zaheer we go again
The faces are killing me
Oh P’lise
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PUT YOUR BEARD IN MY MOUTH
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zaheer we go again
The faces are killing me
Oh P’lise
excuse me i just saw a sign that said “nut then what?” and i almost had a heart attack while driving
NUT
T HEN W HAT ?
one of my friends is a very pregnant dog and like 3 times a day i say to her “hello! you are full of several other smaller dogs!” and she wags her entire body at me like “it’s true!!! i contain multitudes”
i love that ur friend is the pregnant dog. what a nice friend to have.
ya she’s my buddy i love her!
update: there were five (5) smaller dogs inside my dog friend, but now they are all outside of her instead (!!)
GREAT UPDATE NOW YOU HAVE SIX FRIENDS!!!
ya they’re my buddies i love them!!!!!
i found my new favorite post on this website
Anderson Cooper Responds to Finding Out His Ancestor Was Killed By His Slave
THIS!
good morning everyone except this person
good morning everyone except this person
The weird shit about Hamilton taking off in the public mainstream just a tiny bit before MBMBAM did is that discovering that Lin-Manuel Miranda, lyrical genius, Pulitzer prizewinner, one-award-away-from-an-EGOT, the much touted ‘next Sondheim’, has been a rabid fan of the McElroys for years, is always a discovery made with severe confusion and visceral fear. There’s no crossover of minds that threatens to scare me more than the fact that the McElroy brothers are and have been friends with Lin for years.
The ghost horse jokesters? Oh yeah, their unique vocal patter has been immortalised multiple times in a Pulitzer prize-winning musical. Hamilton. I’m talking about Hamilton.
The Hamilton guy? Appeared on said ghost horse jokester podcast, talking about his upcoming musical Hamilton, then wrote a ghost horse song for the ghost horse guys to sing.
I’m just saying, I needed prep work for the realisation that Lin knows all of Griffin’s vore jokes probably better than Griffin does.
My point was moreso that texts considered serious or noteworthy by a contemporary audience are often placed in a stratified column by themselves, often by means of high-cost platforms of production or awards systems, and a text like Hamilton interacting with the core concepts of MBMBAM is considered an unstable or confusing interaction, as ‘light’ comedy and ‘serious’ drama cannot be seen to exist on the same level of percieved quality.
But take the vore away from this if you really want to, my dude. I can guarantee there’s no vore in Hamilton. Or at least, if there is, Lin buried that down way, way far. If anyone here’s done literary analysis of Hamilton, could they inform us if there’s vore in Hamilton? I’m now genuinely curious if Griffin’s worst tendencies made their way in just like his speaking cadence accidentally made it into some of the second act rap battles.
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Boys and girls of every age Wouldn’t you like to see something strange? Come with us and you will see This, our town of Halloween This is Halloween, this is Halloween Pumpkins scream in the dead of night
Dreams 1990 ‘夢’ Directed by Akira Kurosawa, Ishirô Honda
My dramatic ass when anything goes even slightly wrong
it’s okay to be closeted for your safety