Mariko Mori's Art - 5 Sculpture Installations
Mariko Mori is known for her fantastical, extra-terrestrial spin on contemporary art. The Japanese artist presents her artwork across a combination of forms. This includes sculptures, performances, photography, and other installations.
Her internationally recognised artwork is the face of Japanese contemporary arts. The artist's works explore the ideas of the universe that surrounds us and the futuristic unknown.
Her claim to fame in the 1990s involved the artist as the starring figure in her performances. Mori has since transitioned to other media, displaying hints of traditional Japanese motifs.
Rebirth houses both Mariko Mori's commended artworks and brand-new additions. The exhibition speaks about themes of humankind, nature, and the unknown. It addresses her fascination with Buddhist philosophy, theoretical physics, and predominantly Japanese culture.
The prestigious Royal Academy houses Rebirth. At the entrance, LED lights cast patterns over a five-metre monolith built to resemble a supernova.
The exhibition transforms into numerous works of art in various forms of multimedia. Ceramic, stone, acrylic, and glass are all incorporated into the display. The pieces contrast tradition and modernity, the East and the West, and the past and the future.
Art enthusiasts believe this piece arguably shaped Mori's career. The sculpture spans over 10 metres in length and doubles as an art piece itself, and a museum of her artwork in its interior. The sleek, transcendent structure is spectacular. However, it doesn’t compare to the extraordinary installation on the inside.
A maximum of three people can experience Wave UFO at a given time. Mori utilises participant experiences to shape the show. Participants are fitted with electrodes to collect brainwave data projected in front of them. Wave UFO explores the marriage of human cognition and the universe. This interconnectivity is displayed in Buddhist philosophy.
Mori's Invisible Dimension
An array of seven sculptures constitutes Invisible Dimension. The exhibition takes a different approach to her previous masterpieces. Invisible Dimension traverses Mariko Mori's fascination with theoretical physics - in particular, superstring theory and particle physics.
The two large, cyclic structures represent the circle of life and death. The single sculpture, Orbicle I, portrays the unknown and introduces the concept of a hidden dimension.
The spiral structures resemble somewhat comparatively to the helical appearance of DNA. The wispy appearance is representative of the body's spirit and the invisible fire within.
Plasma stones make for a colourful addition to the exhibition. The stones represent the beginning of time.
Miyako Island in Okinawa, Japan, is home to Mori's Primal Rhythm. The sculpture duo includes a spherical structure suspended in the waters of Seven Light Bay, and a Sun Pillar chiselled into a rock.
The Moon Stone reacts to the tide level and responds accordingly by changing colours. The Sun Pillar is a large acrylic column strategically positioned to cast a shadow across the bay.
Mariko Mori melds together art and nature, and the deep blue makes for the perfect setting.
You can read more online at Ocula.com for more interesting facts about Mori's work.
Mori's Ring: One with Nature
This installation is Mariko Mori's most famous piece due to its feature in the 2016 Olympic Games. A three-metre ring was installed on top of the Bride's Veil Waterfall in Rio. The ring can be identified as an addition to the five-ring logo of the Olympic Games.
The structure changes colour depending on the time of the day. In addition, the ring lines up perfectly with the sun during the winter solstice.
The continuity of the ring shape translates to oneness with nature. The installation has been made from materials that withstand harsh weather conditions. Simultaneously, the materials are environmentally sensitive.
Mori's futuristic fantasies and ideas of transcendence result in such unique pieces of art. From cosplay art to an Olympic Games feature, her works of art are indeed ahead of her time.