808BisexualBitch

I like a lot of things?

[ksan-nooo]

so a small WIP for the next art🥰

[scrupulosity-comics]

sometimes instead of a horrid little monk, divine visions of lesbians dance in my head dispensing wisdom

[scrupulosity-comics]

[choudo-ii]

heppy pride munth

[rowanberrypop]

for some reason when i listen to american idiot i picture the lucky star dance, so i bring you faggot america friday

[rowanberrypop]

pride month’s first friday… truly THE faggotest america friday! happy pride month!

[animentality]

Link to the gay porn library of Alexandria.

Happy pride.

[thespeakersystem]

I don’t usually reblog porn on this acc but this is genuinely media preservation

[odyver]

alright I've got to do some quick math to explain attitudes towards AI to my boss.

we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)

please rb for larger sample size!

Question 1/3

What is your age, and do you feel AI is a net positive or net negative in our lives today?

under 18, AI is a net positive

under 18, AI is a net negative

18-29, AI is a net positive

18-29, AI is a net negative

30-45, AI is a net positive

30-45, AI is a net negative

46-60, AI is a net positive

46-60, AI is a net negative

over 60, AI is a net postive

over 60, AI is a net negative

Voting ended onJun 11

[odyver]

Question 2/3

How often do you visit or interact with museums/archives (whether in person or online)?

Frequently (multiple times per month)

Often (multiple times per year)

Occasionally (a couple times per year)

Rarely (once every couple of years)

Never :(

Voting ended onJun 11

[odyver]

Question 3/3

If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?

under 18, more inclined

under 18, less inclined

18-29, more inclined

18-29, less inclined

30-45, more inclined

30-45, less inclined

46-60, more inclined

46-60, less inclined

over 60, more inclined

over 60, less inclined

Voting ended onJun 11

Thank you for helping with this data collection. Please rb for as big a sample as possible!

🫶

[apatheticabberation]

whatever i'll crosspost this one

[a-person-on-the-internet]

The Backrooms movie is incredible, and without spoiling anything, Clark is easily one of my favorite horror protagonists I’ve ever seen. Chiwetel Ejiofor was putting everything he had into this role and it shows. I would kill for this movie to come out digitally so I can just analyze his micro expressions - his EYES. Holy SHIT can that man act. I need him to get a goddamn academy award.

[starvariety]

a handprint made in concrete is just the image of a hand, it’s not the real thing. or, it’s the absence of a hand, more than anything, the negative space. the casing around where it should be. it’s an indent that was made from something real - that could not have existed without something real - but it’s not the real thing, it’s just trying to be. maybe it’s not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesn’t even know why it exists, it just does. if we can make copies and not-things from real things in the world, who’s the say the world couldn’t do that itself? does it even need to know why?

[the-babble-fish]

backrooms movie but its just clark going through and unplugging shit to save on his electricity bill

[junkfoodcinemas]

BACKROOMS (2026) dir. Kane Parsons

[drawnsnake]

What if backrooms... but eepy

[angstflavoured]

all my homies love pirate clark

[giftcarder]

Maybe check in the back?

[1nkomxn]

45 minute backrooms doodle!

[sketchyvero]

Soo I watched the backrooms…

[stormbreath]

I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape