
Love Begins

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@yellownstuff
it would feel so awesome to be a final fantasy white mage with the big-ass robes and wooden staff
fuuuuuck
and the brown leather gloves FUUUUUCK
I always feel so cheated in stories when characters are walking around with this Big Guilt and then...you find out that the thing wasn't their fault at all. And not in a "they thought they did it but it turns out they were set up" way, or even a "accepting that just because they did A which caused B which caused C it doesn't mean C was their fault", way but where they finally lay out the sequence of events and it's clear that any thinking person would not connect them. Like, fucking commit!!! The character isn't LESS compelling if they actually did the thing! You can't have the haunted brooding meow meow who is...also completely blameless
Ok listen
"it's not that deep" START DIGGING!!
DIG
DIG
DIG
DIG
OOPS TOO DEEP
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
🥚
crack egg directly into hot pan, scramble while cooking
crack egg directly into cold pan, stir/scramble, then cook
crack egg into bowl, whisk or stir, THEN pour into pan and cook
other
results
Or you use a plastic/silicon spatula?? Or a silicon whisk?? go to literally any dollar store they have shitty plastic/silicon kitchen utensils you can scramble eggs with without scratching up your pans
Now that’s what I call
@rpepperpotshipssciencebros please forgive me for this one
I hate this site so much.
alright, I’m annoyed with the class that I’m taking. it’s about writing novels, and I thought it would have cool stuff about balancing your narrative and developing themes etc, but instead she spent the first class talking about how every book fits into the Hero’s Journey (the monomyth template). and I was somewhat of a contrarian, and said “can you give us examples of books that don’t fit into this template?” and she said “no. because all books fit.”
but I dunno man, I just finished reading this Korean book where the plot is just the character having a string of hookups and reflecting on them without changing in any way. I don’t know if it’s possible to contort that into the Hero’s Journey.
Even inside the western canon, it doesn't fit very well way more often than people like to admit. Even inside the very stories that Campbell built it off of.
For example: Beowulf does not follow the hero's journey. I have a pet theory that Beowulf is three or four stories that kind of got mashed together since it's a collection of a couple vignettes about this warrior's life and the dragon episode is rather disconnected from Grendel (unless you're John Gardner, who ties it all together in his novel Grendel). Beowulf emerges as a full-blown hero when he enters the narrative, does not have a mentor, does not refuse the call (and rather wholeheartedly embraces it in fact - "Not only am I gonna slay your monster, I'm gonna slay your monster with my ass hanging out to show off"), does not live in the normal world at any point. One could argue he returns with the elixir to his home, given that the later story has him as a king, but the story's not interested in explaining much about how that happened and keeps going after the hero's journey would claim it should end, instead jumping to Beowulf's noble sacrificial death. You really have to squeeze to fit Beowulf into that framework, and by the point where it does, you've lost all semblance of a common structure the monomyth claims to represent. Arguably, the Iliad doesn't it either, given the scope of the story is a lot smaller than some people seem to believe.
Like I get the point that the original post was making about the western canon being so heavy with authors from the US and western Europe and not caring much about works from cultures beyond that, but I feel it's worth noting that even if you grade Campbell's ideas on the most generous possible curve, they don't hold up.
And even if we pretend they did, he never intended them as a writing guide. They were only popularized as one when George Lucas took that structure and adapted it to Star Wars.
And it's always worth mentioning that Maggie Mae Fish did a really good breakdown of Campbell and the Hero's Journey and why it's flawed. It's well worth watching. It's what got me questioning it in the first place.
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PLEASE reblog if you use any of these/wanna share with your writer friends!!
No credit is necessary, just have fun!
opens a jar with holes punched in the lid and tips these out
sure
via @swatercolor [insta]
This is the best tag I've ever received on a post, I think
Can we stop with the character development. Where's my beach episode.
Being an evil doppelganger has to be so fucked up like imagine meeting a better version of yourself. Some chain of events going differently that led to "you" being a better person in a way you can never achieve. Personally I'd have no other option but to try and kill them
It's always "oh no my evil clone or twin or whatever is trying to kill me" and never How is my evil clone? Says a lot about society
Me, crashing the fuck out: you think you're better than me? You think you're fucking better than me???
My good clone, dodging a glass: I mean like objectively yeah
I like the way that "dignity of risk" is worded. Like I know it's about not being treated like a child, no matter what, but for me personally, it's being granted the freedom of voluntary indignity. If I so choose, I may be allowed to die, and look fucking stupid the entire time I'm dying.
English added by me :)
This doesn’t include the best bit of the whole thing - she found the Twitter thread!
This is like one of those romance novels where people bond over accidentally writing each other emails but better.
Like Pride and Prejudice but instead of the love interest getting dissed for his toxicity and then reforming, it’s just two people bonding over dissing a dead toxic asshole.
10/10 would recommend
Befriending an artist who you deeply admire probably never ceases entirely to feel totally bewildering and surreal.
Pablo Picasso is in my DMs. Vincent Van Gogh is my Tumblr mutual and he's sending 16 smirking face emojis to me right now.