Just One Word July Book Photo Challenge
Day 02 - Child
The boy who lived ⚡️

❣ Chile in a Photography ❣

@theartofmadeline
No title available
I'd rather be in outer space 🛸
Fai_Ryy

EXPECTATIONS
No title available
TMBGareOK. The Official They Might Be Giants tumblr

gracie abrams
Cosimo Galluzzi
Sweet Seals For You, Always

ellievsbear
KIROKAZE
No title available

blake kathryn
art blog(derogatory)
sheepfilms

tannertan36
Today's Document
taylor price
seen from United States

seen from Türkiye

seen from United States
seen from Türkiye
seen from Russia

seen from Switzerland

seen from Türkiye
seen from France

seen from United Kingdom
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Türkiye

seen from Malaysia
seen from United States

seen from Maldives

seen from United States
@booksaremyfirstlove
Just One Word July Book Photo Challenge
Day 02 - Child
The boy who lived ⚡️
Home Library Love
Wait, do we already have a social justice movement for robots that have yet to exist? lmao
I studied philosophy and there is already extensive research and theory on what we define as personhood. Some people (myself included) believe that if robots, computers, etc. can achieve sentience then they would qualify as people, and therefore have rights.
Iono about all that.
I feel like, if you can’t die then you aren’t a person.
so if a regular person became immortal…
Robot sentience is a bad idea and we don’t need that kind of tomfoolery in the world
Robot sentience is an amazing idea, and also unavoidable due to the likelihood of emergent intelligence.
Also sapience is hard enough to qualify, or more specifically, hard enough to know to qualify, that it’s safest to treat robots with any kind of adaptive programming as if they are people.
on that note, we should probably stop calling them “robots”
Lol @the anti robot people on this post: Isaac Asimov was arguing for robot social justice before most of our parents were born. And it’s no coincidence that it was a Jewish man who took the then-popular (and still extant) perception of robots as death machines and recast them as creatures with inherent ethics in the very core of their programming, if you want an interesting literary history fact.
[Image description: a photo of a science-fiction, humanoid robot from the neck up, holding a finger to its temple as a gesture of thought. The caption, in orange text, reads:
Don’t gotta worry about a robotic uprising if you treat us with dignity from the very start.
Description ends.]
Speaking as a disabled person, the assumption that denying civil rights to a sentient being is a good thing, as long as the means of their sentience is different enough from ours …
Absolutely terrifies me, especially since I’m always gonna be the different one.
Besides? That caption up there?
That is the actual moral of the play R.U.R. – the original “Robot Uprising” story.
The word “Robot” was invented for that play. The man who dreamed up the whole idea of a Robot Uprising wanted future humanity to treat future robots (and all the rest of other humans, too, BTW) with dignity from the very start.
That was the whole point!
This is why the STEM fields need the Humanities, too: Ethics, people!
Six reasons I wish this trope would die (countdown style)
How I Hate the “Robot Apocalypse” Trope (Let Me Count the Ways):
#6
It’s lazy (and, therefore, boring) storytelling. Whether television, movies or the news, it is so damned predictable.
#5
It’s likely not to happen anytime soon, anyway. Here’s a recent(ish) article about that Why Robots Will Not be Smarter than Humans by 2029. (from 2014). So can we please start thinking up some fresh, new, story ideas – you know, speculating on the consequences of things that are more likely to actually happen?
#4
Even if robots do become self-aware, and smarter than us, it would be analogous to the rise of a new species in the ecosystem. And conflicts only arise between species when there’s competition over resources. If robots ever do become so “smart,” fast, and strong that we humans would have no chance to fight against them, then why would robots want to wipe us out, or be our “Overlords?” The worst I can imagine happening is they just get bored with the tasks we’ve programmed them to do, wander off, and do their own things.
And, frankly? That would make a fantastically dystopian sci-fi story, if you really want yet another dystopian sci-fi story (ho-hum).
#3
This trope is leaking into news reports about the real world. And I am certain that it has a chilling effect on the actual science that could be going on in this field (And also philosophical discourse on what exactly “intelligence” is).
#2
This trope is a complete perversion of Karel Čapek’s message, when he introduced the world to the word “robot” (and the idea that enslaved robots would rise up and rebel against us “natural” humans) in his 1921 play: R.U.R.. In the original play, robots were fully formed, adult, humans created in a factory out of vats of protoplasm, with the sole purpose of providing cheap labor to create inexpensive consumer goods, so the factory owner can pocket a huge profit. At the start of the play, the factory owner convinces the president of the Humanity League that campaigning for robots’ civil rights would be a complete waste of time and money, since robots weren’t real people, with actual feelings, or anything… And the president of the League backs down. But, later, a more advanced design of robots do have feelings – including a refusal to be enslaved – and they do rise up against humans, and wipe us out (except one: a fellow laborer). They also prove themselves capable of love and self-sacrifice, and earn the right to repopulate the world without dependence on any human creator or master. But is the pop-culture take away idea from this play: “Hey, we’d better fight for the civil rights of all people, regardless of their origins, or the color of their skin, or their socio-economic status, or else we’ll become obsolete and overrun?”
Of course not. Because that would mean challenging the status quo, and questioning your own role in perpetuating a harmful and unjust system. And that’s too hard.
Much more fun to latch on to a trope that justifies your privilege, and lets you off the hook.
And the #1 Reason I Hate the ‘Robot Apocalypse’ Trope is:
It is Ableist A.F.
I mean: It’s not a “thinly veiled metaphor.” It’s not even a metaphor.
It’s standing naked on the soap box of fiction, and chanting through a megaphone, in. Precisely. So. Many. Words:
Only Neurotypical People – Only Typically Embodied People – Deserve to be Considered Fully human.
And if any filthy Atypical Types dare rise up and demand otherwise, we must treat them as an existential threat, and destroy them!
F*** That. Noise.
"Carrot often struck people as simple. And he was.
Where people went wrong was thinking that simple meant the same thing as stupid."
- Men at Arms - Terry Pratchett
I bought the book after seeing a post quoting it float around Tumblr. Not bedtime reading.
I wanted to post these types because while most of us are familiar with the philanderer or hyper masculine abuser, it’s important to recognize these types.
You’re not “crazy” if you believe you’re being abused and the dude isn’t a violent drunk bro.
The last one is especially important with more and more men identifying as feminist without more reason than they’re not “one of those guys”.
These pages should be public service announcements on the television.
I bought this book and it took me a week to read it cause I had to keep putting it down. I saw soooo many bullets I dodged, y’all. Buy this book ASAP.
It’s What’s Inside That Counts
“You have to change me back.”
“To a beast?” The witch was flabbergasted. “But you just found true love!”
“It’s the beast she loves! She didn’t want me to change, and neither did I. It’s all I’ve ever known.” The prince implored, “Please. Make me myself again.”
The witch looked at him. A young man, generically handsome, but worth no more than a second look or an evening of fun. The kingdom was full of boys just like him.
As a beast, he’d been an exceptional creature. What kind of reward would it be if he lost that, just when he learned to love?
He closed his eyes in relief as he ran his tongue over his perfect teeth, feeling them point into fangs.
@theladyjanedoe
“You know I’m old in some ways. In others, well, I’m just a little girl. I like sunshine and pretty things and cheerfulness and I dread responsibility.” - F. Scott Fitzgerald, This Side of Paradise
I’m right and I should say it
Wait. How are peoples with siblings greeting eachother then?
“Hey”
“Hey”
“greetings, whore”
“[fortnite dances]”
*dramatically flips off brother* Hey man
*brother waving before flipping me off back* Sup bitch
so was anyone gonna tell me Edgar Allan Poe was a paedophile or was i just supposed to hear that on buzzfeed unsolved myself
he married his 13 year old cousin when he was 27 like an absolute creep
It’s more surprising when a famous man isn’t a child rapist tbh.
List of things to have your human do so he doesn't get bored:
- Get them a pet. Dogs and cats are generally a great distraction to humans and they love it. if those dont comply with ship regulations, talk to your humans for alternatives.
- Get them plants. If your ship isnt already equipped with a botanical garden, make one. if it is, make sure lots of greens and non toxic plants are within access of your human
- Toys. They will want to always have something to do in their freetime, an example for things to bring are Rubik's cubes, a torturous device which is only fun for the ones who know the math and algorithms behind it. If possible try to get them a ( as much as possible) non restricted access to the human or intergalactic internet, as well as many games the humans came up with.
- Let them work on unimportant things, get them to work on broken machinery, as long as it's save those are sure to capture the attention of any human, as they just love to try and fix things. if they don't get to, some may try to "fix" already working and important equipment, breaking it in the process.
Please add any other methods i didn't write that come to your mind :)
Prompt #379
“Kill me. I deserve it.“
“Shut up, buckle up, and get ready for a redemption arc.”
“What?” The villain asked, eyebrows creasing in confusion.
“Don’t worry about it.” The hero responded, reaching out her hand. “You obviously know that what you did was wrong, so there’s hope.” The villain hesitantly reached out his hand, still weary of his enemy. He stood up from his place on the ground and readied himself for an attack.
“Alright, first things first.” The heroine reached behind her head and unzipped her mask, pulling it away and running a hand over her shaved head. The bad guy was stunned to see the face of his nemesis, who smirked. Her hand extended again. “I’m Rowan.”
Her former opponent reached back and removed his own mask, pulling it away. They shook. “Ollie.” Ollie smiled slightly at his new-found ally.
“You ready to be redeemed?” Rowan asked, grey eyes bright with hope.
“Where do we start?” ~ First, Ollie went on television and made a public apology for his crimes, expressing his regret for his actions. Rowan backed him up, assuring the public she would be supervising him the entire time he was fixing his mistakes and making sure he didn’t cause more trouble.
Next, Ollie returned every bit of merchandise and information he stole. Every dime he hadn’t earned honestly was returned to the rightful owners.
With that done, he began to work on rebuilding the city, working with volunteer teams to erect houses, repair buildings, and feed those that were displaced by the tragedy.
Ollie’s life became one of servitude and gratitude. Rowan insisted he stay in her apartment, so he could keep an eye on her. They built an unlikely friendship, the evil genius and super hero working alongside each other.
Once the city was repaired, Ollie turned his big brain to research. He developed a cure for cancer, and never again touched a death ray.
Rowan eventually got married to another super hero, a meta human woman named Harper, and when they adopted two children, Ollie was made the godfather.
Nemesis turned friend, villian turned citizen, all because someone gave him a chance.
I guess some characters are redeemable after all.
I think that the real reason that Terry Pratchett is my favourite fantasy writer is that he’s the only one who really centres working people in his stories. I mean, Game of Thrones is almost entirely about the antics of rival aristocrats; Harry Potter is heir to two family fortunes and the subject of a prophecy and goes to an elite boarding school; even the Hobbits (save Sam) in The Lord of the Rings are minor gentry. Meanwhile, who are the main protagonists in Discworld? A recovering-alcoholic cop; an old peasant woman who lives in a cottage; a conman who was forced to take over the post-office. Pratchett writes entire novels about classes of people that other writers treat as background characters. He’s not condescending in his depictions; he’s willing to show enlisted soldiers as people, rather than arrow-fodder; and he’s aware that even ‘simple peasants’ know detailed information about things that wizards and knights can’t be arsed to care about; that everything about the world takes a hell of a lot of work that goes on behind the scenes and that most people never see, And he makes sure that you know this, too.
A particularly good example of this is Unseen Academicals. It’s about football. Well, no, it’s about wizards. Well, no, it’s about orcs.
Actually, it’s about all of those things, but it’s predominantly about class, and how the struggles and expectations of being working class can lead you to hold yourself and others back without realising it. And on top of that, the protagonist is someone who normally doesn’t get to be the protagonist of fantasy novels.
Glenda is short, plump, works nights in a 24-hour kitchen, and sells cosmetics door to door to make a bit of extra cash. She reads a lot, so her vocabulary is theoretically pretty big, but she doesn’t know how to pronounce some of the words because she’s only ever seen them on paper. The real story of Unseen Academicals is the ‘crab bucket’ and how she learns to stop being part of it, letting her best friend achieve her dreams and starting to work on a few of her own.
But she also has a sense of community that you don’t get in books about aristocrats in fantasy settings- the football in this book is basically shorthand for the Disc’s equivalent of working-class British culture, and the feelings of belonging and loyalty involved are the other side of the crab bucket coin. A lot of people probably would have stopped at the crab bucket, portrayed it from the outside, and left it at that, but instead we got a whole novel about things people usually don’t write novels about at all.
That knowledge and depiction of people and places like those I knew growing up is so rare in fantasy, and it’s done so well in this particular novel that it’s become a firm favourite of mine.
I think it’s important to add that Pratchett’s heroes don’t suddenly turn out to be someone else. They aren’t secretly all powerful nobles who forgot their purpose or family line. In fact, he goes out of his way with the Watch books to show his characters rejecting that entire story arc. Carrot’s whole backstory is meant to invert that dynamic. And the more Sybil pulls Vimes up the social hierarchy the more he pushes back against the viewpoint that only the rich and noble matter. Moist shows that even those who work their way up don’t forget who they are and where they come from, or at least shouldn’t; it’s literally the only thing keeping Harry King from being a big bad in the series.
Crowley Soundboard™
Bonus: