#HotD fix-it
Chapter 47: Fool Me Once
Out now.
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#HotD fix-it
Chapter 47: Fool Me Once
Out now.
Lucerys Velaryon
(in case you wondered what the full art looked like)
Lucerys Velaryon
“She had never fallen for beauty: it was Rhaena who liked lace and jewels, whereas Baela liked sweat and muscle pain, and therefore Lucerys’ looks were lost on her, even if his face made any person who looked at him ache. There had always been a visible distinction between the Velaryon boys—both Jacaerys and Joffrey were Strongs: reasonable, human, easy to adore, but Lucerys… Lucerys was a Targaryen: wild, rebellious, restless.
He wasn’t delicate or kind, every angle of him too perfect to be considered real. It made Baela think that weapons could be beautiful, too. Until they cut too deep for it to be possible to mend the wound.”
Excerpt from ‘Tides’ by beespeas
Or ‘Tides’ in a nutshell.
Hey, so… I think that “Tides” is AI guys. The fact that the authour won’t admit it is kinda pathetic, no one uses so many ‘—‘ in one chapter and gets to claim that it is all human, so I am calling her out🥀
These idiotic accusations are piling up in my inbox, so I decided to address one before deleting them all.
I beg of you, anon. Please, please generate me a story with a plot as twisted and complex as the one in ‘Tides’. Post it and drop a link, okay? And then we’ll talk about what’s really pathetic.
Ormund cooking up medieval style bleach and tone for fake Daeron
Rhaenyra touching fake Daeron’s roots and going ‘I didn’t know this was an option wtf’
willing to bet money that “no, go back” is the least-pressed button in the history of the internet
"Try our new AI tool", "Use ChatGPT", "Our AI assistant can help"
Daemon: Rhaenyra listen to me I saw a blond girl with dragons. A blond girl with dragons Rhaenyra. Now that may not seem at all unusual or miraculous to you or me probably because all our dragons are still alive and we have no reason to think anything is going to happen to them but would this woman who roofied me 58 times in a one week span have lied? Do you think she’d show me a tree man without cause? Do you think people are just blonde for no reason? Exactly. Now put your shoes on, we’ll avenge Jeremy
Nah you don’t get it, it’s a show about dragons so it must have a prophecy to guide every move a character makes, right? Right??
Me getting angry at hotd writers for illogical plot-points and sinking the characters’ potential but then remembering that I just finished ch47 of my fix-it fic and the show is not really my problem to worry about
Whatever the hell HotD is doing to Rhaena’s character, I beg them to stop
I petition you to redo hotd please I beg you, save us!!!
Nah I’d make them all queer and we have ‘Tides’ for that 🛌
“If you tell me one more time, Stark, that I remind you of a sickly old woman, I will personally switch that drink in your flask to torchoil,” Baela’s loud voice rang next to Jacaerys’ ear, and he almost fell down from the fallen tree he’d claimed as his seat, “the only old woman around here is you, gossiping like—”
Jacaerys caught her hand, and Baela swallowed the rest of the sentence, eyes locked on the spot where his fingers touched her skin. She had a healed cut on her wrist, skin there tight and pink, about to scar into dusty white.
“I’m sorry I wasn’t here,” he said, fingertips rubbing in small circles around the cut. Baela shrugged, but there was tension in her movements when she softly freed her hand, looking up at Cregan and then away, leaning against the tree with her hands jammed into the pockets of her cloak.
“You were losing limbs and purity all around Westeros, Jace, that’s hardly a sin. By the way,” she leaned forward, “we can speak plainly, as there are no spies in this goddamn forest, so tell me—what will the Queen do about Ormund Hightower’s army? You said yesterday they reached Highgarden, so I can’t stop wondering,” Baela’s frown deepened, “will she negotiate? Use Alicent as political leverage? Oh, and once we’re done here, I want to find that sneaky pig Aegon and feed him his own balls, because he truly—”
“Baela!” Jacaerys’ and Cregan’s voices merged into one.
“—deserves it,” calmly finished Baela and pursed her lips. “You know what? This is my war, too! I don’t want to mourn anyone else. I am a dragonrider. I’ve read the same books as you two and studied the same battles. So stop looking at me like that and let’s decide what we do next.”
Jacaerys half-expected Cregan to crack a joke, like he did back in Winterfell, or change the subject of conversation, do anything but nod and hand Baela his flask. And that made Jacaerys look between the two of them, wondering once again what else did he miss.
Because Cregan always respected Baela: as a woman, a princess and as Jacaerys’ wife, but he never treated her like… like he treated Jacaerys. Like he would’ve trusted her with his life. Like she was his closest friend.
Seeing them together like that didn’t help. Together, he repeated in his thoughts, eyes caught between Baela’s lips and Cregan’s stubble, their shared breaths like little swirls of steam in the northern air, and felt a jolt like a streak of lightning skimming down his spine.
Maybe his heart was broken for wanting both.
Right in the middle.
Excerpt from ‘Tides’ by beespeas
As a writer who has already written your version of the Battle of the Gullet, did you like how the battle and Jacaerys’ death were portrayed in the show?
Oh, but these are two very different things, aren’t they?
All I do is put words on a page and hope that a reader’s imagination will carry the rest of the weight for me. I have the privilege of diving into characters’ thoughts, motives, memories which they take into battle. It’s never just “he said ‘Dracarys’ and flew away and ships caught fire”, that would be boring af.
Portraying a battle on a screen is a complete 180. Visually, battles are muddy and bloody and messy, and it is very hard to tell a story within one, especially if it is a battle of the Gullet’s proportions. So the choice they made of Corlys and Sharako having beef was brilliant, as was Alyn’s character development pre- and during the battle, you will get no notes from me there. The audience always has to be entertained, and entertained we were.
The other massive plotline was, of course, Rhaena and Sheepstealer. The whole angst of her not having control of a dragon she finally claimed and him going right after her family in the end. Say whatever you want about changes they made from the books, but the line “that’s my sister” was heart-wrenching.
Of course, as someone who has studied book canon so meticulously over the years, I have a little annoying voice at the back of my head going “but in the boooook it was diiiiifferent!”, but within the canon established by the show itself this plot-twist kind of made sense. Do I wish Jace didn’t have to lock Rhaenyra in her chambers? Yes. Do I wish the writers acknowledged that what they want to portray as ‘female rage’ time after time comes out as bland whining? Also yes.
To be fair, the show hasn’t really shown Jace as this fierce, politically smart character from the book, nor did he ever share a particularly endearing scene with Viserys and Aegon, so I don’t mind the fact that his motives to go and fight in the Gullet deviated from book’s canon. And to someone who didn’t know what was coming, his death must have been like the Red Wedding all over again, giving hope that he would escape once, twice… and then he didn’t.
Harry served face till the end, and I am going to miss him on my screen very much.
The important thing now are the consequences. In no way the writers will get away with one conversation between Baela and Rhaena about everything that went wrong. Those were Corlys’ men and his ships. That was the heir to the throne. Baela’s betrothed. I am not even blaming Rhaena for this, but we have to agree that she was led by the desire to show off as much as she wanted to help her family. And actions should always have consequences. No matter all the good intentions.
P.S I overall don’t like Rhaena’s character in the show. She is so obsessed with the idea of having a dragon she literally wanders into the great wide unknown in the Vale, during war, leaving her half-brothers… In whose care exactly? And instead of going back to them once Sheepstealer seems to listen to her at last, she flies to Dragonstone? What? Control over a dragon has nothing to do with her being incredibly irresponsible (and that’s after being miserable over everything), and yeah. I just don’t like her so far.
Hey, so…if you’ve watched S3E1, what did you think of *THAT* scene of Aemond??🤮😭
I think the writers are concerningly obsessed with targcest.
(Don’t get me wrong, these are fictional characters, they aren’t real, so I don’t believe it is wrong to play with them as your heart desires. I am not questioning the writers’ morale—only their skills.)
Because yes, targcest plays a big role in G.R.R.Martin’s universe, but the reason why has been definitely lost in translation. Martin himself has been inspired by the real monarchies of our world, which did intermarry cousins and uncles and nieces to avoid dynasty disputes and prevent some other line from claiming all the power for itself. For the Targaryens, actual magic is at play, too: dragonblood had to be preserved for them to ride dragons and etc.
But NEVER. In the entire Targaryen history. They made this incest directly vertical.
It simply didn’t happen! And yes, I have said before that I observe the show as its own thing detached from the book, but this is still the same world! The same universe that plays by the same rules!
First in S2 with Daemon and Alyssa, now this… it’s like they don’t know how to make the show edgier despite having an entire dragon war to think about. And I might have even acknowledged the scene with Aemond and that brothel lady from S2 as foreshadowing, but still… they had to go and make it creepy.
P.S Tides!Aemond is puking somewhere in the corner right now, just fyi.
And i love to hate it