There’s a reason these people are fucking stupid and proud of it.
They called them "Deltas" in Brave New World because they weren't worth educating, let along the luxury of soma.
cherry valley forever
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@admiralvalagant
There’s a reason these people are fucking stupid and proud of it.
They called them "Deltas" in Brave New World because they weren't worth educating, let along the luxury of soma.
“If you promise to stay alive just a little bit longer I promise that we are going to make this world a place worth living in by any means necessary. I ain’t giving up. I swear.”
Spotted in Clackamas, Oregon
I can’t stop thinking about this message, so I spent a while trying to isolate just the writing and make it transparent. I might order a shirt with it
Whoever in Clackamas wrote this message on their bus stop, I love you
[ if you promise to stay alive just a little bit longer I promise that we are going to make this world a place worth living in by any means necessary. I ain’t giving up. I swear. end caption ]
AU where Harry is raised by Snape. Treated like a celebrity from birth, Harry becomes a star pupil at Slytherin House in Hogwarts. Severus struggles to reconcile his love for Lily and his loathing for James in his treatment of Harry. He is challenged further by protecting Harry from Voldemort while being a double agent for Dumbledore.
When Snape dies, he learns that Harry has been groomed since that night at the Cemetary as Voldemort's lieutenant.
Why do you even care about trans women? You're not even one of them.
The whole Enterprise crew in Lower Decks style!
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normalize creators replying to fanon shippers with “that’s great that you’re inspired to write your own version of things. keep doing that! but please respect our version of our story.”
normalize fans being reminded that boundaries between fandom and creators exist for a reason.
normalize fans recognizing their own creative potential without seeking canon validation
normalize the idea that fandom is a hobby, not an identity to threaten and fight and harass people over
normalize a healthy understanding of the boundaries between fiction and reality
normalize just chilling the fuck out lmao
This thread is so good.
THIS. ^^
As a folklorist, this kind of thing bothers the hell out of me. So much of what people think of as ancient is Victorian era or newer. Or just wildly inaccurate, really.
I’m digging this interrogation.
nakedsasquatch it’s ya man
Okay but seriously folks - as often as I joke about this movie stirs my loins and as weirdly popular as this text post got a while back, I wanna rap with you all about why the George of the Jungle remake is a pretty important piece of cinema.
It’s literally the only movie I can think of that is based completely around the unheard of “FEMALE gaze.” Granted, while I’m a huge movie buff I’ve not seen every movie ever made. But even so, even if there’s another example of the “female gaze” in cinema that has escaped me it’s still damn impressive that a kids movie from 1997 based on a Jay Ward cartoon from the 60’s managed to turn gender representation in media on it’s fucking ass!
First things first, let’s look at our leading lady and love interest - Ursula, played by Leslie Mann.
Let me just say that while Leslie Mann is adorable and a talented actress, she does look a little less conventional and a little more plain compared to the bombshells that Hollywood likes to churn out. Leslie, in comparison, looks much more like a real women you’d meet on the street. She dresses pretty conservatively and plain throughout the film ; Wearing outfits that are more functional than fashionable for trekking through the jungle, pulling her hair back and so forth. Not that if she was dolled up and more scantily clad it would give her character any less integrity, but can we appreciate how RARE that is in the male dominated industry of film? Just think about all the roads a film about a woman in the jungle COULD have taken but didn’t - no scenes with her clothes strategically ripped or anything! You can say this is a kids movie, intended for children and that’s why the sensuality of the female lead is so downplayed but there are PLENTY of kids movies that handle women in a very objectifying and sexualized manner despite the target audience is pre-pubescent. Like, a disgusting amount. So I don’t think “it’s a kids movie” is why the film doesn’t take ANY, let alone EVERY, opportunity to showcase the main female character’s sex appeal…
…especially considering the sex appeal of the film rests squarely on the well defined shoulders of our male lead, George of the Jungle played by Brendan Fraser in the best god damn shape of his life!
*Homer Simpson Drooling Noises*
Whenever members of the reddit community try to compare the sexualization of women in fiction to the design of characters such as Batman and Superman, I always want to just sit them down and show them this movie. Because THIS is what the female sexual fantasy looks like, and Batman and Superman are male power-fantasies. Look at him - his big blue eyes, his soft hair, his lean, chiseled physique built for dexterity rather than power. He’s wild and free, but gentle. It’s like he fell right out of that steamy romance novel your mom tried to hide from you growing up.
Hell, the whole plot seems to be designed around how damn hot he is! First, for the majority of the film, he wears only a small strip of cloth to cover the dick balls and ass. Everything else is FAIR GAME to drool over for 40 minutes. Then, after he meets Ursula she takes him with her to San Francisco just so we can enjoy him in a well-tailored suit (as seen in the gif set), running around in an open and billowy shirt along side horses while Ursula and all of her friends literally crowd around and make sexual comments about him, and my personal favorite, ditch the loincloth entirely and have him walk around naked while covering his man-bits with various objects while one of Ursula’s very lucky friends oogles him and makes a joke along the lines of “So THAT’S why they call him the ‘KING of the Jungle’…”
And yes, it’s also a very cute and funny little movie. Out of all the movies based on Jay Ward cartoons, it was the most faithful to the fast-paced humor and wit of the original source material (yes even the new Peabody and Sherman movie which honestly I thought was too cutesy-poo.) But that’s not why this movie is popular with the gay community or why we all became women in 1997. It’s just really cool that there’s a film out there where the sensuality of the female form takes a back seat for the oiled up, chiseled, physique of Brendan Fraser (in his prime that is)
One thing to add: in the scene mentioned above where the ladies are watching him in the billowy shirt running with the horses, it pans back to about 50 feet away to two guys in suits at this party looking at the women and one of the guys says, “Man, what is it with women and horses?” So not only does this movie highlight the female gaze, but it blatantly points out that western male sensibilities don’t have a clue what actually appeals to women.
ALSO
he’s non threatening
as mentioned above, he looks built for dexterity rather than power, but he’s still a 6+ foot tall extremely muscular man, and not once are you worried for Ursula when he’s with her
ALSO
let’s take a look at his rival - Lyle is a cravat-wearing trust-fund kid (who, interestingly, is into Ursula’s fortune more than her, which kind of makes this a gender-swapped gold-digger thing too). He’s blonde and Ursula’s mom LOVES him. He’s more uncomfortable and less prepared to cope with the jungle than Ursula is, in his pastels and shiny shoes.
But he talks over Ursula, insists he knows what’s best for her, ignores her autonomy. In spite of the fact that Lyle Van de Groot is a rich, educated, social climber who cares deeply about his clothing and appearances he is a point-by-point checklist of unhealthy masculinity in a way that beefy, inarticulate, uneducated George could never be. Ursula is off on her own doing her own thing and Lyle hires two FUCKING POACHERS to track her down in the middle of the jungle while she’s working (or on vacation? It’s never made clear because he interrupts her before she can explain why she went on the expedition). Lyle ignores the local guides, claiming his experience with a bridge in Maui means the bridge they’re on is safe - which leads to a significant injury for one of the guides. He then tells Ursula the guides are conspiring against him, trying to make himself and his poachers seem safe and the Africans who make up the rest of their party seem dangerous.
Check that body language! A post above points out that we’re never worried about Ursula when she’s around George. That’s because Lyle talks to her like this. Look at his aggressive lean! Look at him literally looking down at her! She’s tilted away from him in the least threatening position possible and he’s so aggressive about whatever point he’s making. When he finds her after he pushed her toward a damned lion he kisses her and she pushes him away. Want a textbook example of gaslighting? Here you go: she says “don’t get all smoochy with me! I remember what happened with that lion” and he responds “What are you talking about? I was fighting that lion the whole time - you were just so terrified you don’t remember.” Then he shoots George! And then he kidnaps Ursula and attempts to force her into marriage!
Now look at how George and Ursula interact (slightly NSFW):
Even though he’s a big strong dude and he thinks he’s doing what’s okay he lets her set the tone for their interactions. He accepts that he’s out of his wheelhouse and even if he doesn’t understand it he does what she says is culturally appropriate. He learns from her! He listens to her! Compare Lyle leaning into Ursula above to this image of George and Ursula talking:
He’s listening to her, all of his attention is on on her, but he’s totally nonthreatening. His torso is turned toward her but he’s not invading her space, his hands are clasped, he’s smiling, and she’s the one leaning into him. Look at that smile she has, look how happy she is to be listened to. Her posture in both images is vulnerable but in this one with George she’s vulnerable because she has chosen to share with him instead of because she feels threatened.
When George rescues Ursula from Lyle at the end of the film it isn’t a typical damsel situation - George doesn’t have a knock-down-drag-out fight with Lyle, he swings into a tree and offers Ursula a hand so she can reach up and save herself (and before he does it he acknowledges how much it’s going to hurt and *whimpers* and looks human and scared). And you’ve gotta remember that George rescues everybody. It’s not just Ursula - he also rescues a parasailer and gets shot rescuing Shep and Ape. He just likes helping, dammit!
AND this movie offers a perfect counter to the “nice guy” thing - Ursula starts engaged to a jerk who her mom thinks is a “nice guy” the moves on to actual nice man George who isn’t *just* nice - he’s also patient, listens to her, has his own skills and talents, is okay with being goofy, has his own social circle and isn’t totally dependent on Ursula, and looks amazing. Ursula doesn’t go with George just because he’s a *nice* guy who rescued her from an asshole, Ursula goes with George because he’s an interesting, fun person who is supportive of her different way of being an interesting, fun person. AND he’s emotionally available. Google image search George of the jungle and see how many smiles you can find, see how many open looks of confusion there are, see how much sadness you can see in George’s face. Now look for images of Lyle. His two expressions are a smirk and cartoonish fear. I know this is a cartoonish kid’s movie, but it is SO powerful that the hero shares his emotions while the villain masks every emotion but fear. Lyle doesn’t want to open up, he doesn’t want to be vulnerable, he wants CONTROL. George wants to learn, to protect people he cares about, to explore new places, to laugh when he’s happy and to be sad when he’s sad, and that he does that while being a broad-shouldered, physically powerful dude who is NOT totally self-involved is just…
Like, look, I didn’t sign on to tumblr dot com for George of the Jungle discourse, but I’m just now realizing that this movie may have done the most for destroying my conception of stoic masculinity and gender roles as a child.
Like
Damn.
2nd reblog because this is even better.
George of the Jungle discourse is definitely what I signed up to this hellsite for me thinks
A brilliant 2008 campaign by World Wildlife Fund (WWF) has been resurfacing thanks to a recent reddit post going viral. The campaign, called WWF Japan – Population by pixel, was created by the agency Hakuhodo C&D / Tokyo.
Oh no…
Y'all this is BAD
Wow this is a really elegant way of describing why falling populations result in a narrow and incomplete picture of the actual species
Idk who fucking did this but I’m ugly laughing so hard right now
To infinity war and beyond, I guess.
if the enterprise had a holodeck when jim was aboard, he would’ve had an indiana jones program
jimdiana jones 😔
iowa jones
Y'all crazy if you din't think McCoy was up in there, all Indiana Bones.
Yeah… it really is not ideal that they did that. I’m sure they didn’t mean to insinuate that victims of abuse should get back with their abusers at the first sign of improvement, because they’ve been really good about saying the opposite up until this point, but that IS the message they’re sending. The fact that very few fans seem to be acknowledging it is worse. I honestly thought we were better than that. This show has sent so many positive messages that are great for kids to hear, but this just isn’t one of them.
Tangent here, but I am deadly serious when I say that people are making the wrong parallels when they compare She-Ra to Revolutionary Girl Utena. She-Ra doesn’t deserve to make Utena references when it ends with the Anthy character (Adora) getting back with the Akio analogue (Catra).
In fact, the only thing people are sort of getting right with these comparisons is that Adora and Anthy, despite their surface-level distinctions, are very similar characters. Let’s take a look:
1. Incredibly powerful: Adora is a capable badass who also claims the mantle of She-Ra, and Anthy is basically a god (or the closest thing to)
2. Conned into believing they are worthless/powerless or their power isn’t really theirs to claim: Adora thinks all her value comes from being a hero and specifically being the weapon that is She-Ra, and she eventually has to learn that she is not a weapon or a tool and that her worth comes from within. She has to learn to find her power to win. Anthy is beaten down and essentially coerced into using her powers as “The Witch” to help Akio and participate in her own imprisonment. Utena doesn’t so much help her to recognize her power, but she makes Anthy remember that she has value and power separate from Akio and her role as Witch.
3. Had a loved one they tried to protect but couldn’t due to circumstances out of their control: Baby Adora could never have prevented Shadow Weaver from abusing Catra. 1) a literal child (who is also being abused) cannot be expected to stop an adult authority figure from doing anything, let alone abuse another child, and 2) literal children are NOT responsible for the actions of another child and certainly not the actions of an adult authority figure. But she gets blamed for not protecting Catra anyway. (Remember all the bullshit hot takes from around season 1 doing this very thing). Anthy tried to save Dios by hiding him (which failed), and she sacrificed herself to the Mob to save him (he died anyway). There was nothing she could have realistically done, even with all her power, to save him from the World. Akio blames her for it anyway and the Swords of Human Hatred back up his accusations.
3. Face a toxic combination of love and hatred from the person they were unable to protect: It’s pretty obvious that Catra’s roiling emotions about Adora are both positive and negative. The pain she felt when Adora defected is genuine. She really felt like she lost the one person that mattered to her (even though that isn’t true and it was her choice to stay with the Horde while Adora begged her to leave, making it Catra who actually left Adora when you stop to think about it). That love turned to resentment and hatred, driving Catra to torture Adora at every opportunity and blame Adora for her various wrongdoings. It’s not easy to discern entirely what Akio is angry about, but it can be reasonably assumed that he is angry with Anthy for “making him Not The Prince anymore” i.e. “Making Him This Way”. Anthy “stole him away from the princesses of the world”, which is the same kind of blame as “You broke the world, and it is all your fault!”
4. Have their struggles dismissed and/or misunderstood by people they call friends: If anyone matches up with Utena Tenjou in SPOP, it’s Glimmer. Glimmer is a girl who wants to be a prince Hero and a leader, but she doesn’t understand what those roles actually entail (see: all of season 4). She reacts when she sees the physical abuse Adora suffers from Shadow Weaver in the Black Garnet Chamber, just like Utena jumps to defend Anthy whenever she sees someone hit her. But Glimmer completely fails to either recognize or acknowledge the subtler aspects of Adora’s abuse, and she later dismisses her suspicion of Shadow Weaver as baseless paranoia, which she then proceeds to laugh about. Utena was naive and failed to notice the obvious signs of Anthy’s abuse by Akio right in front of her, but at least she didn’t do that.
5. Have to find and come into their power on their own: Sure, Adora manages to become She-Ra again to save Catra, but it’s still her decision and willpower that get her there. Utena helps Anthy to see that she can leave her situation and that she deserves a better life, but it’s Anthy who chooses to leave Akio behind and walk out of Ohtori alone.
Now let’s talk about Catra and Akio.
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I have to agree with you, I don't like Catdora myself. I'm not even a huge fan of the show but I have been watching it. Haven't watch the 5th yet but seen the other seasons. Catra never felt like Adora's friend, let alone a lover and worse she abuses people who try to help her just for the sake to be better than Adora. That ain't love! That's a psycho! I get we need LGBT+ representation in media but we need HEALTHY LGBT+ representation. Not abusive!
My thoughts exactly! Adora deserved better! And, quite frankly, so did Catra. She deserved a better and more fleshed out redemption.
If it had been up to me, they would have reunited and worked together to defeat Horde Prime, Catra would apologize for her actions, they might even have that one kiss everyone keeps posting, BUT. But, after the dust settled, with Prime and Shadow Weaver dead and Etheria poised to start healing from the war, Adora and Catra would sit down and have a long, honest conversation, where they would dive into everything that happened and deal with the fallout of their relationship. Adora would say something like, "I still really care about you and I want you to be happy, but I can't put myself in a situation where you could hurt me again. I don't think we can be together."
And Catra, gifted with the great and heavy blessings of perspective and self-awareness, would say, "I think you're right. I really want to be with you, but I'm not sure that would be good for either of us. There's too much between us, and I'm scared that I might suddenly fall back into being that horrible, broken person who hurt you. So, yeah, I don't think we should be together either."
And then they would hug because they still love each other despite everything, and later on Catra would announce her plans to leave for the Crimson Waste with Lonnie, Kyle, Rogelio, and Huntara, to start over.
And in the epilogue, we see Adora happily dating a 7ft. tall beautiful hulk of a woman with biceps as wide as watermelons, and Catra is happy and healthy, running a sanctuary for the victims of the war in the Waste.
Think about how much better that would have been! Think about what a good message that would have sent! Ugh, it drives me crazy imagining it!
claiming that "shelter in place" was unnecessary because "not as many people died" is like claiming you didn't need to water a flower because it still bloomed even if the rest of the yard is dead.
debatable if these are actual canon scenes or not