really obsessed with this comment under a simon and garfunkel edit. who up revelling in melancholia and hints of the homo erotic
Not today Justin
Today's Document
macklin celebrini has autism
Jules of Nature
Monterey Bay Aquarium
Lint Roller? I Barely Know Her
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Cosmic Funnies

ellievsbear

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titsay
đ

pixel skylines

#extradirty

bliss lane
noise dept.
he wasn't even looking at me and he found me

blake kathryn
EXPECTATIONS

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@adnirod
really obsessed with this comment under a simon and garfunkel edit. who up revelling in melancholia and hints of the homo erotic
A London Street Scene, by John Orlando Parry, 1835.
My Eyes at the Moment of the Apparitions, by August Natterer, 1913
Baby's first slash fandom
Finding the 1980s classic The A-Team available for download the other day has got me in a sharing mood, so if you're interested in checking out the first fandom I wrote m/m romance for over 20 years ago (christ on a bike), the first season is available for download here and the second season should be uploaded in the next couple of hours. After that, I'll have to rotate through the other seasons but I'll reblog when I have 3/4 up (and 5 if I can get it in).
What is the A-Team? Well, there's a thorough breakdown of the premise and main characters here if you like, but long story short there was a spate of one-hour action shows in the mid-Eighties that tried to make the American Vietnam War vet into a hero. Yeah, I know. If you can get past that (and fair play if you can't), this one always struck me a little differently.
When I was watching it in its original run at fourteen (and perving over George Peppard), I didn't pick up on just how much the show was aware of its own OTT-ness. In a lot of ways, it's a cartoon - but everyone involved knew it was a cartoon, and played to that in a hundred different ways. There were a lot of jokes and laughs and nods and winks. As an example, here's George in drag showing the baddies who's the boss ass bitch:
Not only that, it was surprisingly anti-establishment and left-wing for an American action show during the Reagan years. The enemies weren't 'street scum' as was standard at that time, but evil capitalists and rednecks. In one ep, for example, the Team goes to the aid of protesting migrant farm workers by robbing the rich landowner's banquet, pelting his minions with cabbages, and helping the workers all over the valley organize a union. The show was utterly ridiculous, but it wasn't without merit, and it was definitely smarter than it looked on the surface.
And then there are these two. Templeton "Faceman" Peck (Dirk Benedict) and HM "Howlin' Mad" Murdock (Dwight Schultz). The stars of the show were definitely Peppard and Mr. T, but as the show went on and it became clear they hated one another's guts, the writing featured Face and Murdock more than I think it would have otherwise. This worked out well for some fans, because these two had chemistry up the wazoo. When I first watched it, I couldn't quite figure out why I loved watching them so much, but when I stumbled across some fic nearly 20 years later, I finally got it. And then I wrote some of my own.
(Oh, and if you're a fan of whump, these two will not disappoint. They even recycled a particularly whump-filled Starsky & Hutch episode to give them an opportunity to angst over each other).
Queenâs Square, London by Dunkable Bath
josh o'connor character arcs ending with him embracing another man cinematic universe
ok sorry to double reblog BUT I just looked him up and he does these fantastic videos where he breaks down HOW he actually mimics the other artistsâ styles. Like for ed Sheeran, he explains how he brings his voice forward in the mouth, while Adam Levine sings in the back of the mouth, stuff like that. Itâs SO COOL, I donât think Iâve ever seen anyone actually break down how to do this sort of thing, as a skill, instead of just treating it like a neat trick they just happen to be good at. https://www.tiktok.com/@justinjmooremusic
Check him out heâs so cool
Through a series of short stories and wonderful engravings, The Accidents of Youth (1819) is aimed at keeping young people out of trouble and âcalculated to improve [their] moral conductâ â https://publicdomainreview.org/collection/the-accidents-of-youth-1819
My only complaint about The Man From Uncle (tv) is that the camera cuts away every time Napoleon and Illya are about to start making out.
Goodbye MURDERBOT (2025-) Season 1 : 1.02 "Eye Contact" // 1.10 "The Perimeter"
Stephen Maturin + Animals
North Algona Wilberforce, Ontario, Canada
October 2019
I told Miyazaki I love the âgratuitous motionâ in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
âWe have a word for that in Japanese,â he said. âItâs called ma. Emptiness. Itâs there intentionally.â
Is that like the âpillow wordsâ that separate phrases in Japanese poetry?
âI donât think itâs like the pillow word.â He clapped his hands three or four times. âThe time in between my clapping is ma. If you just have non-stop action with no breathing space at all, itâs just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.â
Which helps explain why Miyazakiâs films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.
âThe people who make the movies are scared of silence, so they want to paper and plaster it over,â he said. âTheyâre worried that the audience will get bored. They might go up and get some popcorn.
But just because itâs 80 percent intense all the time doesnât mean the kids are going to bless you with their concentration. What really matters is the underlying emotionsâthat you never let go of those.
â Roger Ebert in conversation with Hiyao Miyazaki
This illustrates perfectly my issues with the âevery moment in every scene in every chapter has to advance the plotâ advice for story writing. If thereâs never a moment thatâs just there, there because the story or the characters require it, if thereâs never a chance to catch your breath and simply be in the story, can the story truly live? Or is it only a patchwork of moments?
Edward Hopper, Sketches and preliminaries for Nighthawks, 1942
that photo is one of the sexiest things i have ever seen.
Tall women donât you ever feel insecure, you hold so much power with just a simple stance, I love youuuuuuuuu
ALAN RICKMAN as Colonel Brandon SENSE & SENSIBILITY (1995) dir. Ang Lee