Taken from the character stories recently leaked on project ambr.
When Kaveh was young, he was the only child of his parents, who were both accomplished scholars. Kaveh encouraged his father to take part in the inter-darshan championships - the same ones we see in the 3.6 trailer. His father ends up doing well and Kaveh is so so proud, tells his father to compete further.
He loses the championship by just a hair. Somehow, this leads to him going into the desert... Where he goes missing. Some time later, his body is recovered and he's announced officially dead.
From that point forward, Kaveh's home becomes a cold, lonely place full of sadness. He believes that if he hadn't encouraged his father, he never would have died. Kaveh desperately holds onto this idea that, so long as he never inflicts pain on anyone, he'll somehow rediscover the warmth of his childhood.
Kaveh joins the Akademiya as part of Ksharewar darshan, the same as his mother. His mother, who has been depressed since his father died and unable to create art, receives a job offer from Fontaine. While Kaveh says it's fine and she should go, he's in fact consumed by loneliness.
He's an excellent student, the best from his darshan in many years. Alhaitham enters the Akademiya two years his junior, and makes a less positive name for himself - while they are very different and do butt heads, Kaveh gets to know him out of curiosity. He meets Alhaitham right as his mother leaves him to live alone for the first time in his life, and they become close.
Kaveh considers him his best friend, at the time.
Together, alongside several other students, Kaveh and Alhaitham embark on a group project. But they are geniuses and the other members of their group struggle to keep up, dropping out one by one. Alhaitham sees no issue; he and Kaveh can complete the project alone, they should not slow down to artificially uplift the others.
Kaveh, meanwhile, is too kind hearted. He stretches himself thin in order to take up everyone else's workload on top of his own, slowing down and burning out.
Alhaitham tells him not to, that it's not good for him or for the project. Kaveh says he's heartless, that he should be more willing to help others. It becomes heated, then, Alhaitham pointing out that Kaveh needs to stop feeling guilty for everyone else's problems - that he's only so focused on other people because he can't bear to look inward at himself. His altruism is not a symptom of selflessness but of overwhelming guilt.
It's the first time someone has read him so perfectly. Kaveh finds himself exposed, upset and angry in front of the person he considered his closest friend. The reality Alhaitham described is one that he cannot face. So Kaveh strikes back, tells Alhaitham that he should have never befriended him - that he regrets their entire relationship.
They part ways immediately afterwards. Their joint research is never completed, but the research space is offered to them both. Kaveh writes it off, unwilling to stay in contact with Alhaitham. In addition, Alhaitham removes his name from the thesis and Kaveh tears up his copy - only to put it back together some time later.
Over time, Sumeru becomes more and more radical. The arts are seen as completely useless, senseless decoration. Kaveh's vision of design is the combination of aesthetics and practicality, but all the jobs he receives ask for a completely rational approach. He's stunted, realising that he can't realise his dream like this. Kaveh can't help but become more and more depressed over the state of Sumeru.
Then, like a shining light, he's offered the perfect commission: a huge mansion with near complete creative control over the design. It's Dori's commission and she is mostly uninterested in the process - simply asking that it be beautiful, extravagant and secluded in location. Kaveh convinces Dori to go out of her way for the mountainside view, and she finally agrees.
Disaster strikes halfway through construction. A withering zone overcomes the building site, destroying the materials and leaving the progress completely impossible to recover. Dori is incensed - if Kaveh hadn't persuaded her to change the building site, it would never have happened. She wants him off the project.
Kaveh sits on the ruins of the mansion overnight, considering. He's desperate to finish the project - certain it will sate the desire for fulfillment he's had for so long now. But Dori has lost so much money and she's so displeased with him, all he can do to get back on her side is to recompense her for all the materials so that she no longer sees the whole thing as one huge financial loss. Kaveh has savings, but not nearly enough... His mother's house is under his name though, and that would get him up to 70% of the cost.
The next day, Kaveh sells off all his assets and gives everything to Dori. She allows him back onto the project, unpaid. Kaveh makes further additions that are over budget, and by the time the palace is completed he's heavily in debt and homeless.
He feels fulfilled by the project's completion at first, but quickly falls into despair at his life circumstances.
Kaveh turns to alcohol to drown his sorrows, camping out at Lambad's tavern day and night. When his old associates visit, Kaveh pretends that he's just in between jobs, on break. Out of sympathy, Lambad gives him free drinks and keeps his table reserved. For two weeks, he stays in the tavern in this way, paying Lambad's kindness back by redesigning the booths for him. He's completely penniless, and so he can do nothing else.
Then, by chance, Alhaitham visits the tavern for a drink, finding Kaveh. He immediately sees he's in a bad way, and Kaveh can't help but unload all of his troubles onto the man he once considered his best friend.
At this, Alhaitham asks a difficult question: "how has realising your ideals gone for you?". It asks Kaveh to face the reality of his life again, harsh and cold, but it comes from a genuine place that tells Kaveh to engage in some self reflection.
By happenstance, Kaveh moves into Alhaitham's home. Believing that Alhaitham would never perform a good deed unconditionally, he is plagued once again by his guilty conscience. Despite this, "the most unshakable part of one's past is a friend that will never change". Alhaitham is Kaveh's stability, it seems, and for the first time in years, "home" no longer translates to loneliness for Kaveh.
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