gerards thoughts on fake your death, from his twitter 8 years ago
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Aqua Utopia|海の底で記憶を紡ぐ
KIROKAZE
YOU ARE THE REASON

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Color Me Curious

#extradirty

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@theartofmadeline
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@100-percent-transfat
gerards thoughts on fake your death, from his twitter 8 years ago
The perfect pillow doesn't exi......Anyone with a link on where to find this gem of a product???
@iloveswedishmeatballs Just got mine delivered the other week > GOT IT HERE <
I don't know how to feel about this...a part of me thinks "yes I should get it" but then I feel like I'd always have the urge to throw it away because the pillow said so 🤔
mgts | arts & hobbies
dalton day
other people may reject you but if you lie on the forest floor for long enough the moss and fungi will always accept you as one of their own
I made some pride bats, enjoy! 🦇🏳️🌈
“7 ducklings got trapped in our pool so created a ramp to reunite them with mama duck”
(Source)
FUCK. honestly just FUCK. We missed a very important day yesterday.
what was yesterday, cat?
I’m not missing it this year.
One day, we’ll probably tell our kids and grandkids about how people used to blow air from their mouths onto a birthday cake before everyone ate it, and it’ll seem barbaric.
me hyping myself up before entering any public area: i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal i’m normal
Are they SURE they meant to write the word “ruined” instead of “liberated film from the stranglehold of?” Maybe their hand slipped??????????????????
Oh some of you missed it, okay, so this movie was set to hit theaters exactly when all theaters were shut down for the quarantine and rather than delay it they took a chance at releasing it direct to home streaming from day one, the first time a major studio has ever done so, and yeah the numbers can be chalked up heavily to families stuck at home with nothing to do but they still weren’t expecting it to make 100 million dollars in just a couple weeks, especially not when the whole family just has to pay for it once instead of a bunch of tickets. It was such a STAGGERING success that it opened up discussion over whether movies actually need theaters anymore, whether the profits are only being held back by how much time, energy and money it takes for consumers to arrange a whole trip out to see a new release, and pretty much the only real conclusion being drawn is a resounding “yes, and that should have been patently obvious.” It had more studios rush to put things out for streaming and they continue to be making more money than they ever imagined, even factoring in all that collective cabin fever. It also has the Academy Awards changing their rules this year to include non-theatrical releases for the first time. Trolls World Tour might go down as one of the most important, most industry-shattering works in cinematic history, albeit not necessarily for its actual content (which is cute by the way, worth seeing).
(Forewarning, I’m biased because I’m in the film industry. And also just prefer seeing movies at the theater)
This IS actually gonna ruin the movie theater industry. What Universal (and other movie studios, U is just the most vocal about it) wants to do is simultaneously release movies to theater and digitally. They want to have their cake and eat it too– get the profits from the cinematic experience of the theater while raking in the digital rentals. The exception they would make to this is blockbusters, which they would only release in theaters.
Now why is this a problem? It fucks over the movie theater, and thereby the movie theater consumer.
Movie theaters cannot exist on blockbusters alone. They need the steady stream of butts in seats throughout the year to keep going. As most of us have experienced, the prices of tickets and concessions have been climbing to keep theaters open in the face of digital streaming. The dual release would make those prices skyrocket. We’re talking $25+ a ticket. $100+ for a family of four, before tax or concessions.
“Well I won’t go to the movies, I’ll just stream from home.”
1. Not everyone can do that. Plenty of people don’t have reliable internet access and streaming/downloading isn’t an option for them.
2. We are teetering on the edge of another film industry oligarchy. In the old days of Hollywood, banks would buy up studios and movie theaters both, and shut out the indie competitor from showing their films at all. They then were able to hike up the price of a ticket because only certain theaters were connected to certain studios. So Studio “A” would only send their films to “A” Theaters, creating a false scarcity that drove up the price for the consumer. Also hella illegal. The film industry got monopoly busted hard, and now the studio and theater are purposefully kept separate.
In streaming services, we have an echo of that model. Studios are creating their own streaming services and vice versa (Disney+, Amazon Studios etc). One of the few things keeping them in check is the movie theater industry, which acts as an equalizer– all tickets cost the same, regardless if it comes from an indie studio or the Big Five. The second we lose theaters, the streaming services are going to jump in price, I guarantee it.
3. The theater isn’t just about the movie. It’s about the communal experience of going out with friends, family, strangers. Making a night out of sitting in a cool, dark room. Staring up at a giant screen, enraptured by the film for those 90 minutes. You don’t get that experience at home.
.
So what are the movie theaters doing? AMC, movie theater monopoly and my immortal enemy, has fired back at Universal– if they want to dual release, no AMC theater will show Universal films. Ever.
Universal has of course backtracked and said that they have no concrete plans to implement the dual release, they’re just thinking out loud, blah blah blah.
As much as it pains me, I’m on AMC’s side on this one. Because AMC is the only theater chain big enough to make good on that threat and hold off studios. Because we all go to the theater at least a couple times a year, and it shouldn’t cost the price of a grocery trip to do so. Because the theater, as flawed as it can be, makes cinematic experience accessible to the masses.
@louisbancroft
And I’ve seen people calling AMC “petty” for basically saying, “We’re not going to import your product when you’ve just set us up to ultimately LOSE money on showings of it.”
Theatres might well be dying, but AMC at least is not going to let Universal leech off of them while they’re taking their last breaths.
Theatres are literally being fucked to death by distributors without lube and you’re cheering from the sidelines.
Hot ticket films like say Avengers Endgame have distribution fees up to 90 percent. That mean the studio keeps 90% of the ticket intake. 90 fucking percent. This drops down over time, as demand is perceived to drop (how gracious of them!) so we usually peg it around 60-70%. Why are there so many ads?? why is the concessions stand so expensive??? Because the distributors aren’t paying cinema staff. They’re not paying to run the projectors, or the players, or the media libraries, or scheduling, or anything else required for a cinema to actually run, but by god they will take that 90% ticket cut.
Theatres are not a parasitic entity riding off distributors. But gee, the distros have sure done a good job convincing you they are.
Christ, finally some people with brain cells to rub together.
Worth noting that those of us deemed in possession of brain cells also work very heavily in the cinema industry (or know people who do that rant a lot.) So, you know, we kinda know whereof the fuck we speak rather than kneejerking bullshit for random internet points like OP up there.
I also worked in the cinema industry for five years, and nearly lost my job when I was a lowly box office girl because I employee-ticketed a family in for Jurassic World because they bought tickets at the wrong location. And the studio emailed and raised hell. I also had to personally cancel tickets that were erroneously rung in under passes for star wars and exchange them for paid tickets which my boss paid for, because if we missed even one, Disney would take 95% instead of 85% and we would risk losing any Disney movies going forward. I know the legal shit behind production companies that also own projection companies, meaning that x cinema in small-town usa can never show a movie from y production company because they’re a competitor of z production company, who owns the projectors. But of course, the theaters are the bad guys for not screening culturally important films in those neighborhoods, and nobody wants to hear differently.
Every time I hear people speak gleefully of the theater dying, I think of the tiny little mom and pop theater in my small town that only has two screens and keeps a vintage aesthetic to it, and I think of that family losing their business.
That wasn't very 🌿🐝🌙🌱🌻🍄🌲🌷☀️ of you.
Broke: Barbie's many different careers are a way to sell dolls and accessories to little kids.
Woke: Barbie had every single one of those careers and is an immortal timeless being.
Bespoke: Barbie's different careers are different versions of Barbie from across the multiverse who occasionally swap place with each other or combine into one Barbie.
SO THERE’S SOMETHING Y’ALL SHOULD KNOW ABOUT...
Attack of the clones
I have often used Barbie to explain Greek mythology, and people laugh until I explain it, and then they get really serious and thoughtful.
I say, “The Greeks ascribed aspects to gods. Apollo had many aspects, but all were Apollo. He’s like Barbie that way. She’s an astronaut, a veterinarian, and a rollerskater, but no matter which of those things she is in the moment, she is always still Barbie. She is Barbie in her aspect as.”
Then people get not only the idea of “aspects” of godhood, but also, well, the changeable yet eternal nature of Barbie.
Hey guys is me again…
Well, it’s been a while since I published something and such, I haven’t drawn much for personal things but I try to be more active anyway. Now, as everyone knows two days ago it was the end of Steven Universe and well I’m half sad about it but well, life goes on etc etc and I came up with this little crossover taking advantage of how I ended up and I don’t know, maybe I’ll do more strips about This or who knows, It depends on how creative I get. Anyway I hope you guys are doing great.
Not a grown ass police officer who “fears for his life” in site!
#WhitePrivilege
Cops don’t see danger when it comes to other white people …Even when clear danger exists .
Cops see danger when it comes to black/brown people …Even when no apparent danger exists .
Cultural conditioning .The actions of cops during these recent protests demonstrate bias .