Me for the last 15 years: im a bit burnt out rn but im sure next week will be different

titsay
Today's Document
Sade Olutola
Cosimo Galluzzi

Product Placement
$LAYYYTER

祝日 / Permanent Vacation
KIROKAZE

JVL

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ

izzy's playlists!

if i look back, i am lost
Show & Tell
i don't do bad sauce passes
Misplaced Lens Cap
No title available
Three Goblin Art
noise dept.

blake kathryn

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@apopheniae
Me for the last 15 years: im a bit burnt out rn but im sure next week will be different
Something I really struggle to get people to understand is that like. Sometimes there was no intentional homoerotic subtext, the author was just extremely misogynistic. Sometimes the author wasn't "secretly shipping" those two men, the author literally just hates women so much that they see them as being literally incapable of relationships with depth. Like this is kind of a big thing with misogyny actually. A lot of extremely misogynistic people truly believe that a man can only have meaningful and complex relationships with other men because they literally just think women are so inferior they only exist to birth children and clean the house. It's like when people say along the lines of "no one worships exclusively men quite like straight men do". It's just that phenomenon actually. That happens to be manifesting in a raging misogynist's writing. Writing a man character who literally only puts effort into his friendships with other men while completely ignoring his literal girlfriend or wife is actually an extremely straight thing to write. And that doesn't mean you can't ship those men or that there are no stories with actual intentional homoerotic subtext. I just think it's important to be able to recognize extreme misogyny in writing and acknowledge it without brushing it off and assuming good intentions when literally all evidence is screaming that this was a misogynistic writing choice and not a representing gay men choice.
Józef Mehoffer (Polish, 1869-1946) • Pink Room • 1907-13
it's kinda comforting to me when my friends are a little annoying or longwinded or abrasive or tired and inarticulate, or they don't do the exact politest thing in every interaction, and stuff, because I know I'm sometimes annoying, or take up a more than my share of conversational space, or forget to ask them questions, etc etc, and... like, I'm always working to be nice to my friends and to get better and better at friend-ing, but it just makes me feel more human about it :}
anyway I love you friends plz know I'm not counting, in fact I feel great affection toward you even (especially) when conversations go less than Perfectly Ideal
I'm not proud to say it but this line from a 60 year old detective novel made me re-think some things about friendship
The dragon. Fictitious & symbolic creatures in art. 1906.
see and be seen
thinking about her
thinking about her again
instagram | mimosaboston
JODIE COMER | Empire Magazine (February, 2024)
i love you thrift stores i love you repairing clothes i love you hand me downs i love you diy-ing i love you sewing
Just saw the most chronically online take of the year of someone ranting unironically that you should look up every single artist with a song you enjoy to make sure they are unproblematic. And if you don't do this them you are as bad as the controversy associated with the artist, for being 'willfully ignorant.' They literally talked about how they went through more than a thousand artists they listened to and whittled it down to 200 this way. This is obsessive and they need help
what do you mean this song was written in A Minor? 🤨 cuff em boys
Best addition to this post really
nothing worse than when the premise of something captivates you but then it sucks ass. bro you put this idea out into the world and you didn’t even do it a shred of justice
Learning languages is SO FUN right up until you need to learn conjugation and then suddenly it turns sour real fucking fast
Don't Stop Talking About It. Don't Look Away. They're Still Here. They will be Free.
[image description: a digital illustration in mostly dark saturated colors featuring several Palestinians with varying facial features, skin tones and outfits. most of the people are profusely sobbing; notably, in the foreground, a bearded person wearing PRESS equipment and an elder hijabi wearing a green dress and a key pendant. to center of the drawing, the only person not crying, presumably a mother cradling the wrapped-up body of her dead child. she wears a black dress and a keffiyeh for a hijab. she glares directly through the viewer with an exhausted, hollow, almost emotionless expression. the bearded PRESS worker is seen trying to soothe the mother. props include a few branches of olive trees at the top with a smaller one being wielded by a shiny pigeon of piece, debris at the bottom and a bright halo behind the mother's head. end description]
Remi Kanazi, from Before the Next Bomb Drops: Rising Up from Brooklyn to Palestine; “Layover in Palestine”
[Text: “just want to sit and be present / feel what it is like to be home / without someone pulling / on my shoulder / taking me away”]
» KILLING EVE (2018-2022)