something something one morbillion recent essays and thinkpieces on the genre of modern adaptations/retellings/whatever of specifically greek mythology, and comparatively way fewer on the genre of historical fiction about the ancient world which i feel has a different set of prejudices/projections/distortions. but it does still have those things. sure you get an article or two when a film like gladiator ii comes out but compared to the greek myth retelling industrial complex it’s kind of nothing.
part of it is im p sure that there is just less historical fiction being written? i think historical fiction being genre fiction while myth retellings aren’t considered that in the same way is also part of it. probably so is the gendering of the genres, where a lot of myth retellings are by women and focuses on female figures, whereas there is a vast quantity of gladiatorslop and legionslop military historical fiction written by men that is doing all sorts of bullshit with its ideas of the ancient world, but doesn’t register as marked in the way female centred retellings do. also i read a legionslop book once and it was just incredibly bad writing, so maybe fewer people are writing about this because they understandably don’t want to slog through it.
also i think there’s a (false) perception that it’s easier to write about (and criticise writing about) mythology because of paucity and interpretability of sources, but that with a historical setting there’s less room to bullshit and you do have to actually know things. this is silly because it’s not like mythology doesn’t also have multiple historical settings! but it’s easier for authors and their reviewers/critics/whatever to think they know enough about mythology to write about it than like. 1st century bce roman politics. do people just not want to get into the details of how historical fiction authors use their sources. is that it.
it is a shame though, because there’s lots of interesting stuff going on in the history (haha) of historical fiction as a genreeeeee. can we talk about the spectre of ronald syme


















