Friend in an alleyway | my wife sent me this photo the other day and said "you HAVE to draw this." and I agreed completely <:
oops I was told you can only see the photo if you have a bsky account, so here's a screenshot of it!
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@archpaladin
Friend in an alleyway | my wife sent me this photo the other day and said "you HAVE to draw this." and I agreed completely <:
oops I was told you can only see the photo if you have a bsky account, so here's a screenshot of it!
It's called the Global Justice Report, it is here. This is an actionable plan which can be sent to legislators and demanded of political parties. We could save the world within our lifetimes.
It has always been possible. It is still possible.
#artfight attack for ~halloween191 :)
sometimes when I get mad online I have remind myself that the coolest and most reasonable friend I have doesn’t know who dril is and asked me to explain what the acronym “MCU” stands for, because she spends most of her free time watching documentaries about industrial disasters with her girlfriend and going to quarries to collect rocks together. a better world is possible and it’s out there right now
What is your favorite variety of Apple?
Granny Smith
Red delicious
Golden delicious
Macintosh
Honeycrisp
Gala
Fuji
Pink lady
Ambrosia
Braeburn
Jonagold
Other (name it in the comments or tags)
Book cover for “Nineteenth Century German Tales”. Edward Gorey, 1959.
Osprey (Pandion haliaetus)
Red-winged blackbird (Agelaius phoeniceus)
[Spectra Knight]
I don't think there's ever been a funnier piece of lore in a video game then the etymology of the word "gun" in FFXIV
@wibbley-wobble So in XIV lore there was a queen named Gunhilder who ruled a country that was conquered by the big bad guy nation, galemald, and she had a royal guard called “gunhilder’s blades” who fought with swords that had triggers on them and were used for channeling magic, and these were called gunblades after the royal guard, When garlemald conquered bozja they copied the design of their swords but garleans can’t use magic so to adopt their fighting style they switched to a mechanical design that used black powder. Later on firearms were developed off of this concept and since they were “gunblades without the blade” people started calling them guns.
masterpiece world building actually
you know what's even better? that lore is a magicalized remix of the word's irl etymology and i think that's brilliant
Oh. it’s just real. It was really that silly.
Seeing this going around again for the umpteenth time I’d like to reiterate that I know about the real world gunhilder and about allagan siege weapons. To me the funny part is that in eorzea, gunblades were invented before muskets
Given how many weird things in FFXIV are based on real world crazyness, I imagine the Gunhildr thing was intentional. The lore team are big nerds and do that all the time.
Except for cellphones being thousands of years old technology that nobody uses anymore. I think they did that one on their own.
I think it's because the lion furries are kinda the most normal thing going on here. Like, most of the time a character's race won't ever be mentioned by other characters unless it's relevant, and it's very rarely relevant. The mysterious hypercapitalist that actually isn't that evil and funds a lot of important stuff is a lawn gnome and everyone respects him, at least to his face. The Aztec king has three kids, of which two are different species from him (and each other) and the only one anybody says anything about is the trueborn because the king was supposedly sterile. All three kids have equal claim to the throne and no one ever questions that. There are multiple times that literal aliens from outer space come down and everybody is just like Oh hi, nice to meet you.
gming monster of the week (for.. 3 years now?) is really cool and has genuinely effected the way understand stories and writing in general. its kinda hard to put in to words but i think the way the system breaks down storytelling and tropes (specific alt in the monster of the week genre) is a really interesting philosophy that i think has worked its way into more of my brain than that genre or ttrpg.
i generally really like the way that moves in powered by the apocalypse systems form and reflect stories and monster of the week does a really great job of that i think.
The social forces that prevent you from being able to admit to your own desires in the safety of your own mind are far more evil than any desire you could have.
Unacted desires are fundamentally neutral, and you can't decide what to do about the things you want unless you can admit to yourself what they are in the first place. Everyone has desires that would hurt other people if they acted on them, but most people would not actually go out and do anything they know would cause harm. Far more harm is done in this world by people who are trying to pretend they can't possibly want anything they think is bad than people running around going "ehehehe I love hurting people!"
Providing people with a way of exploring the dark parts of ourselves in a way that cannot hurt anyone is one of the purposes of both fiction and kink.
All of us have a hungry, horny, angry, scared animal inside ourselves. You do not need to excuse or justify what that animal wants, it simply is. You cannot escape it. Lying to yourself about the animal that you are will only give you less control over it, not more.
Delphine Lecompte, Belgian poet
Griffins are just dragons with eagle parts
Unicorns are just dragons with one horn and horse parts and hooves and no wings and
Fairies are just dragons that are really small and have human parts
Dragons are just snakes
I mean, yes, but the NYT is just a new refrain of a very, very old song. This idea that it's just "normal" for rural poor people (and in this mindset, all rural people are poor) to be unrepentant bigots is ... incredibly old.
Like, I grew up in rural PA, in the Poconos — it's a lot more built up now than it was when I grew up there, but even now it's like the stereotype of 'rural tourist area' — and then lived in Lancaster County for a while, and when I moved to Philly, this idea that everybody I knew at home was a stupid, bigoted hick was... pervasive. That was an ancient song when I first heard it decades ago.
I am literally begging people to read White Trash: The 400-Year Untold History of Class in America & stop being so casually classist that you're ignoring shit-tons of red flags.
I'm reminded of back when I was at college, I passed by a guy who was incensed that his professor made him change a word in his paper because it was offensive. I forget if it was hick or hillbilly or something else, but it was along those lines. His argument: "you can't be racist against white people". Because no one who who lives in the "backwater" in the US could be anything but white. Because describing someone as a 'hick' is describing their race and not their class or place of origin. They're calling people "provincials" and trying to be progressive about it.
In a recent reblog about super-heroes fitness, I put the tag "fantasy calories burning" before adding "I use this tag more often than you think".
And I realized... That's right. It is a recurring topic I don't see people talk about a lot but that I, as someone who likes to explore magic in fiction, stumbles upon from time to time.
When people talk about magic they love, absolutely LOVE the idea that "magic has a costs". It limits your magic system and your characters, it drives a story and shapes a narrative, it raises the stakes of the adventure and offers some nice motifs to weave... Everybody loves "magic comes with a cost". Sometimes it is just a generic "magic has a price" rule, a bit to which some works fully dedicate themselves (like xxxHolic, every wish comes with a price and not paying it is bad for the universe), and others rather brandish as a metaphor more than anything (Once Upon a Time, which both re-popularized and massively rejected after introducing it the sentence "Magic has a price").
Other times you have specific costs - like with what has become known as "Vancian magic" where, in its strictest sense, spells occupy literal brain-space. Taken out of "The Dying Earth" into "Dungeons & Dragons" it became a well-known trope, with variations found everywhere (Discworld, Young Wizards, DIE, Invisible Sun, the Second Chronicles of Amber...).
But then you have magic being... caloric. This is a take on power that is usually much more present and used in sci-fi settings: specifically super-heroes tales. The two main variations I could identify of "caloric magic" both are very prominent and most examplified by super-hero series. Case A: power requires the consumption of a larger amount of calory than normal, well that's the Flash, or Hulk, or Wolverine/Deadpool. Case B: power relies on the body fat, its burning and its repletion. Well, that's Fat Gum from My Hero Academia. [Though, to be fair, Fat Gum's character as a cartoony fat guy turning into a handsome beauty through extreme and rapid weight loss in times of tension... This is part of a wider trope in animes and mangas found everywhere. Rikio of "K-Project", Isami of "Food Wars", Inada of "Silver Spoon", Honda of "Shirobako"... Japanese creators love the dichotomy of a same person switching between cartoonish obesity and fashion-model-slimness. It's a thing.]
But it exists beyond the super-hero genre and can be used in fantasy. Rarely, mind you, it is mostly found as obscure details in more famous works or in little works of "second-rank" in the wider scope of fantasy publications. The most famous case would be the famous (or infamous depending on what you think of it) series by Robin Hobb "The Soldier Son" where magic is literaly at - accumulates as body fat within the body when the wizard doesn't use it, and then causes massive weight loss when spells are cast. Wizards forcefully fattening themselves up because magic causes rapid, intense, potentially-lethal weight loss is found in works such as Garland's "Demon Blade" duology or Scott Lynch's potential series of The Red Hats (if he ever continues his "Effigy Engine" series). The Wheel of Time rather used the case A for its healing magic, showing that for great healing spells a large consumption of calories is required - though this is part of another recurring idea I was not actually aware of until I found the website TV Trope gave it a page, the idea that "healing magic" is a very difficult and complex one... Which allows me to jump on "Delicious in Dungeons", which also quite famously uses this caloric magic/weight loss as sign of magic for its healing and resurrection spells.
[I also heard that the first novel of the Spellsong series, "The Soprano Sorceress", uses this motif? But I did not read this series. I suspect, given it is entirely about the world of singing, that it is a reference to the heftiness and largness of opera singers? Back then it was common enough for people to draw upon it.]
The case A of caloric magic, caloric-consumption because of huge energies being drawn, is more widely accepted than case B, because it relies on actual fitness and sportive and anatomical logic that we are more accustomed to and science-fiction helped spread in popular works. Case B, magic manifesting as fatness/stored in fat, is less known and thought as weirder, yet it is not as weird, when you think about it, as "magic uses age". The cost of magic being youth, or life-time/life-force, and resulting in people growing older the more magic they use, is a VERY famous fantasy trope today.
From "The Golden Voyage of Sinbad" to "Stardust", passing by various adaptations of Snow-White or old folktales, like this one claim that Baba Yaga ages with every question she answers. (I also heard this trope was used in the Iron Tower series/Silver Call duology? But that's an alternative-Tolkien-pseudo-sequel I have not read yet...). And somehow, the case B of caloric magic relies on this same concept as "the consumption of life-force to power magic", "the sacrifice of the self at the risk of death", which is itself such a common concept in magic-writing that we tend to forget about it (a most famous case would be Belgarath's mid-series breakdown in the Belgariad, where it is explicitely said that sorcerers can sometimes reach too much within themselves when using magic and exhaust themselves beyond safety when practicing spells - at best, resulting in them losing their powers, at worst killing themselves).
And it is not as if the idea of "magical fattening" was not from our world too... Though it exists rather as a "ritualistic fattening". The same way Le Guin was taking inspiration from various non-European magical and religious practices to build her magic system in "Earthsea", Robin Hobb's creation of the Great Ones, the obese-sorcerers fattened up to gather magical energy, themselves take inspiration from non-European social practices. Most of the time these traditions are covered up by sensationalistic media and they are focused about fattening up for marriages. Many countries have the habit of fattening up their men or women to make them more desirable and likely to get a profitable wedding - the leblough tradition of Mauritania, the "biggest man" competition of the Bodi in Ethiopia, the fattening rooms of Nigeria... But sometimes the force-feeding is not just for social status or erotic purposes, and becomes more symbolic and occult, usually as an invocation of prosperity to counter an upcoming famine: such are the double-use of the Guru Walla of the Massa in Cameroon, or the Polynesian "ha'apori" ritual in Pacific areas.
Why am I digressing about all this? Because I want to talk about the way "Names = power" has been taken wildly out of context and reinterpreted in a very strange way... Going from non-European traditions to being perceived as a core part of European legends when it was absolutely not. But that will be for a next post about magic.
[And of course, being a Discworld fan I have to point out that, sometimes in fantasy, wizards are all fat without any link to their use of magic. The Unseen University is a proud example of this.]
After an IDF sniper from Chicago kills an unarmed civilian in Gaza, he then snipes and kills his unarmed younger brother trying to retrieve his brother's body. US-funded serial killer from Chicago says: "I mean, what was so important about that corpse?"
an attached screenshot reads: Daniel Raab shows no hesitation as he watches footage of 19-year-old Salem Doghmosh crumpling to the ground beside his brother in a street in northern Gaza. "That was my first elimination," he says. The video, shot by a drone, lasts just a few seconds. The Palestinian teenager appears to be unarmed when he is shot in the head. Raab, a former varsity basketball player from a Chicago suburb who became an Israeli sniper, concedes he knew that. He says he shot Salem simply because he tried to retrieve the body of his beloved older brother Mohammed. "It's hard for me to understand why he [did that] and it also doesn't really interest me," Raab says in a video interview posted on X. "I mean, what was so important about that corpse?"
"a former varsity basketball player from a Chicago suburb".
USians travel thousand of kilometres to go terrorise Palestinians, and people still have the temerity to wonder why the resistance fighters had to fight.
How must that mother feel?
The man is openly laughing on TV about killing her entire family for shits and giggles.
He doesn’t care.
And now he wants to be a paediatrician. A doctor who helps children.
I would trust that Daniel Raab around children much in the same way I would trust a vicious bull dog around toddlers.
The Guardian newspaper found that Daniel Raab was part of a military unit that shot six family members — killing four — in one day during th