sheepfilms

tannertan36
Today's Document

❣ Chile in a Photography ❣
taylor price
let's talk about Bridgerton tea, my ask is open
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d e v o n
Show & Tell
noise dept.
The Bowery Presents

Product Placement
ojovivo
Lint Roller? I Barely Know Her
untitled
Claire Keane
🩵 avery cochrane 🩵
official daine visual archive
"I'm Dorothy Gale from Kansas"
Sade Olutola

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@zukriuchen
(ATLANSIA STEALTH 2strings)
Haranishi shows off his special skill
What were the biggest bluffs in the history of warfare?
The biggest bluffs in the history of warfare are the cliffs at Thermopylae in Greece:
This is where in the year 300 (I assume), King Leonopteryx battled the forces of Persia under Xerxes the Great, whose name was in fact Khshayarsha but this was too many letters for Greek news reporters to take down while being shot by arrows.
The spartan king managed to push many of the Persian soldiers off of these bluffs, resulting in him triumphantly still losing the battle with such bravado that soldiers in 21st century America still adorn their Ford Trucks with his immortal words, “Horn Broken, See Finger.”
This event was also depicted in Zack Snyder’s magnificent 3D opus, “Legend of the Guardians: The Owls of Ga'Hoole.” It could sadly not be filmed at the actual location because it is now a parking lot for the biggest McDonalds in Lamia Municipality. The nearby spot where the king died is now occupied by the ice cream machine, which also dies frequently.
Legalizing copyright infringement would be dismantling one of the few limitations on the white urge to steal from Black Art and Black Artists. The practical application of it would be anti-Black as fuck
this argument makes so many assumptions that I disagree with that I don't know where to start
damn asker, that's crazy and would suck. good thing we have robust IP law in the United States to prevent theft from Black artists
now to take a big sip of coffee and look up who owns Tupac Shakur's likeness
Steven Spielberg has received criticism for buying the film rights to MLK's speeches, and further controversy stems from King's estate.
In 2009, Steven Spielberg's DreamWorks company paid the estate for film rights to King's words, along with his life rights, which allow a person or company to make content based on an individual's story. DreamWorks has yet to produce or direct Spielberg's planned King biopic, but the rights have caused complications for numerous filmmakers. (Neither Spielberg's literary agent nor King's estate returned Broadly's request for comment.)
King has received only one major biopic, 2014's Selma, directed by Ava DuVernay […] Instead of using King's speeches, DuVernay wrote original monologues that sounded like soliloquies the civil rights leader could have given. […] When asked about the changes in 2014, DuVernay told the Washington Post, "We knew those rights are already gone. They're with Spielberg."
Théo van Rysselberghe - The Red Sail, Cap Bénat (1910)
The sky above the port was the color of television, tuned to a dead channel. — William Gibson, Neuromancer
Gibson explained in an interview that it goes back further. In his mind, it was a 1950s set, before broadcast began. The silver cathode ray tube TV, still warming up. They didn't display static, and a black and white tube TV would have a sort of dark tarnished silver quality, while it warmed up and displayed nothing.
Even by 1981 that image was dated. Color TVs were normal, and they display a darker black on a 'dead' channel, and most people pictured the bright snow of a color set, not even the silver tone snow of a black and white, and not the the tarnished silver of a classic, tube receiver.
@coredumpproject but that simply isn't true. the notion that 1950s tvs didn't display static when there was no valid signal being received. and there was little to no consistency in the tone of the viewable screen, its phosphor layer, and any intervening protective and visually filtering glass layers. not uncommon in the least to have, for instance, a layer of evenly smoked or tinted glass specifically to provide a good deep black level for instance.
i have used and even assisted in fixing, on rare occasions, vintage television sets of the 1950s and even seen the real early 1940s and 1930s tvs. once the picture tube warms up to display anything, you will see static on the tv set when it's not being fed a signal it can understand, and it does look like white, black, and varying shades of grey. depending on particular model from that era and how their adjustment settings are at thee moment it will also be rolling horizontally or vertically pretty substantially too.
similarly the visual artifacts of a weak but otherwise compliant monochrome signal with typical broadcast static noise will look about the same on a very old black and white tv as it did on later color sets - the "snowing" effect of near-random bright and dark dots appearing, the whole nine yards. the one thing you don't get, of course, is any incorrect colors or color fading in and out - since you don't have color decoding logic in the set or a means to display it if you did.
now of course he could have simply been misremembering or thinking of a very worn down set that badly needed servicing. it could have even been a specially equipped tv that had circuitry attached to cut off signal if there was some clever means of determining not enough signal (but needless to say, although that later became a thing with 90s/2000s CRTs that could switch to a standby all-blue screen and cut the audio if they didn't get enough signal over the noise, it'd be be pretty expensive to do a similar cut off to a blank screen in the 50s with 50s tech.). but on a normal 1950s tv? nah you'd see the pseudorandom screen image and hear the blare of static on the speaker just the same as you would on a tv 60 years on.
The sky above the port was the color of television, tuned to a dead channel. — William Gibson, Neuromancer
Gibson explained in an interview that it goes back further. In his mind, it was a 1950s set, before broadcast began. The silver cathode ray tube TV, still warming up. They didn't display static, and a black and white tube TV would have a sort of dark tarnished silver quality, while it warmed up and displayed nothing.
Even by 1981 that image was dated. Color TVs were normal, and they display a darker black on a 'dead' channel, and most people pictured the bright snow of a color set, not even the silver tone snow of a black and white, and not the the tarnished silver of a classic, tube receiver.
I really don't see how you can possibly make a Neuromancer series in 2026, it's probably the central example of "this is the work which invented every single cliche in its own genre, so a straight adaptation just looks dated as fuck", but I guess I'm interested to see how they try.
I watched the trailer and yeah. The modern cool gritty aesthetic broke forever the second he said "cyberspace".
This is the first I've heard that they're adapting Neuromancer, but I wanted to share my favorite incredibly dated detail from the book. The opening chapters have the protagonist Case on the run and looking to sell stolen RAM chips. Ok, in today's age of Nvidia price gouging that's back in style, but the problem here is William Gibson made the mistake of putting a number on it. Three megabytes. Not terabytes, or even gigabytes, megabytes. Not gonna even pay for a cup of coffee with that, Case.
"I steal data ... in Cyberspace" ... is not in the book. The writers doing a TV adaptation, in 2026, decided that the audience and Molly are both too stupid to understand what he does without explanation.
The 3 Megabytes of 'hot' RAM isn't the chips, it's the data they contain. 3 Megabytes could be anything. A secret formula, secret strategy, secret email logs, etc, etc ... 3 Megabytes can be worth anything, if you're thinking about the data. Even when I first read the book, in 1992, I pictured some RAM sticks he'd somehow removed from a device, and was keeping alive with a battery until the buyer came through.
Alternate timeline in which all Greek and Latin roots are swapped:
catastrophe -> contraverse cephalopod -> capitoped chlorophyll -> viridofolia democracy -> populimpery homicide -> anthropoctony homosexual -> equigamic kilometer -> millimensure interregnum -> mesarchy magnanimous -> megapsychic manuscript -> chirography motorcycle -> ergatorote microscope -> parvovisor oxygen -> acidofex polyamory -> multierasty television -> remotoscope universe -> monostrophe
amphibious -> ambivivent automobile -> ipsokinete autopsy -> ipsovision circumcision -> cyclotomy conspiracy -> synpnoea epilogue -> supraverb homosexual -> idemphilic [thanks to @dative-ciceroni-pizza2h] menstruation -> selenosis [looser] Mesopotamia -> Medioflumina pornography -> lupascript scissor -> schizotron [?] troglodyte -> cavernicole tyrannosaur -> dictatoreptile
(honorable mention: carnivore <-> sarcophage)
new movie i just saw in theaters, excellent work!
A video of these cars: https://youtu.be/aXVkvaA82gI
Abandoned cars (Entenfriedhof) Germany Oct 2025
we don’t have to fight anymore