oh rome as heterotopia (a physical site in which diverse, discontinuous, and ambiguous slices of time and space can be accommodated) we’re really in it now

Janaina Medeiros
hello vonnie
TVSTRANGERTHINGS

blake kathryn
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Today's Document
sheepfilms
we're not kids anymore.
Jules of Nature
Cosmic Funnies

ellievsbear

oozey mess
Aqua Utopia|海の底で記憶を紡ぐ
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YOU ARE THE REASON

titsay
d e v o n

Andulka
will byers stan first human second
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@blesseddamozels
oh rome as heterotopia (a physical site in which diverse, discontinuous, and ambiguous slices of time and space can be accommodated) we’re really in it now
Artists who know how to draw armors or very detailed clothing are powerful
oh to draw embroidery like Alexander Roslin does
See it’s stuff like this that makes me believe that selling your soul to the devil in exchange for talent was a real career track in the 1700s.
JACOB ANDERSON as LOUIS DE POINTE DU LAC Interview with the vampire 2.01
Thelma and Louise, Claudeline edition
"All of those things are true."
INTERVIEW WITH THE VAMPIRE 2.05 "Don't Be Afraid, Just Start the Tape"
how the light gets in pt.1 (2020) a woven sample exploring negative space, light, and texture
when i was designing/making this i was thinking of birch bark and bloodied bandages and scarred skin so everyone in the notes saying this reminds them of one of those things is making me 🥰 bc it worked hehe
Elizabeth Glaessner
Interview With The Vampire 1.02 After the Phantoms of Your Former Self
CARRIE
1976, dir. Brian de Palma
Bela Lugosi fan club card (1958)
'an 18k gold + micro-mosaic lovebird necklace + earrings, probably italian, late 19th century' in the jeweled menagerie: the world of animals in gems - suzanne tennenbaum + janet zapata (2001)
Domenico Fetti, Sleeping Girl, detail, ca 1620-1622
Museum of Fine Arts, Budapest
I don't like myself, you know. I love myself, of course, I'm committed to myself till my dying day. But I don't like myself.
--- Memnoch the Devil.
INTERVIEW WITH THE VAMPIRE x COVERS (one, two, three, four)
A young man with magnolia, early 1500s, a fresco found in a Venetian villa, has traces of attempted destruction. Painted on a piece of sea pottery. In other words, o u c h
insects in art: butterflies