this is the gay agenda and i LOVE it
But what if my GF is a Law Enforcer?
You should break up with her then
but BUT what if you’re gay AND a law enforcer?
then you’re a traitor to the community
What about Captain Holt???
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith

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@allmannerofthings
this is the gay agenda and i LOVE it
But what if my GF is a Law Enforcer?
You should break up with her then
but BUT what if you’re gay AND a law enforcer?
then you’re a traitor to the community
What about Captain Holt???
i know we've already made a hundred jokes about it but oh my god. dean winchester escaping heaven with his car to save the multiverse is a real thing that happened. like that was airing on live tv in the year 2023. he drove. the car. and it took him to an alternate dimension where his parents were better people. you cant make this shit up
im sorry WHAT happened
are you in a position to receive information that might harm you
Wait I'm sorry WHAT???
okay so. tldr for anyone who didn't know anything about the supernatural prequel. november 19th 2020, the show ends with a mediocre at best ending. dean dies young and goes to heaven where he waits for sam to die for 30 years i guess idk. it was bad. no one is happy with it. one of the people who's maybe the least happy with it is jensen ackles, who's been playing dean winchester for the past 15 years
so half a year later he buys the rights to supernatural to make his own prequel show. kind of insane, i know. what's more insane is that the premise of the prequel contradicts canon. way back in season 5-ish it was established that mary and john winchester only got together through divine intervention because sam and dean's births were pivotal in the plan to start the apocalypse. it's long and complicated and i don't really want to explain the plot of the best two seasons of this show because it would take way too long but.
what you need to know is that the premise of the prequel does not make sense within the context of canon. jensen ackles and the writers are aware that this does not make sense. supernatural is also a show that has messed with the concept of alternate universes since the 5th season
the winchesters is a show revolving around mary and john winchester, who are sam and dean's parents. it covers their first meeting in the 70s and their hunting adventures. theyre also fighting against a previously unmentioned group of monsters called the akrida. central to defeating the akrida is this man who's apparently been fighting them and knows exactly what they are and what they're after. this man is dean
dean shows up in the last episode to explain everything. apparently this is in fact post-spn finale dean who escaped from heaven after his death. he caught wind of the akrida (who are monsters created as god's failsafe in case he was defeated. god was evil in the end, just roll with it) and left to help kill them. the world of the prequel show is an alternate dimension, presumably one where mary and john winchester get to leave the hunting life and be their own people free from the tragedy that eventually befalls them in the original show. no, destiel does not happen. yeah.
I unironically fucking love this. Absolutely losing my mind. Fucking hell Jenny.
I don't know what to do with this information, so I'm inflicting it on all of you.
sigh. i'm back on lydia bennet.
Every pride and prejudice adaptation that i have seen or heard of, western or otherwise, ends Lydia's story by fixing her problem. The the video is taken down, the marriage is averted, she is intercepted and rescued at the airport. And then there is a family reconciliation, where Lydia and Elizabeth come to a better understanding and respect for each other. But that is not what happens to Lydia Bennet in Pride and Prejudice. Lydia's rescue in Pride and Prejudice is also a punishment, one that will last her for the rest of her life. Elizabeth will judge and resent her for it for the rest of her life, and Lydia will never be economically independent of either her husband or Elizabeth, neither of whom will ever respect her. The text permits little ambiguity on its intention to construct Lydia as a cautionary tale:
But how little of permanent happiness could belong to a couple who were only brought together because their passions were stronger than their virtue, she could easily conjecture.
And yet, in all of this, Lydia never apologizes. Lydia sins and is punished but she does not repent. Even in the moment after her "rescue," when the narrative seems to demand she have an epiphany, a lightning strike of remorse and gratitude to catalyze a shift in character, Lydia simply declines:
Elizabeth was disgusted, and even Miss Bennet was shocked. Lydia was Lydia still; untamed, unabashed, wild, noisy, and fearless.
Most of this is rehashing points I've made before. But I am simply gonna be weird about it forever. I think it's so weird and fascinating that contemporary storytellers seem so committed to solving the problem of Lydia by solving the problem of Lydia: by rescuing her from her catastrophe before it's too late, rather than a few days after, and by rewriting her character into someone who is interested in having a self-discovery arc about responsible behavior as a thank-you for that rescue, which Jane Austen's Lydia Bennet is absolutely not interested in doing. Lydia as Austen wrote her both is a cautionary tale and resists absorbing cautionary tales. She refuses to learn her lesson and, paradoxically, by doing so and by surviving that refusal fairly intact, she illustrates that the vicious moralizing of her cultural surroundings is more optional than it appears.
Neither is Austen's Elizabeth remotely interested in learning to shift her own moral framework to accommodate Lydia, a fact also usually changed in modern adaptations, but I shall try to avoid getting to into that one because then I'll really be just repeating stuff I've said a bunch of times before.
The problem with solving the problem of Lydia is that it sucks out the most interesting thing going on in the entire book. What happens when a woman refuses to be fixed? People are so eager to throw that question away. No one wants to let Lydia be "Lydia still; untamed, unabashed, wild noisy, and fearless." Why? Is it because Lydia as written intrinisically makes readers and writers uncomfortable? Or is it a need for a morally unimpeachable romantic lead; a need to absolve Elizabeth of her role in their society's abandonment of Lydia? Either way, what a waste. What is the point.
I maintain the sin belongs not to Lydia, who was fifteen, but to Mr. Bennet. He knew that his wife could not be relied upon to make safe choices for his daughters. He should have told her she couldn't go to Brighton at all, much less with a young, frivolous woman as her only chaperone. Instead, he abdicated his responsibility for raising his daughters a long time ago, and he's frankly lucky that this is the worst that happened. Without Mr. Darcy's intervention, he might well have had Lydia returned on his hands unmarried, the whole family's reputation ruined.
He notes himself that he would have had to pay for Lydia's rescue and rehabilitation had Darcy not come along, but seems quite comfortable to accept Darcy's money and wash his hands of the matter. It's somewhat unsatisfying that things turn out well for him, honestly, but Austen knew that the greater fault and the greater consequences don't always go together.
acrylic study
Brand Identity for Camellia Milk Tea by Menta.
“Camellia Milk Tea is a new tea enthusiast start up that offers milk teas made with pure ingredients and loose leaf teas. We developed the identity system, set of fine line illustrations and collaterals. The symbol represents how two drops of milk and water, fuse with a tea leaf in the center. Typefaces are unique for the brand, creating a memorable experience.”
Menta is an independent branding & illustration studio founded by Laura Méndez, in 2008. They believe in the Simplicity of Allure, to deliver effective brand identities that balance classic & contemporary aesthetics, through research and clear concept definition. Their work builds meaningful human connections and stirs up beautiful experiences.
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SOMA by Kamimura
The alphabet shown symmetrically. Source unknown.
no this is a sigil to summon a typographer
Draplin Design Co. – Pretty Much Everything, a new book on design by Aaron James Draplin
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Older Lance and older Keith!
I tried to combine Keith’s paladin armor with his Blade of Marmora jumpsuit - maybe he’s officially a member? And slowly turning more visibly Galra as he ages
For Lance I mostly just got rid of the shoulder pads and fixed his unfortunate bangs. I love him, but hun. Those bangs.
Visual identity by Graphéine for the city of Romans-sur-Isère
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WIP of some older Keith and Lance!
Introduction to Lettering by Jessica Hische
In this popular Skillshare class, you learn how to create beautiful letters and alphabets by starting with the simplest possible project: making a single letter! You’ll join acclaimed letterer and illustrator Jessica Hische as she walks through her personal lettering process and share tips and tricks from throughout her stunning career, ranging from personal projects like “Daily Drop Cap” and “Should I Work For Free” to opening title sequences for Wes Anderson.
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Happy birthday to the light of my life
why am i reposting this (from myself y’all, i’m not an art thief)? nobody knows
anyway look at my bb lance
Quick drawing of my sister! She’s absolutely gorgeous