sorry but someone assuming you have "left a fandom" when you don't post about it a lot anymore feels like bilbo coming home to the sackville bagginses having him presumed dead and selling all his stuff. girl i was just on a little quest????
he wasn't even looking at me and he found me
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sorry but someone assuming you have "left a fandom" when you don't post about it a lot anymore feels like bilbo coming home to the sackville bagginses having him presumed dead and selling all his stuff. girl i was just on a little quest????
I don’t mean to be rude; but I don’t think I’ve ever seen this, does anyone have any examples?
Supernatural
Doctor Who (Steven Moffat specifically)
Sherlock (Steven Moffat specifically)
Actually Steven Moffat is basically just this sentiment given human form.
A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
Arguably Game of Thrones.
If we broaden it outside of television…I think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I can’t help but think of every band that’s ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.
In general, most white male creators seem to have this massively entitled mindset where they want–and think they deserve–the time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.
They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they don’t want us. And they don’t really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audience’s demographic makeup. They just want to be praised for whatever schlock they cough up.
And like any other spoiled brat, they will break their toys before they share them.
It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they won’t usually switch up the marketing and move them to the girl aisle. They cancel the show outright.
Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesn’t perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasn’t a huge part of the 1st launch says a lot already.
And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didn’t necessarily lash out, but they sure forgot how to behave.
Young Justice
Paul Dini: Superhero cartoon execs don’t want largely female audiences
#WhereIsRey (initial)
#WhereIsRey (ongoing)
The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.
Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi
You’re all sitting on the hot take of the decade tbh
And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.
#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because he’s actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)
OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like “Hey folks, this girl’s getting us more viewers, let’s put her in more scenes!” It just doesn’t make sense to me. MEN don’t make sense to me.
The 100 too. I’ll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.
Star Trek from TNG on was also a boy’s club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, “Women don’t understand Star Trek, only smart men hur dur.”
I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.
Doesn’t stop it from boggling the mind
(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron … 🤔)
Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isn’t the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.
Simply, they’re trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. It’s not just men wanting male attention and gatekeeping. It’s that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.
(anyway if anyone wants to read 35k words of philosophy about this, hmu)
Hey folks, for anyone that was interested in the thesis (firstly thank you so much for reaching out I really appreciate the interest) the following is an open access link to download it. Please let me know if it doesn’t work for some reason. Comments are now restricted so can’t put it there, but I hope you see this if you were interested!
I’d also love to hear your thoughts, as I literally wrote it for communities like ours to read, so, thanks.
Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which p
any villain born after 2012 can't big bad... all they know is twist reveal , get shipped on tumblr, reform, be comic relief , have sad backstory & lie.
every time someone realizes they dont have to pick between being a boy or a girl an angel gets its wings btw. and also extremely loud cheering can be heard in the distance from me specifically
btw if you've ever wondered why i make posts like this and get really obnoxious about nonbinary positivity. this is why
and for all of yall that are still figuring it out or aren't getting the support you deserve:
TVL be like it’s a book in a tour in a documentary in a retrospective in an album in an auction it’s really quite simple actually
"once per long rest, I can mark a stress, and I can project the image of myself anywhere that I've been before-"
ERIC: And the chemistry with Assad is so complicated I can barely keep up with it. And it only gets more and more complicated. His consistency as a character is what makes everything work, because– I don't know how this man knows who this guy is he's playing, 'cause I don't know this character from any other movie or TV show; Armand is unique.
AUTUMN: So singular!
ERIC: Singular. And he gets– he just knows him. He just knows him, and it's kind of a scary guy to be around– Especially for me, as you will see more in the season.
(SOURCE: 00:15:00)
And stay safe everyone!
Eric Bogosian as Daniel Molloy
The Vampire Lestat 3.01
Pearl, diamond and plique-a-jour enamel Art Nouveau style ring, c1910.
pls give me 1(one) reason aces have ever been oppressed, and 1(one) example of aces being a part of lgbt history(before 2004 at least) and then maybe i’ll consider the idea that aces belong in the lgbt community lol
Proof of the existence of asexuals in LGBT+ communities before 2000:
The Golden Orchid association (1644-1949) - a group of women in China that included lesbians, bisexuals, and “women who wanted to avoid both marriage options, and any romantic or sexual partnership” that today we would call asexual or aromantic.
Another Golden Orchid association link (which, interestingly, describes what appears to be a poly relationship).
Personal experience of a queer-identifying person noting that aces were part of the bi community in the 80s and 90s.
A book published in 1999 supports the previous link of someone’s personal experience, and notes that asexuals could be considered part of Kinsey’s “Group 3″ (the bisexuals) because they were “about equally homosexual and heterosexual” and “have no strong preferences for one or the other” just like bisexuals.
Another book that supports the personal experience source by noting that asexuals were considered part of the bisexual “Group 3″, which was published in 1999.
Another post of someone’s personal experiences of asexuals being part of the LGBT+ community in the 90s.
A source from 1999 noting that, while some female-female relationships in the early to mid-twentieth century were obviously lesbian relationships, not all of them were, but that it would be a mistake to label them all “friendships”. It specifically notes that asexual partnered relationships also existed.
This book describes a series of interviews done in 1990 by Catherine Whitney who interviewed heterosexual women married to gay men, and found that they were often asexual. It also describes how, in 1990, Ann Landers (a very popular advice columnist) asked her readers if married couples could enjoy a full life without sex and was flooded with 35,000 responses from people of all ages who had little or no sex and didn’t miss it. It also describes how “Boston marriage” was originally coined with a not-necessarily-always-accurate implication that such a relationship between women was nonsexual, but that later on the assumption was reversed to imply women in a sexual lesbian relationship, and how that caused some women involved in such relationships to hide the asexual nature of their relationships for fear of being called frauds by the larger lesbian community.
This 1997 book that states “To be a Kinsey 3 (bisexual) is to be equally attracted to men and women, i.e. completely bisexual…it is also to be equally unattracted to men and women, i.e. completely asexual. Bisexuality is never about two, only about one – asexual, or self-fulfilling – or three – continuously and equally attracted to both men and women”.
Proof of asexuality being considered as a concrete, distinct orientation before 2000:
One of the first online posts about asexuality in its current use, was made in 1997.
A study on anorexia and bulemia in gay and bisexual men done in 1999 found that 58% of anorexia patients were asexual.
The 1997 Australasian Gay & Lesbian Law Journal mentions asexual as a “relevant sexual identity”.
A 1983 issue of the Journal of Sex Research studied the Mental Health Implications of Sexual Orientation among heterosexual, homosexual, bisexual, and asexual people.
The article “Asexuality as Orientation: Some Historical Perspectives” describes different historical studies on asexuality, including a study from Johnson in 1977 where the word asexual was used to describe women “regardless of physical or emotional condition, actual sexual history, and marital status or ideological orientation, [who] seem to prefer not to engage in sexual activity”. It also describes a 1980 study by Storms who included asexual as one of four orientation categories when mapping out sexual orientation. It also describes a 1983 study by Nurius that found out of 685 participants, 5% of males and 10% of females were asexual. It also describes a 1990 study by Berkley et al. that included questions “related to homosexuality, heterosexuality, and asexuality” and included four items (out of 45) that were specific to asexuality.
This book published in 1922 contains a lot of what I personally would describe as narcissism and pseudo-science, but acknowledges asexuality nonetheless: “In addition to the ordinary distinctive males and females, we have asexuals, homosexuals, bisexuals, and old women of both sexes.”
This book from 1996 that notes “A transsexual may have a heterosexual orientation, a homosexual orientation, a bisexual orientation – or an asexual orientation” and clarifies that “a very small number – are asexual or bisexual.”
This book mentions a study by Malyon in 1981 that noted the options available to gay and lesbian teenagers choosing whether, or how, to come out by “[describing] three possible modes of adaptation in adolescence: repression of sexual desire, suppression of homosexual impulses in favor of heterosexual or asexual orientation, or a homosexual disclosure.”
Kinds of oppression that asexuals face:
Eunjung Kim wrote a chapter titled “How Much Sex Is Healthy? The Pleasures of Asexuality” that describes how “the absence of sexual desires, feelings, and activities is seen as abnormal and reflective of poor health” in Western contemporary culture “because of the explicit connection between sexual activeness and healthiness” and argues that “medical explanations of asexuality as an abnormality that has to be corrected constitute a large part of the stigmatization and marginalization experienced by asexual people.” It also discusses the ways in which some groups, specifically Asian American males, that are desexualized can erase the space for asexual Asian American men to simply exist.
Asexuals also face sexual harassment, rape threats, corrective sexual assault, and corrective rape (which, no, is not a lesbian-only term according to actual South Africans) specifically because they are asexual.
There was a recent study by the AAU to identify sexual assault on college campuses, and broke down the responders to their survey by sexual orientation, including asexual. The results clearly show that asexuals are not immune to unwanted sexual contact, stalking, intimate partner violence, or sexual harassment.
A chapter of “Asexualities: Feminist and Queer Perspectives” that notes the specific way that asexual people are talked to/about: “Because asexual difference cannot be iterated in the linguistic field where sex and a sexed position dominate the discourse of sexuality and desire, the asexual subject is linguistically and visually dismantled and reconstructed in the position of a fetish object. This fetishistic conversion happens because the asexual person is made into an image, or spectacle, for consumption.” and “The difference between the unassailable asexual (someone who lacks all of the traits commonly blamed for asexuality such as past history of abuse, disability, etc.) and the spectacular asexual is that while the unassailable asexual allegedly makes asexuality digestible for a skeptical public and presents an accessible image, the spectacular asexual is always consumed as a fetish object, regardless of mental health, ability, and gender.”
The study “Intergroup bias toward “Group X”: Evidence of prejudice, dehumanization, avoidance, and discrimination of asexuals” is exactly what it sounds like. The article’s abstract states: “In two studies (university student and community samples) we examined the extent to which those not desiring sexual activity are viewed negatively by heterosexuals. We provide the first empirical evidence of intergroup bias against asexuals (the so-called “Group X”), a social target evaluated more negatively, viewed as less human, and less valued as contact partners, relative to heterosexuals and other sexual minorities. Heterosexuals were also willing to discriminate against asexuals (matching discrimination against homosexuals). Potential confounds (e.g., bias against singles or unfamiliar groups) were ruled out as explanations.”
The Invisible Orientation: An Introduction to Asexuality describes many issues that asexuals face, including: how asexuality is seen as “invisible” and lends to people thinking it does not exist, how asexuality is actively erased as “unimportant” or not its own identity, the explicitly and implicitly negative messages associated with a lack of sexual attraction, the fear asexuals face when they believe there is something physically or psychologically wrong with them for being asexual, the belief asexuals face about how they must be deeply flawed since they do not conform to other sexual identities, how asexuals face cultural ideologies that sexuality is biologically based and ubiquitous (that all humans possess sexual desire) and that don’t acknowledge asexuality, that to describe oneself as asexual is a statement of moral superiority or purity or failure to find a suitable partner, that asexuality is an immature state they will “grow out of”, that asexuality is a description of action or a preference, that asexuality is unnatural or unhealthy or has to be a symptom of something else, etc.
Asexuality has been shown in the media in a negative light for decades, reflecting the idea that (for various reasons steeped in classism and racism) any woman who wasn’t willing to marry and procreate was a threat to the status quo, as seen in this 1955 book that notes: “Women who did not marry incurred political and social scorn for another reason. The influx of eastern and southern European immigrants in the United States pushed the question into eugenic terms–the wrong people were reproducing. Educated women came primarily from white middle- and upper-class stock, the most desired element by dominant social norms. When these women refused to marry and reproduce, they forced a new concern into the public discourse. it is not a coincidence that the stereotypical asexual unmarried older woman emerged at this time as a source of popular humor.”
Some people in some religions are very explicit about hating asexuals specifically because they are asexual, seeing asexuality as “a perversion akin to homosexuality and bestiality”.
Other religions see asexuals as actually sinful if they choose not to have sex with their spouse.
While not every member of every religion looks down on asexuals, many people in portions of various religions choose to view asexuals negatively.
Some people even recommend asexuals avoid being in a relationship with non-asexuals and assert that “promoting and trying to spread” asexuality, or behaving in an asexual manner, is wrong or unhealthy.
Because of these religious beliefs about asexuality, that also opens up asexuals to discrimination in various legal ways, including (but not limited to) things like the new adoption bill in Texas.
Asexuality was implicitly pathologized until very recently, and even now, the DSM-V states that a diagnosis of HSDD may not be given only if the patient has a preexisting knowledge of asexuality and chooses to ID that way.
TL;DR:
Asexuals have long been considered part of the bisexual community. When people used to talk about bisexuals, it included asexuals because asexuals were the bisexuals too. Bisexual history is asexual history.
Asexuals have also long been considered as a stand-alone orientation that was part of larger non-straight communities and could be studied in comparison to other sexual orientations.
Asexuals face many of the same issues that other marginalized orientations face as well as issues specific to their orientation. These include erasure, medicalization, misidentification, harassment, rape specifically targeted at them for being asexual, and religious intolerance, to name just a few.
None of this is exhaustive. There are more sources to be found and studied.
please reblog this amazing post!!
@aphostraphe huff hot farts, m'lord
[ID: A photograph by Susan Rennie and published in February 1973 in Off Our Backs: A Women’s Newsjournal, in which activists at Barnard College (a private women’s liberal arts college in New York City) advocated to “choose your own label”. Among these different labels ‘asexual’ is circled with an arrow is pointing to it. /end ID]
this show is a comedy → 7/?
photo by oformat.tumblr.com
New favorite comedic duo.
THE VAMPIRE LESTAT | 3.01 | “Detroit”
Amaka Umeh as DEE PHARMA
THE VAMPIRE LESTAT | 3.01 "DETROIT"
Lavirotte Building on Avenue Rapp in Paris