going to k-mart in booty shorts that say “jebaću ti mater” as both a promise and a threat to the american public

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@abmare
going to k-mart in booty shorts that say “jebaću ti mater” as both a promise and a threat to the american public
good smut is really a character study and that is final. i need it to be about vulnerability i need it to be about trust or lack thereof and most of all i need it to be emotional agony. thats what sex is for
should i eat first or shower first *has phone in couch time for another 3 hours due to choice procrastination, a behavioral phenomenon observed in pigeons and rats as well*
i' m something of a pigeons and rats myself
pansy, blue night, after the rain
Shadows of Forgotten Ancestors
Sergei Parajanov, 1965
to celebrate the ides of march I will draw an inaccurate analogy between the ancient mediterranean and modern america
the 16th victim of the novi sad train station canopy collapse passed away today.
may he rest in peace.
It WAS Helly at the end of the episode. “Helly was never cruel” but did you ever think that Helly might be selfish? That she wants certain things and would do anything to get them? She doesn’t hold any malice towards Gemma, but the fact is, she loves Mark and desperately wants to be with him. Helly, like Mark. S, is not so selfless that she’d sacrifice her love for the sake of a stranger. Something is lost when we assume that only Helena is capable of being self-serving.
honestly i think the marching band sequence was one of the most horrifying sequences in the whole episode.
this whole season has been milchick silently contemplating his place at lumon, particularly in regards to his race, and yet he is still pushing through even after abuse from kier "himself". he is still performing.
and frankly i don't think it's being taken as seriously as it should be by the audience!!!!!!
i get that that is partially because it is absurd and out there that lumon would have a whole marching band and partially because tramell tillman brought so much oomf to it (i still cannot believe that this is one of his first acting gigs - he is such a good actor). and also, it's meant to evoke the first season's dance sequence (but i also don't think that's taken as seriously as it should be by the audience soooo--- ¯\_(ツ)_/¯)
but like — i felt a similar kind of horror watching the marching band sequence that i did watching get out and us. like. watch this black man in white gloves and a cane who has been consistently put down and othered for his race throughout this entire show, perform at the request of an automaton of the white man who very likely built his company on the backs of former slaves at the end of the civil war, whose company who still effectively employs slave labor and indentured servitude two hundred years in the future.
for milchick, this season began with lumon black face and ended with, effectively, a lumon minstrel show as someone else put it.
that is horrifying.
i'm mass cleaning my laptop and keep coming upon important political commentary such as this
Lamb of God mosaic in presbytery of Basilica of San Vitale (built A.D. 547) Ravenna, Italy.
Dear Mr president the military industrial complex is actually woke and gay and also DEI i think the only solution is to get rid of it entirely
i just know there was a weird little girl in the middle ages out there stealing snake's eggs and putting them in her family's chicken coop in the hope of hatching a basilisk
god i love the internet because if i said shit like this to people irl they'd probably just stare at me blankly but when i post it online everyone in the notes reacts like this
of course you need a toad to hatch it but that's usually not an issue
shout out to everyone who participated in the january-february mass depressive episode
Thank you everyone for another great turnout to the january-february mass depressive episode