Michaelina Wautier (1604 - 1689)
$LAYYYTER
untitled
macklin celebrini has autism
Doug Jones
Noah Kahan
The Bowery Presents
occasionally subtle
Cosmic Funnies

Discoholic 🪩
Sweet Seals For You, Always
Monterey Bay Aquarium
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hello vonnie

Jar Jar Binks Fan Club
Interview Vampire Daily
RMH
Xuebing Du
The Stonewall Inn
noise dept.

Andulka
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@birt-art-archive
Michaelina Wautier (1604 - 1689)
Luis Egidio Meléndez (1716 - 1780)
Pavel Tchelitchew (1898 - 1957)
By Paul Fosaaen
I fucking hate James Tissot’s paintings because in ALL OF THEM there is ALWAYS someone staring right at you, but it’s not always immediately visible. You just feel watched by this mf. Sometimes the little shit is right there at the centre, but others the bastard is just gazing from the distance, it is CREEPY, my guys
STOP STARING AT ME, THIS IS DISCONCERTING AS FUCK
I think this is hilarious. We’ve been caught.
In James Tissot paintings, art observes you.
I love this actually it really brings you into the scene. It denies you the psychological position of outside observer and makes you feel as if you were almost there.
Always reblog James Tissot
Seascapes by Fitz Henry Lane (1804-1865)
The Sea of Ice, by Caspar David Friedrich
Deborah Grice
Antony Gormley
"Ground" and " Sublimate X", from the series Inkcap Drawings, 2017–22
Cornelia Parker — Cold Dark Matter; An Exploded View (otherwise known as "The Exploded Shed", is the contents of a garden shed exploded by the British Army in Warwickshire, sculpture, 1991)
Pierre Fouché. 1994.77 or Lebenslänglichen Explosionsglück, 2020.
Rayon chords from a World War II parachute.
PBY Blister Gunner, Rescue at Rabaul, 1944, photo by Horace Bristol
oh my god he did a bobbin lace. out of parachute cords, both military and protective in nature. of the guy who saved someone from the water and then ran to fire his gun with his fine ass out. This is so gorgeous and so gay
HEY @sweaterkittensahoy LOOK AT THIS
Genuinely one of my very favorite pieces of art ever. It's a masterpiece of design, materials, and execution.
I never get tired of seeing it.
Lark and Bower / Sarah Ward - 2020
During lock down, without a loom or studio, she started stitching small woven patterns by hand, using leftover yarn and a lot patience. What began as a way to keep going became a way of working.
Now, even with her full studio back, she still creates these tiny, time-consuming pieces. They're not made to be worn or sold fast, they're made to be seen, to remind us that weaving is an art, not just something for clothes. She uses waste yarn, old stock, and plant fibers to avoid adding more to the pile of fast fashion.
via @arthunter.me and @larkandbower
Textiles by Rose Wong (instagram @ohrosewong)
By Sheena Norquay
Wojciech Weiss (1875-1950)
Hans Emmenegger (1866-1940)
The Westbury Horse, 1939 by Eric Ravilious
Train Landscape, 1940 by Eric Ravilious