todays bird

Jar Jar Binks Fan Club
Noah Kahan
The Bowery Presents
The Bright Sessions
YOU ARE THE REASON
Phantogram Three
$LAYYYTER
ojovivo
NASA
taylor price

pixel skylines
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Lint Roller? I Barely Know Her

tannertan36

#extradirty

Origami Around
Mike Driver

titsay
hello vonnie

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@blossiem
Perseus and Andromeda – Eduard Veith (undated)
I don't have much but I DO have an open wound #OPENWOUND
oh my fucking god doechii
"You seem like the kind of person who--"
Ah, let me stop you there! Easy mistake to make but ☝️I am not a person, I am a shell mimicking human emotion
men and women are literally the same but unfortunately everyone's crazy so we are forced to pretend they're different in some ways.
Pride & Prejudice (2005) dir. Joe Wright
Shelley Duvall, 1970s
there is a level of seduction that exists beyond the body. something less tangible, and perhaps more potent. anais nin understood this idea about how desire does not begin with touch but with language, perception, and the sharp electric pull of a mind that challenges and excites you. in her journals, desire is not just a physical hunger but a hunger of the intellect, an unraveling of thought before an unraveling of the body. to be drawn into someone’s mind, to feel their thoughts press against your own, can be more intoxicating than any physical closeness.
—Caitlyn Richardson, 'can intellectual intimacy replace physical desire?', in milk fed
jane eyre should’ve ended with jane and rochester getting married and then jane locking him in the attic for prolonged periods of time while the novel framed her as righteous and romanticized it
nothing funnier to me than when AI does math wrong. like I get why it happens, it's a language model that's treating the numbers you feed it as words rather than integers and then giving you an answer based on how those words typically appear in a block of text instead of actually performing a calculation. but the one thing computers are genuinely incredible at. you fucked up a perfectly good calculator is what you did, look at it it's got hallucinations
Gillian Anderson out in L.A. 1997