Unmoored in Time

What day is it? Oh, good. And the year? Lurker since the LJ days. The queue is my friend.

[lacetulle]

Tamara Ralph | Spring/Summer 2026 Couture

[didanagy]

SLEEPING BEAUTY (1959)

dir. clyde geronimi, eric larson, wolfgang reitherman and les clark

[hawnks]

30+ year old women are the backbone of this website

[drbased]

reblog if you're literally 30+

[k-i-l-l-e-r-b-e-e-6-9]

“The Weary Death”, 1915. By Pavel Karlovich Wenig

[ibedressin]

Happy Black Fae Day!

I did this as part of a collaboration post with many other wonderful black creatives over on IG. My theme was Warrior Fairy.

Creative Direction and editing by me

Shot by @sachinteng 🥰

[aworldofpattern]

Nadia kaftan by Nöl Collective

Cut and sewn in Bethlehem, and hand-embroidered with the pomegranate motif of the Bir al Saba region of Palestine. $498

100% linen, hand-embroidered in Bethlehem and Nablus.

Palestinian tatreez embroidery is a centuries-old art, handmade by women in Palestine and traditionally passed down from mother to daughter.

[sakrogoat]

John Howe - Cathedral Ravens

[wizardhecker]

phew! Birduary set 1 finished. All the blackbirds and corvids of virginia!

[proudfreakmetarusonikku]

i NEED people to realise foreshadowing is. in fact. a literary device. and not a Bad Thing. the audience picking up on your hints is a Good Thing. because. it makes the story and it’s conclusion make sense. and some people will not see those but enjoy seeing them on a second read through. red herrings are one thing but if your novel consists of nothing but red herrings it’s not a coherent story it’s just a collection of paragraphs that don’t actually plausibly link to one another. you're not fighting with the audience you don’t look clever you look like you don’t know how basic fiction works. be vulnerable for once in your goddamn life and don't treat writing like a game to be won where the audience losing is a good thing.

[ineffectualdemon]

Getting to the end of a story and going "THE CLUES WERE THERE THE WHOLE TIME!" is always joyous for me whether or not I picked up on the clues leading up

If I saw the clues and caught the hints then yes! I am clever and me and the author/creator/artist etc were in on it together the whole time!

If I didn't notice the clues or got fooled but can clearly see them in hindsight then "Ha! You won this time storyteller! I am delighted by this game we play!' and then I enjoy putting the pieces together afterwards and enjoying how clever it was. I feel like the creator respects me as an audience

If there is a "twist" that comes with 0 clues or foreshadowing at all I'm annoyed. I'm pissed off. I feel like I'm being condescended to and patronised. It's not clever or interesting and makes me annoyed I ended up caring about characters and plot points that ended up meaningless.

Because it's not that these stories don't have foreshadowing or plot clues. They just abandon it for a "surprising twist"

A story that pays off the clues is letting me into the fun and makes a participant in the story

A story that just gives me a "shock" but no pay off is telling me not to engage or get attached or care. So why would I watch?

[s-n-arly]

OMG! THIS!

Random plot twists that don't connect to anything in the story are not clever. If we don't see it coming because the writer didn't provide any clues, they aren't clever and it's totally unsatisfying (and I will NEVER read this writer again). These clues need not be lit up in neon with a parade of elephants and showgirls. But they need to be present

I'm a writer and am rarely surprised. Often, if I am surprised it's because the writer was a dumbass and included a "twist" that makes no sense (and therefore isn't really a twist, it's just random bullshit). If a writer genuinely surprises me, without being an absolute dumbass, I am FUCKING DELIGHTED! I will tell everyone I know to read the book/see the movie/watch the show.

[ardentmystacina]

Foreshadowing is the reward for paying attention. It's the story letting you in on the secret like a co-conspirator because you're the clever little audience member who has been picking up on the clues the writer has been setting up.

It even makes watching/reading again more worthwhile because if you didn't notice the foreshadowing the first time you have the joy of being able to notice the things you missed!

[evermore-fashion]

Ladivine by Cinderella Divine 2024 Ready-to-Wear Collection

[romanticism-art]

The Black Sea at night, 1879, Ivan Aivazovski

Size: 76x100 cm Medium: oil, canvas

[quiltinginspo]

“Cherry Blossom Spring” and “Evening Showers” by Helene Knott

[kilikesmilktea]

I remember being in the car with my papa and I heard an ad on the radio that was like:

“Martha’s job is to watch a bunch of immature children constantly screaming at each other.

“So when she comes home, she likes to relax by turning on the tv and watch a bunch of immature adult women constantly screaming at each other.

“The difference is that the adults are not Martha’s problem.”

Which is actually a pretty accurate example of why it’s normal and ok to enjoy something in fiction that may be problematic or unrealistic irl.

[kyraneko]

People like skydiving, roller coasters, and waterslides.

Which are basically "what if falling to your death wasn't actually a problem" and therefore fun.

Fictionalizing (and therefore, deprobleming) problems is quite common across a lot of activities.

[alphonse-mucha-paintings]

-North Star-

[icecreamwithjackdaniels]

Carl Frederik Sørensen (Danish, 1818–1879), "Danish Ships in Rough Seas" (details), 1877

[mourningfictionalcharacters]

”potentially mature content” what the hell, sure

[marlinspirkhall]

A Vulcan named Stork works at the Terran adoption agency. Parents always request that he be the one to deliver their child to them.

[taken-aurally]

It’s years before anyone explains it to him.

[thetimetostrikeislater]

People keep gifting him robes with long white birds on them.

[thetimetostrikeislater]

[whetstonefires]

The fun thing is he would understand why people were getting him outfits with storks on them. That’s a word, it’s his name, straightforward. All the humans get him the same gag gift, but like, they’re putting effort in at least. This is a genuinely nice outfit. Stork will be a walking zero-effort pun sometimes, rather than waste a perfectly fine robe.

It’s fine. This is a readily comprehensible human illogic. Exactly the kind of thing he expected from moving to Earth.

Six years in he finds out about the stork bringing babies.

[thesaltofcarthage]

Stork has a good long meditation session about this myth, his name, his job, the outfits, the whole shebang (or whatever Vulcan concept is the equivalent).

And he decides he’s honored by it, in a humanly illogical way.

The humans are asking him to do what is after all his job, and specifically requesting him for the joy his name brings them on top of an already agreeable and satisfying task. He has no objection to engendering positive emotions in others. Harm hastens the heat-death of the universe, Surak teaches, so happiness must logically slow it down. 

Plus, Vulcans of his generation love puns. There were two decades of punning competitions in colleges across the planet. So when he realizes that he is a walking zero-effort pun, and that the humans also love the pun, he is all for it. He is the Joe Cool of the entire Vulcan population in his city. 

And via this pun, the humans are including him in a cherished and traditional myth, by casting him as the literal bringer of life and the expander of families. 

There’s no downside. Stork wears his robes, pins, keychains, and other bird-related tchotchkes with genuine pride. 

[shinobicyrus]

YES IT’S BACK ON MY DASH AT LAST

For real though working together with some human social workers, a Vulcan would be an excellent caretaker for children in an adoption center.

Child has a meltdown? Imagine Stork, perfectly calm and unbothered, approaching the kid and saying “You appear quite upset, Eliza. If you would please allow me to relocate you to the ‘bean-bag-chair,’ we can discuss the source of your distress.”

A Vulcan educated in medicine and child psychology would be endlessly patient with a kid with behavioral issues. Stork wouldn’t get or upset or frustrated. After all, these are children with medical and psychological conditions. It would be illogical to blame the child or to not treat them with the appropriate care.

Even if the a little one was having a bad day or was just overtired, Stork wouldn’t get angry. He might even be a calming presence. Any new kids acting out would learn real quick that they’d have better luck trying to arm-wrestle a Klingon than get a rise out of Stork.

Not only that, Vulcans live much longer than humans. Imagine Stork looking virtually unchanged as decades pass. Kids he’d helped years ago would turn up fully grown, maybe there to adopt their own kids, and run into Stork, looking almost exactly as they remember him.

And he’d probably remember them too. “Welcome back, Eliza.”

[departmentq]

“…Harm hastens the heat-death of the universe, Surak teaches, so logically happiness must slow it down…”

Will reblog every time it crosses my dash 🖖🏾

[trekheritageposts]

star trek heritage post (November 14th, 2020)

[marlinspirkhall]

Periodic reminder that the compiled tag I use on AO3 is “Stork The Vulcan (fanon)” and so far there are 5 fics featuring him:

Heed The Stork

There’s Always A Chance and

Not Logical by MarlinSpirkHall (hi)

What Stork Brings by AfterIWake @mousedetective

One (1) Daily Shoulder Pat by Android_And_Ale @android-and-ale

Various iterations of this thread ^ have also been bookmarked under the tag for future reference 🖖

[marlinspirkhall]

Happy world adoption day :)

[marlinspirkhall]

Happy world foster day :3

[nathsketch]

It’s been one year since we lost a princess and the sky gained one more star. But lucky us that no one’s ever really gone :)

P.S.: thank you so much for all the love! These lovelies and many others are already on the shop! Happy 2018!