If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself
Emily Wilson you’re goated
This felt so good to read.
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If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself
Emily Wilson you’re goated
This felt so good to read.
"LEGALLY BLONDE" 2001, dir. Robert Luketic
never related to authors being like "childhood is such a blessed innocent time", catch me with that jane eyre shit like "such dread as children only can feel" and "I then sat with my doll on my knee til the fire got low, glancing round occasionally to make sure nothing worse than myself haunted the shadowy room"
"Adults can change their circumstances; children cannot. Children are powerless, and in difficult situations they are the victims of every sorrow and mischance and rage around them, for children feel all of these things but without any of the ability that adults have to change them. Whatever can take a child beyond such circumstances, therefore, is an alleviation and a blessing."
I find this passage from the Mary Oliver essay "Staying Alive" very poignant and true.
Juliette Brocal
mccoy doesn't have a chair on the bridge cuz he's the kinda guy who stands behind the couch to watch a whole 45 minute episode of something while insisting he doesn't need to sit down bc he's just checking out one scene. does this make sense
do not start gambling. go outside and locate a bug. now post it on inaturalist. bam. nature's gacha game
sometimes its just like *street lights reflecting off the wet asphalt at night* maybe life isnt so ugly after all
@wickedcriminal how dare you to hide this gem in tags
pour vous
it's flare up season so he gets joint pain too
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
they're trying to get me to do something called ""my job"" instead of reading about medieval english poaching laws
recently I got back into atla
Garden Variety Dykes: Lesbian Traditions in Gardening, 1994
OH it's a lesbian and her enormous sunflower
I thought she had her arm around the shoulders of her wife, who was dressed as a plant monster for some reason
I am so glad you clarified. I was like “I’m glad that woman supports her wife in making increasingly weird ghilli suits”
Many of us saw the picture, thought it was two women, one in a weird costume, and thought, "Hey, good for them."
Maybe the sunflower is also a lesbian. We don't know.