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@badjokesandbones
Destiny calls!
Darktide is a horde shooter. I ignore that firearms are secondary weapons. I do not practice schmovement. If i get swarmed by Ragers i spam light attack and die!
Chaplain
by Cristian Alias
new fav video just dropped
the backrooms are simply not as scary conceptually if there is Something In Them
the whole reason why they're so unnerving is BECAUSE there's nothing in them!! because they're unrelentingly liminal and lonely and uncomforting. there shouldn't be a monster guy in there chasing you. you should glimpse other humans (?) from a distance but they walk away before you can close the gap and then they're gone. things should run away from YOU. do u get it
"and there was a MONSTERowooowwohhhh" the monster is isolation and banal beige sameness and uncanny valley architecture. you fool. you rube. you're putting a hat on a hat and the second hat is not only unnecessary but it ruins the first hat!!!!!!! "there's a monster in there" great so now it's just another place for a monster to be. ridiculous
recently when im tempted to say 'i'm gonna kill myself' i try to correct it into saying "im gonna walk into the river and become a trout" or some other form of that. this is my new thing
btw this has graduated into me just saying "the trout population will be affected" and then not elaborating
this post has genuinely helped me so i used it as inspiration for today’s hand lettering practice
one time a guy friend told me he was quitting league of legends and literally two weeks later she was on estrogen. these events are intrinsically connected in my mind.
There is still time [to stop playing league of legends]
Line read that keeps me up at night
i want lists and solutions by the time i finish this jiyuiceh box. warning ⚠️ I. AM. TIRSTY! and it is ᶠʳᵘᶦᵗ punch! and it is delicious
So what I think is that there's this default belief in patriarchy that men are superior to women and therefore the "masculine" sphere is superior to the "feminine" sphere. And so, as feminists have fought to expand the number of allowable female activities, men (on the aggregate over generations) have retreated from those activities because they're now seen as "feminine", and so partaking in them is incommensurate with their belief in their own superiority. And, unfortunately, as this has progressed, this has resulted in a lot of men sectioning themselves off from, frankly, everything that actually makes being alive worthwhile. It's a misery spiral, and the only way out is to abandon male supremacy.
#men gave up deep friendships and reading and poetry and colourful fashion#all things that used to be considered manly in the 19th century#they're currently giving up on studying law and medecine#it's so stupid and sad
(I mean, the colourful fashion was more of an eighteenth century thing, but yeah)
#more women in higher education meaning fewer men is incredibly depressing to me. funny in a sad way#what happens when women will finally get into trades? will they just stop working
spectacular tags from @luesmainblog
BORING! BANAL! PREDICTABLE! CLICHÉ! AND WORST OF ALL… PROFOUNDLY UNCHIC!
A while back one of you asked me to look into how the Heart works and how it chooses which lines to play at what time. As a result I got quite comfortable with the Heart dialogue tree architecture and first just put together a spreadsheet for my own purposes - but then I decided I should go all out and make this information accessible to everybody.
So here is now my recreation of the entire Heart dialogue tree, which the game goes down the moment you use the Heart to decide what line it should whisper to you.
To sum it up, first it checks if you're targeting a specific unique NPC, a generic NPC, or not targeting any NPC at all, and then it checks which NPC you're targeting or what location/mission you're in, and then it figures out which of the relevant lines it should give you depending on which lines it has already played previously. I hope the way I have structured and phrased the text in my drop-downs and some of the info text at the top of the page combine to successfully show you exactly how each branch of decisions works.
If you're interested in, for example, modding specific branches or extracting specific voice lines, "expert mode" will show you all the game object names instead of the descriptive names I've given the events. if you want to see all the lines a character gets at once, "List view mode" will show you all of them once you've reached a relevant point in a branch instead of displaying them voice line by voice line.
This was so so much work as it was my very first time working with JavaScript, and it was fun, frustrating and incredibly educational. I really hope this resource is helpful to someone somewhere, or that you at least find it interesting and that it can teach you a bit more about how the Heart works under its Empress-flesh-and-Void-metal hood. <3
we are NOT bringing 4chan incel terminology to this site, take that "foid" out of your post and go wash your blog out with soap
'servo skull, kill this fucking guy' is an incredible game mechanic. top tier.
Darktide feels so realistic because on one hand I am being paid by the Imperium but on the other hand it's nowhere near enough for me to buy some pants
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.