Keni

Kiana Khansmith
Sade Olutola
Today's Document
Claire Keane
Monterey Bay Aquarium

@theartofmadeline
One Nice Bug Per Day
Sweet Seals For You, Always

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
NASA
styofa doing anything
cherry valley forever

titsay
Misplaced Lens Cap

祝日 / Permanent Vacation
Cosmic Funnies
almost home
seen from Singapore

seen from United States
seen from Peru

seen from United Arab Emirates

seen from United Arab Emirates
seen from United Arab Emirates
seen from United Kingdom

seen from United States
seen from United Kingdom

seen from Norway

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Türkiye
seen from United States
seen from United States
@1may
Robotok, Robotok!
Paper collage
Der Himmel über Berlin
“Ringo isn’t even the best drummer in the Beatles”
The Beatles did not have a fuck to give
I can’t even name 5 Beatles songs and I find this hilarious.
Good night, remotes! Sleep tight, you deserve it.
Pesce, Mark. “Contraludics.” In The Gameful World : Approaches, Issues, Applications, 107–11. Cambridge, Massachusetts: The MIT Press, 2014.
A familiarly negative (Baudrillard, Debord, etc...), even apocalyptic outlook on our gamified future, delivered with impeccable elegance. The lucidity of Pesce's writing creates an aesthetic quality that inclines me to smoothly swallow his sweeping statements and far out predictions, for the sake of preserving a bouquet of beautful metaphors. 😍
Book to Come, in: Paper Machine, Derrida, Jacques, Stanford, 2005. P. 15.
Frankfurt School theorists - on their days off
Top left: Max Horkheimer at a party | Top right: Emil Burri (film director), Walter Benjamin, Bertolt Brecht, Wilhelm Speyer, Marie Speyer at the beach | Bottom: Theodor Adorno chilling in swimsuit
“ In Rope Piece,” (July 4 1983 to July 1984) Hsieh invited fellow performance artist Linda Montano to tie herself to Hsieh for one year. They didn’t get along. In fact, both sides seem to delicately avoid the subject of what that year was actually like. “Peaceful moments were the best we could hope for the piece, says Hsieh.”
Tehching Hsieh and Linda Montano “One Year Performance”
One Year Performance 1981-1982 (Outdoor Piece). Tehching Hsieh (謝德慶). Performance Art.
Tehching Hsieh (b. 1950) is a Taiwanese-American performance artist known for his series of one-year performance pieces that took place between 1978 and 1986. For his third one-year piece, from September 26, 1981 to September 26, 1982, Hsieh lived outdoors in New York City armed with only a backpack and a sleeping bag, and did not allow himself to enter any buildings or other kinds of shelter, including public transportation. During this time, Hsieh meticulously documented his movements around the city, provoking questions about homelessness, invisibility, and public/private spheres within urban space. On one occasion, Hsieh was arrested for an altercation with another man, and had to spend fifteen hours under shelter. However, on both of his court dates, the judges allowed Hsieh to remain outside of the building to preserve the integrity of his art. Hsieh’s performance piece also happened to coincide with one of the coldest winters in NYC history.
Tehching Hsieh’s One Year Performance 1980-1981 (Time Clock Piece) was previously featured by sinθ here.
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My favorite artist currently.
Breaking dawn, Amsterdam North, and my boyfriend's silhouette.
photos by ag.nes
"Somewhere a bus is waiting for you" Graffiti in a bus stop in Budapest.
Baby sloth
My baby