xperseai

[infectiouspiss]

i love being a fag and a pansy and a fairy and a pervert and awhat who the fuck is egg bacon

[i-set-my-autism-on-fire]

Did you ever find out who Egg Bacon is?

[infectiouspiss]

nope, still a mystery but at least i'm still a pansy

[catlips001]

FUCK. honestly just FUCK. We missed a very important day yesterday.

[battebitch-deactivated20200410]

what was yesterday, cat?

[catlips001]

[catlips001]

I’m not missing it this year.

[teathattast]

Happy Birthday buddy!

[marcignar]

NOT THIS TIME.

[sreegs]

Visit Original Link

[digitalismmm]

Change of scenery

[antlersish]

Mad about politics again

[moocyst]

Journey to Northrend from World of Warcraft on hurdy gurdy

[synths-and-sensibility]

Synth module concept. It's called CD4015. It's literally just a CD4015 with jacks for all of the pins

[nobrashfestivity]

The Original New Timbral Orchestra (TONTO) is the first and largest multitimbral polyphonic analog synthesizer, capable of producing many tone colours with different voices simultaneously.

Beginning with a single Moog Series III Modular in 1968, creators Malcolm Cecil and Robert Margouleff continued to expand TONTO with modules from different manufacturers, along with custom additions designed by Cecil. It marked the first attempt at creating a universal language for different synthesizers to communicate with each other, which was revolutionary.

Stevie Wonder, I believe was the first to really use this in popular music, as first appeared on his record Talking Book, and is on many hits, including Superstition.

Pictures are from electronics designer Drew Schlesinger and Google arts and culture

[synths-and-sensibility]

This venue is so awesome, can't wait to hear tonight's music

[xperseai]

music: Patricia Taxxon -Nine Stars

[pangeasoftware]

this time i recorded the audio directly. please think its cool

[pangeasoftware]

@bacon this is the most flattering thing that anyone has ever said to me in my life, to the degree that i'm a little insulted on tim's behalf even

[kuliak]

Visit Original Link

16 tap stereo spectral rhythm delay and comb resonator.

No percussion this time, instead the rhythm is enforced by a simple Rainmaker patch with a few resonant taps. The processed signal fades in, then out, then taps are edited. Voice 1 is Banshee Reach through Crucible, then QPAS with LP Stereo going to Rainmaker and SP Mono going to Erbe Verb. Voice 2 is Three Body through Waver then Magneto. Planar 2 is used to control PM and level of Voice 2 to keep things varied. Sequencing (of course, I swear something more interesting is coming soon) via Marbles. Simple patch to create a rich bed of sound.

[goddamnshinyrock]

fun fact: Boston Museum of Science calls their evening lecture series “SubSpace”, which would be a totally innocuous math term except for the fact that, to make sure you know these lectures are higher-level and not aimed at their usual audience (kids), they chose to subtitle it “SubSpace: Adult Experiences”

😶

[sophieisapoet]

me at the SubSpace wearing a leash and "free use" written on my tits in sharpie: wow I never knew Riemannian manifolds were so interesting

[xperseai]

got to do a set in a planetarium 😮

[synths-and-sensibility]

Visit Original Link

Holy crap. I stumbled onto this sound entirely by accident and I absolutely love it. I was originally playing around with unfiltered square waves for like a chiptune effect, but the effects weren't coming out quite right. The part that gets me is this is just a mono voice with a little bit of chorus, Marbles and Chronoblob are doing all the heavy lifting. Like there's a reason why they're my favorites and I really want to build my own versions of them

[xperseai]

more fun with floppy drives

[xperseai]

musical floppy drives sequenced by the pyramid in Euclid mode