
@theartofmadeline
d e v o n
noise dept.

Janaina Medeiros
let's talk about Bridgerton tea, my ask is open

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Product Placement

祝日 / Permanent Vacation
Jules of Nature
tumblr dot com
Monterey Bay Aquarium

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JBB: An Artblog!
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h
Mike Driver
taylor price
Cosmic Funnies

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hello vonnie

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@amithemermaidorthelass
Hannah Einbinder as Ava Daniels Hacks | 1x10 “I Think She Will”
HANNAH EINBINDER as AVA DANIELS · Hacks 1x02
Trying to write sex scenes is so aggravating because honestly describing sex is pretty boring. It's mostly just people putting bits of themselves on or inside other people's bits so you run into a lot of "they walked to another room" type problems where you can get caught up in just describing where everyone's limbs and shit are. What really makes smut interesting and hot, in my opinion at least, is sensory description but that's also hard because you'll be sitting there trying to find a new way to say "they were feeling sexual pleasure and it felt pretty good". Then you also have to figure out how to write dialogue that doesn't sound completely ridiculous and hackneyed. Really makes you want to just write "they boned down real good and it was totally hot trust me, it was definitely the kind of thing you'd want to jerk your shit to," and have done with it.
The trick to this is to remember that the sex scene you're writing for your story *cannot be removed*, because it contains integral character moments. And once you get better at it, setting and plot. (And if you get really good, spite! Which is how I got the word "bisexual" into my epic fantasy, The Afterward.)
So not just sensory description, but sensory description specific to your characters, your setting, and your plot.
Do double check that there are the correct number of limbs, though. My hallmark is that I regularly type "things" instead of "thighs". You can only have someone take off their glasses once. Etc.
Even in a fanfic one-shot, the sex can't be written as optional. The more you remember that it matters, the more you weave in feelings and responses and cultural shenanigans, the easier it gets.
Also:
A treatise on the degradation of sexytimes in romance
ok so this is another long shot but a few years ago there was a twitter post (in japanese i think?) that had measurememts for how to make this book stand thing out of cardboard that you could use to double up books and use up more space on shelves
back then i made a bunch of these but by now i lost the pic and dont know how to find the original post anymore
if it comes down to it i can just take one apart and get the measurements from there but i would be very grateful if anyone happens to have the original post or something similar??
don't mind how long it's been since i made this post, anyway i realized that i don't even need to take one apart to get the measurements when i can literally just unfold it and refold it /FACEPALM
so anyway here is the diagram for anyone else who is interested!!
this requires pretty big carboard pieces, if you have a really big box or something you can make it from one piece, but if you don't, you can also just make each of the pieces individually and then tape them together
and then in the end you put it together like this!!
and then when you make a bunch you can put them all next to each other and stack your books like crazy
EVERYONE START GETTING MORE USE OUT OF YOUR SPACE NOW!!!!
“I want to be the reason you feel safe being soft again.”
I don’t want to fix you—
just sit beside you
until your guard gets tired of standing.
until your hands forget
they were ever braced for impact.
and one day, without noticing,
you’re soft again—
not because of me,
but because you finally could be.
The Peace Of Letting People Come and Go
By THEDIARYOFANADULTTEENAGER
I’ve been thinking a lot about detachment lately.
Not the cold kind. Not the “I don’t care about anyone” kind.
But the quiet understanding that people are experiences.
And experiences, by nature, come and go.
For a long time, I think I moved through relationships believing permanence was the goal. That if someone entered my life, the point was for them to stay. And if they left, something must have gone wrong — either I failed them, or they failed me.
But life doesn’t actually work like that.
Some people are meant to walk with you for a long time. They become witnesses to your life. They see the different versions of you that exist across the years. They know who you were, who you’re becoming, and who you still might grow into.
And then there are people who come into your life for a moment.
Not forever.
Just long enough.
Long enough to teach you something.
Long enough to reveal something about yourself you didn’t know was there.
Long enough to mirror a wound you hadn’t healed yet.
Long enough to show you what you deserve — or what you’ve been settling for.
For a while, I resisted that.
I held on longer than I needed to. I tried to force meaning into situations that had already finished teaching me what they came to teach. I thought letting go meant I didn’t care enough.
But lately, I’ve realized something that has been freeing in a way I didn’t expect:
You don’t own anyone.
Not their time.
Not their presence.
Not their love.
And nobody owns you either.
Once you truly sit with that, something shifts. The pressure disappears. You stop gripping people so tightly. You stop believing every connection has to last forever in order to matter.
Some people are seasons.
And seasons are not failures just because they end.
Winter doesn’t apologize for turning into spring.
Practicing detachment has been teaching me how to love people without trying to control the outcome of the relationship. It’s teaching me to appreciate people while they’re here instead of constantly worrying about whether they’ll leave.
Because the truth is… some will.
And that doesn’t mean something is wrong with you.
Sometimes people leave because their role in your life is complete. Sometimes you outgrow each other. Sometimes you’re simply on different timelines of growth. Sometimes the lesson has already been learned.
It doesn’t always have to be dramatic. Or painful. Or personal.
Sometimes it’s just life being life.
Detachment also protects you from becoming codependent. When you understand that your happiness cannot be built around someone else’s presence, you stop expecting people to carry emotional weight that was never theirs to hold.
You stop expecting them to complete you.
You let them simply be who they are.
And you let yourself remain whole whether they stay or go.
I also think detachment teaches you not to expect too much from people. Not in a cynical way, but in a peaceful one. You begin meeting people where they truly are instead of where you hoped they would be.
And that changes everything.
You enjoy the experience while it’s happening.
You laugh with them.
You grow with them.
You learn from them.
But you also understand that if the day comes when your paths separate, it doesn’t mean the experience was meaningless.
It simply means the chapter ended.
And there’s no guilt in that.
No shame in that either.
People will leave your life.
And sometimes, you will leave theirs.
Both are normal.
Both are part of being human.
The beauty of detachment is that it allows you to move through life with open hands instead of clenched fists. You hold people gently. You love them honestly. But you understand that everyone is on their own journey.
Some people will walk beside you for miles.
Others will only walk with you for a few steps.
But every single one of them will leave you with something:
A memory.
A lesson.
A mirror.
A piece of clarity about who you are.
And once you start seeing people that way, you stop trying to control the story.
You simply experience it.
NCIS: Origins 1x01 Enter Sandman
Physical Gestures & Movements List!!
☽ Cracking knuckles before doing something important
☽ That little hop-step when catching up to someone
☽ Adjusting glasses with one finger on the bridge
☽ The way someone walks faster when they realize they're being followed
☽ Drumming fingers in a specific rhythm when thinking
☽ Bouncing a leg under the table during tense moments
☽ The head tilt when genuinely confused
☽ Stretching arms overhead with that little back arch
☽ The shoulder check before crossing the street (but for crossing a room)
☽ Rubbing the back of the neck when embarrassed
☽ That thing where someone touches their lips while thinking
☽ The casual lean against a doorframe Hands in pockets but thumbs out
☽ The double-take that's supposedly subtle but isn't
☽ Walking backward while talking to someone
☽ That little run-up before jumping into water (or any commitment)
☽ Pulling sleeves over hands when cold or anxious
☽ The way people unconsciously mirror each other's posture when vibing
☽ Stretching one arm across the chest with the other
☽ That shake-out people do with their hands when nervous
☽ Rolling shoulders back to reset posture
☽ The look-away when eye contact gets too intense
☽ Biting the inside of the cheek
☽ That barely perceptible nod of acknowledgment Interlacing fingers and inverting palms for the aggressive stretch
☽ The point-with-chin instead of using hands
☽ Toe-tapping in different patterns based on mood
☽ The casual shirt-tug to adjust fit
☽ Wiping palms on pants before a handshake
☽ That thing where someone checks their watch/phone but doesn't register the time
[260404] MIU NATSHA Girls Penalty Shootout for the Yellow Team at CH3 56th Anniversary Event
Things to consider when writing about Romance!!!
⊹ Why do these two people actually like each other. "They're both hot" is not enough. What specifically draws them together? Shared trauma? They make each other laugh? They challenge each other? Similar worldviews or completely opposite ones that balance out? Give them actual chemistry based on personality not just physical attraction!!
⊹ What's stopping them from getting together immediately. External obstacles like war, forbidden love, wrong timing? Internal ones like fear of vulnerability, past trauma, thinking they're not good enough? Both?
⊹ How does the romance affect the main plot. Does it help or hinder the protagonist's goals? Create complications? Give them something to fight for? Romance subplots that are completely separate from the main story feel tacked on!!
⊹ What's the pacing. Do they fall for each other slowly over time or is it fast and intense? Slow burn is great but you need moments of progress. Instant attraction is fine but the actual relationship should still develop.
⊹ How do they communicate. Do they actually talk about their feelings or just pine silently for 200 pages? Can they have difficult conversations? Do they understand each other or constantly misread situations?
⊹ What do they disagree about. Couples who agree on everything are boring. What are their fundamental differences? How do they handle conflict? Do they fight fair or is it toxic? Can they compromise or does someone always give in?
⊹ How do other characters react to the relationship. Supportive friends? People who think it's a terrible idea? Jealous exes?
⊹ What does each person bring to the relationship. Is it balanced or does one person do all the emotional labor? Do they make each other better or worse? What do they each need vs what do they want?
⊹ What are their love languages. Physical touch? Words of affirmation? Acts of service? Quality time? Gifts?
⊹ How does their past affect this relationship. Previous heartbreak? First love? Trust issues from family stuff? Abandonment fears?
⊹ What's the power dynamic. Are they equals? Is one person in a position of authority? Does one have more experience? Unbalanced power dynamics need to be addressed not ignored!!
⊹ How physical is the relationship and when. First kiss timing? Is there sexual tension? Do they hold hands? Are they touch-starved and finally have someone? What's appropriate for your genre and audience??
⊹ What's at stake if the relationship fails. Just heartbreak or something bigger? Will it destroy the friend group? Ruin the mission? End an alliance?
⊹ Do they have lives outside each other. Friends, hobbies, goals that have nothing to do with the romance? Couples who only exist for each other are codependent and boring :(
⊹ What's the "oh" moment. When does each person realize they're in love? Is it dramatic or quiet? Same time or does one person know way before the other? Multiple realizations?
⊹ How do they support each other through the plot. Do they have each other's backs? Believe in each other? Or does the relationship become a weakness enemies exploit?
⊹ What happens after they get together. If they become official halfway through, how does the relationship continue to develop? New challenges? Deeper vulnerability? Don't end the romance arc the second they kiss (please!!)
EMOTIONAL BEATS FOR WRITERS!!<3
Body Language & Physical Tells List!!
𐙚⋆.˚ The shoulder drop when someone finally relaxes
𐙚⋆.˚ Crossing arms, but make it self-soothing, not defensive
𐙚⋆.˚ The way someone goes completely still when scared
𐙚⋆.˚ Fidgeting stopping the moment they're caught
𐙚⋆.˚ Leaning in without realizing it (interest/attraction)
𐙚⋆.˚ The leg bounce that betrays calm composure
𐙚⋆.˚ Turning slightly away from someone they distrust
𐙚⋆.˚ Hands going to the throat when feeling vulnerable
𐙚⋆.˚ The way grief makes a body look heavier
𐙚⋆.˚ Picking at nails/skin/sleeves when anxious
𐙚⋆.˚ Standing taller around someone they want to impress
𐙚⋆.˚ The full-body flinch vs. the one they manage to suppress
𐙚⋆.˚ Mirroring someone's posture unconsciously
𐙚⋆.˚ That slow exhale through the nose when trying to stay calm
𐙚⋆.˚ Hands shoved in pockets to hide they're shaking
𐙚⋆.˚ The way someone shrinks in a chair vs. takes up space
𐙚⋆.˚ Touching their own face more when lying
𐙚⋆.˚ The deliberate, controlled stillness of someone furious
𐙚⋆.˚ Turning feet toward the exit before the mind decides to leave
𐙚⋆.˚ Gripping something (a cup, a sleeve, a doorframe) to ground themselves
jason & hannah + quotes about tedbecca
HANNAH WADDINGHAM in THE GATEHOUSE (2016)
HANNAH WADDINGHAM - THE TODAY SHOW 02.07.2022
HANNAH WADDINGHAM – NYFW ‘22 - CHRISTIAN SIRIANO RUNWAY SHOW