Apollo 11 Hasselblad image from film magazine 44/V (source)
And I think to myself…
boom de yada
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"I'm Dorothy Gale from Kansas"

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cherry valley forever
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if i look back, i am lost
NASA

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Lint Roller? I Barely Know Her
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he wasn't even looking at me and he found me

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YOU ARE THE REASON

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@awkwardpariah
Apollo 11 Hasselblad image from film magazine 44/V (source)
And I think to myself…
boom de yada
goat fight. non-negotiable.
#LISTEn listen most marvel fights feel so contrived and fake and like la-dee-da-superhero#but this one was REAL and had me on the edge of my seat and still does#partially bc of the street clothes not costumes#partially because steve is fighting 1 on 1 and gets stripped of his shield quick#and he has to show like his physical combat skills#and the ACTING on both their parts.. fucking ace#esp chris evans tho like his face looks PANICKED how often do u see captain fucking america panicked??#anyway in this essay i will (tags via @asterlark)
I think it’s also very important that this is a fight in which the characters *actually interact with their environment* in a way that feels real. Like, yes, have superpowers but there’s no cartoon physics involved, no obvious sense that this was filmed on an empty set with a greenscreen and the background was added later, or that they’re filming without even the people they’re fighting being present, just ‘look over here and make a hand gesture’. The shield gets stuck in a car, there’s that awful moment of the knife sliding along the side of the van that cues up with the mounting tension in the soundtrack. Bucky’s arm impacts the pavement and actually dents it, etc. They’re jumping over/behind the cars and getting thrown into them/into the pavement in a way that feels more visceral than just ‘whoosh there was a wire & we CGI’d in the rest’. t has a sense of real world space to it, and that adds to the feeling of real world stakes.
This is one of the few fight scenes I can recall seeing that makes a little knife look like a real threat. Like I am legit scared for Steve when that thing darts in, because he’s not wearing armor and it really feels like the WS could open him up like a can. I feel like movie fight scenes don’t usually hit that note with knives.
It’s worth pointing out that this scene WAS filmed on a actual set with actual asphalt and cars (with fall pads and stuff, but still). They really were interacting with their environment.
But as a fight nerd, there’s one other thing I want to point out about this fight, and it goes back to @mikkeneko’s point about the knife:
This isn’t a magic fight.
Yes, they’re both super soldiers. Yes, WS has a vibranium arm. Yes, Steve has a vibranium shield. But there are no magic blasts going on here. There’s no wuxia and minimal wire-work (mostly protective for the actors).
WS shoots at Steve until he runs out of bullets because that’s the most efficient way to murder him. Steve either dodges or hides his whole body behind his shield because that’s the most efficient way to not get murdered. The shield gets thrown, caught, thrown back, wedged in a car. Then it’s a knife fight. Throughout, it’s really obvious that neither of them are fucking around. WS is trying to just straight-up kill Steve, Steve is trying to not die. No banter. No dick-measuring. No quips.
This fight is brutal, efficient, and not flashy. Steve’s knife defense is textbook, and aside from that cool little flip that was almost too fast to clock, WS’s attacks are textbook. He’s doing his best to control Steve’s defense and open a hole to wedge that knife in. Steve’s doing his best to control that knife hand and keep just enough space between them that he can close those holes before WS can get to them. It’s telling that he’s paying so much attention to the knife that when WS finally gets through his guard, it’s with his empty, vibranium hand. (Still no idea why he tosses him instead of crushing his windpipe though, that was 100% movie logic.)
When Steve does that flying knee at WS, that’s not about flashy martial arts moves, that’s about brutal efficiency. Your knees and elbows are the hardest points on your body. Steve can engage in fisticuffs with normal people; he can knock out hitler over 200 times. He could also break his knuckles on WS’s face before doing any appreciable damage, and we watch him figure that out. So it’s not kung fu, it’s muay thai. It’s krav maga. Those flips aren’t for show - that’s pure Jiujitsu, the ruthless throws that are supposed to segue into joint locks and dislocations. That is the way to take your opponent apart, literally. He was trying to rip WS’s non-vibranium arm out of its socket.
That pile-driver? That was meant to break WS’s neck. A normal person would die instantly if Captain America pulled that WWE shit on them. We are into the gritty shit now. We have two extremely strong, extremely skilled men who are just trying to kill each other because the only way to win this fight is to die last, and it shows.
They scramble for position through the fight. When one move fails, they don’t bother breaking apart before finding the next-most-efficient killing move and trying that. This is what two people who are actually trying to murder each other look like - most street scuffles stay on the ground once they get there and don’t involve this much skill, but we can excuse that because it’s Captain America and the Winter Fucking Soldier. I still recognize the blocking of this fight as a real fight, not a spar. The urgency, breathlessness, the pragmatism, the messy transitions between moves as you just keep trying to improvise faster than the other guy… that’s all correct.
There’s no magic. There are fists, feet, elbows. There’s a shield and there’s a knife - the first and oldest human-made tools of war. There are chokes. There are joint locks. Not a word spoken. And it helps that they are really there - landing on cars, landing on asphalt.
No other MCU fight even comes close unless you’re including the tv shows, because that Daredevil long-shot hallway fight was pretty fucking badass too.
POV: You're a Legionnaire
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CyberBurger
Wastelanders
ref sheet for Maria (she/her)
skin
City Council of Darkness, Episode 13: A Symposium and a Song
Beware a smiling Nixon.
D20 Masterpost || Ep 12 || Ep 14
thinking about general herres horizon: zero dawn today. about the man who agreed to and executed project enduring victory, knowing it was a futile effort except to buy time for zero dawn to bring back new life one day in a distant future the people fighting would never see.
about how even though he must have believed it was the only way to ensure humanity didn't go extinct, he still saw lying to the world's civilians to get them to fight a losing battle as the crime that it was, and specifically asked elisabet to keep a recording of his confession to that fact in apollo's archives so that the humans who took this knowledge could learn all the better not to let this kind of atrocity be "necessary" ever again. to not make the same mistakes. the way he gently refuses elisabet's small attempt to ease his conscience with a reminder that it was necessary this time.
and then i think about ted faro, the man who could not stand the idea of his legacy being spoilt by his own actions. the man who wiped apollo clean and robbed the new generations of humans of all that knowledge just to keep his memory from being "he who ended the world."
and i believe we are meant to hold these two things up and examine them together, actually. i think they're in conversation. hm.
Shout out to Ryland Grace, the first person to kill an alien, the first person to befriend an alien and the first person to breed aliens. No one is doing it like him.
"what if someone regrets transitioning" if you are 18 or over in free country usa you can walk into any tattoo parlor and ask for a tattoo that will be on your body forever and ever and ever and they will give it to you with the understanding that if you dont like the result or you regret it later that's your fucking problem and not theirs
This is the NCR Ranger Power Armor seen on the set for Fallout season 2 recently.
More proof that while Hank MacLean might've nuked Shady Sands, he can't break the Bear. The Bear perseveres.
Loads of fallout stuff for a 2d20 game I'm in
I always get a lot of questions about how aliens dress themselves, because people have difficulty imagining their range of motion and dexterity I think. The beak is used a lot as a manipulator when avians put on clothes, in particular to reach the back and the outside of their wings.
PATREON | Runaway to the Stars