Bo Bartlett’s striking full body portraits
Cookie Run:Kingdom Official!
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
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Kiana Khansmith

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NASA
The Stonewall Inn
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Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH
Monterey Bay Aquarium
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"I'm Dorothy Gale from Kansas"

@theartofmadeline
🩵 avery cochrane 🩵

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Claire Keane
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Bo Bartlett’s striking full body portraits
Umberto Brunelleschi (1879-1949), 'The Kiss', ''The Bystander'', Christmas Number, 1927
Source details and larger version.
Here’s my collection of vintage dancing imagery.
Artist and designer @esdevlin created this larger than life light and animal art installation. It took her "four months hand-drawing 243 species from London's priority conservation list: swifts that fly the equivalent of eight trips to the moon and back in a lifetime, streaked bombardier beetles once thought extinct but rediscovered in Tower Hamlets, soprano pipistrelles, tall fescue planthoppers, bearded tits, moths, wildflowers, fish, fungi. All referenced from photos, then scaled up, printed on sustainably sourced birch ply, cut out, and mounted inside a sliced-open scale model of St Paul's dome." shares @camilliabloomsbury, who we discovered this incredible installation via!
'subway scene,' oil on canvas, 35 x 47.25 cm; mark rothko, american, 1938.
Sonia Delaunay, 1915
antoin sevruguin's photographs of the ruins of the blue mosque in tabriz, c. 1880–1925
The Lovers by Leonora Carrington (1987)
Portrait of a girl with a guitar, Papua New Guinea, early 20th century.
British Museum
Snow Storm. Steam-Boat off a Harbour's Mouth (J. M. W. Turner, c. 1842)
Laura Benson (American, 1997) - Dance Remembrance (n.d.)
Huang Yongyu (Chinese, 1924–2023)
"Owl", 1978.
Ink and Color on Paper, 54.5 × 49.5 cm.
Private Collection.
John Singer Sargent, ‘Gassed’ and ‘Six Studies for Gassed’ (1918)
In Gassed there is little suffering. Or rather, what suffering there is is outweighed by the painting’s compassion. In spite of the vomiting figure the scene has almost nothing in common with Owen’s vision of the gas victim whose blood comes ‘gargling from the froth-corrupted lungs’. What Sargent has depicted, instead, is the solace of the blind: the comfort of putting your trust in someone, of being safely led.
— geoff dyer, the missing of the somme
Palestine, 2000
Helene Wyss - Maerchen zum Malen - 1904 - via Staatsbibliothek zu Berlin
new year’s eve in yamanakako
2025