ARTIFICIAL EAR 9: DELETIONS AND EMENDATIONS
Please join us for the ninth installment of ARTIFICIAL EAR (EAR EATER #25): DELETIONS AND EMENDATIONS When the self is merely a social construct that undergoes constant erosion from without and within, the only way to create is to imagine work as if it already has washed away. Stephanie Anderson Abraham Avnisan Cassandra Gillig Stephanie Anderson is the author of In the Key of Those Who Can No Longer Organize Their Environments (Horse Less Press) and Variants on Binding (forthcoming, National Poetry Review Press). Her recent chapbooks are Charting Practice: A Fictive Assay (Double Cross Press), LIGHTBOX (forthcoming, The New Megaphone), and Sentence, Signal, Stain (forthcoming, Greying Ghost). She edits Projective Industries and recently returned to Chicago after seven months in Tokyo. Abraham Avnisan is an experimental poet whose work is situated at the intersection of image, text, and code. His work has been published in Stonecutter, the Poetry Project Newsletter, Drunken Boat, New Delta Review, Rain Taxi, and others. He holds an M.F.A. in poetry from Brooklyn College and is currently pursuing an M.F.A. in Art and Technology Studies at the School of the Art Institute of Chicago. Cassandra Gillig is poet archivist from Chicago, IL. She is currently writing about Carla Harryman, digitizing mimeo mags for Jacket2's Reissues, cataloging weird shit for The Poetry Project, and has a chapbook with Perfect Lovers Press. She loves Hannah Weiner, whose work you can read online at the Electronic Poetry Center. Hosted by High Concept Laboratories at Mana Contemporary Fourth Floor 2233 S. Throop Street Chicago, IL 60608
