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@47---yaavod
Bee Train really made Noir (2001) and just expected me to somehow ever be okay again.
“Though the ages may come and go, the world of man does not change. The land overflows with grief and man commits wicked deed upon wicked deed. But Heaven… Heaven maintains its silence.“
“If love can kill a person, surely hatred can save them.“
“I will open the door to the past. With my own hands, and without fail.”
if you like gritty slow-burn mafia movies with quotable lines where everyone is angsty lesbians, i am begging you to watch noir (2001)
really love how you can pretty much summarise the progression of kirika and mireille’s dynamic through just these four shots
A lot of people joke about how gay it is that even early on in Noir, Kirika and Mireille slept in the same bed despite there literally being two beds, but it actually perfectly symbolizes the vulnerability between them at that point.
Both of them are taking huge risks in this partnership and displaying huge amounts of vulnerability to each other for the sake of uncovering the mysteries of their past. Mireille is letting a girl who not only knows her identity but is just as adept at killing as she is (if not moreso) live under the same roof. Kirika may have lost her memory, but she stills has her instincts as a trained killer, and she is greatly going against those instincts by allowing herself to sleep under the same roof as a professional hitman who has promised to eventually kill her. But through their partnership, they've placed themselves in each other's care. Of course they sleep in the same bed, then; they're just as vulnerable with each other.
But despite this, they don't want to actually acknowledge that vulnerability. They face away from each other; neither wants to acknowledge that this is the closest they've ever allowed someone to get to them in a long time. They're both placing a huge amount of trust in each other while trying not to actually trust each other, and that scares them. So they turn away. They try not to acknowledge it. And they try and act like things are simply a strictly professional arrangement between them, while they sleep in the same bed.
What I'm trying to say is that it would actually be less gay if they were just fucking
pain and suffering
Something that kind of struck me with Noir is that I think the first time Kirika and Mireille share anything resembling a hug or embrace is when Mireille pushes the gun back into her hands, in the episode before last.
Before this there's a few moments where one or the other clearly thinks about offering some kind of supportive touch, but decides against it.
Almost all other contact between them is incidental or a matter of business. What falls out of these two categories is still carefully constrained to the realm of plausible deniability. Even when they share a bed they always have their backs turned towards each other. This gets contrasted very heavily with both of the Manor girls constantly embracing Kirika.
I think this aspect of their relationship is probably my favorite. There's so much unsaid and so much they each can't face, despite both of them wanting to. They're both restrained so heavily by their fears and the expectations they hold for their relationship. To this end the show is very adamant about limiting the extent and nature of their physical intimacy.
randomly remembered how hard this shot goes like what in the catholic church stained glass window were they cooking
kirika killing chloe with the fork that represented chloes love for her 😭😭
kirika begging mireille to kill her vs mireille begging kirika to live 😭😭
now this is the kind of toxic yuri i'm talking about
there’s messy and then there’s “one of you was brainwashed into an assassin cult as a young child and killed the other one’s family but didn’t even remember it until now”
like jesus christ
meta i want to write but probably won't:
chloe is very clearly meant to be the dark parallel to kirika (most evident when we see kirika in true noir mode), but altena is meant to be the dark parallel to mireille.
(and altena's relationship with chloe is meant as a warped sort of parallel to mireille's relationship with kirika. altena pretends to love chloe, but if her hate can save quote is correct, she never truly loved her and only used her as a means to an end. mireille, from the beginning, intentionally said she was using kirika as a means to an end and pretended to hate her, but ended up truly loving her.)
...i could be so much more specific in meta but idk if i actually want to. write that essay.
Fantastic post, OP! I hadn't considered this!
I think another parallel between Mireille and Altena is how their personal journies began. Both of them experienced the violent loss of their families at an extremely young age, setting Mireille on the path of being a professional killer and Altena on the path of being a cult leader.
They also both potentially had some kind of encounter with abusive men at that age. Mireille with her Uncle Claude, who trained her to be an assassin when she was a child, and Altena possibly with the nameless soldier seen in the flashback.
Noir (2001) // If love can kill people, surely hatred can save people. Though the ages may come and go, the world of man does not change. The land overflows with grief, and man commits wicked deed upon wicked deed. But Heaven… Heaven maintains its silence.