promise.ā
then heāll roll over until youāre on top of him. hands bracing his chest and thighs nestled firmly at his hips. he lets you set the pace to make sure he wonāt hurt you again. itās sweet.. until he wonāt move again at all unless youāre bouncing up and down fervently. begging him to thrust up into you. āp-please! andy it doesnāt hurt.. need you- please!ā once he decides youāre in no pain at all, heāll grip your hips and piston up into you until you canāt move on your own anymore. completely filled with him. drooling at the pleasure coiling in your lower stomach. and pope is more than confident that youāre not exaggerating when you collapse with a raspy moan as you orgasm on his thick cock <3
quarterly reminder that if i reblog something ai-generated it is 110% and always an accident and for the love of god please tell me so i can delete it from my blog
āThat dopamine hit of being told youāre good at something is pretty seductive.ā
- Noah āPraise Kinkā Wyle
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