✨Summary ✨
SoundCloud
Ko-fi
Xuebing Du
No title available

Andulka

izzy's playlists!

Love Begins
PUT YOUR BEARD IN MY MOUTH
Noah Kahan
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Cosimo Galluzzi
Cosmic Funnies
Keni
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Lint Roller? I Barely Know Her
hello vonnie
The Bowery Presents

bliss lane
Aqua Utopia|海の底で記憶を紡ぐ

Origami Around

pixel skylines
Not today Justin

seen from Malaysia

seen from Malaysia

seen from Belgium

seen from Malaysia

seen from Türkiye

seen from Singapore
seen from United Kingdom
seen from Australia
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seen from Malaysia
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@booksontheflowerpot
✨Summary ✨
SoundCloud
Ko-fi
The best advice really is to just write. Write badly - purple prose, stilted conversations, rambling descriptions. Don't delete it, pass go, take your $200, save all your garbage in a big folder. Look at how much you've made - it doesn't matter if it isn't perfect, isn't polished, it was practice. Every time you write you learn a little more, and find another piece of your voice.
Hiii, I was just wandering if you wouldn’t mind blabbing about the symbolism and stuff behind some of your design choices with the horse men that you might not have mentioned. Like with pestilence and death specifically I feel like there’s a lot of symbolism I’m picking up on without fully understanding. Like with Death’s sickle, both a homage to the classic scythe and a nod to the “reaping/harvesting” of souls. And with pestilence I feel like there’s something that I’m skirting around without grasping. The multiple legs strike me as a deliberate similarity to insects, and if I’m right I think that the rider is bound in a body bag type deal, similar to how disease and pestilence is so often both spread through the improper disposal of body’s, and how wide spread pestilence leads to mass graves filled with disease and the horrible anonymity that comes with being just one face in a pit of hundreds etc? All of this is, ofc, to say that I’ve adored your series of the horsemen so far and would go absolutely rabid for some insight on some of your design choices<3
My horsemen of the apocalypse! I will add the original commentary and some extras, less about the symbolism and more about what brought me to design them the way I did.
The symbolism is for you to chose, there is no wrong answer.
WAR
I can't bring myself to represent war with a cool knight. It's horror. War is a bound child crowned with shrapnel, tied to a wounded horse that is being pulled forward by unseen people.
I've read a handful of books regarding war. A lost quote said that it should be shown as horror, it should make generals vomit, it should make you sick. I haven't seen war but my family has.
It was the first horseman I've designed, and it was in my sketchbook for months (maybe over a year, maybe even more) before I had the courage to draw it. I was really scared about how people would react to a mutilated child.
Recommended reading: The Red Crown - Mikhail Bulgakov, a short story about a man coping with the loss of his brother in the war
FAMINE
Someone who lived thro a famine shared that their head was only occupied with thoughts of food. Famine consumes your mind. All animals were eaten. Neighbors gave their pets away cuz they couldn't do it themselves. People walked around town as if in a dazed dream, slowly
Recommended reading: The Last Witnesses - Svetlana Alexievitch, a collection of testimonials of people who were children when WW2 began. Some quotes below;
'''A cat! A cat!' Other children saw it and started chasing it. The educators were local habitants, looked at us as if we were insane. In Leningrad there were no living cats left...A living cat was a dream. Food for one month...We talked about it, but they didn't believe us.''
''During the first year of evacuation, we didn't notice nature, everything that was nature provoked in us only one desire - taste to see if it's edible. Only a year later I noticed the beauty of the Urals''
''I dreamt of catching a sparrow and eating it...''
''A candle burns and the shopgirl cuts the bread pieces. People follow her with their gaze. Her every movement...with burning eyes...crazed...and all that in silence.''
''People walked slowly through the city like shadows. Like in a dream...a deep dream...As in, you see it, but you think you're seeing a dream. Those sluggish movements...floating...As if a person walked on water and not on land.''
''In Leningrad there are a lot of monuments, but one is missing that should exist. They forgot about it. The monument to the dogs of the seige. Dear doggy, forgive me...''
I don't like talking about it. It made no sense to draw Famine with a horse.
PESTILENCE
Based on the notes of a doctor who said the most frightening thing about viral disease was how it didn’t frighten. People didn’t know or didn't care. They lived and spread until it was too late and they became another name on the record
The clothing being made out of shredding plastic is no coincidence; pollution is a form of pestilence too
Recommended reading: Notes from a Countryside Doctor - Mikhail Bulgakov. Roughly translated quote below;
''Ah, I verified that here syphilis was frightening precisely because it did not frighten. That was why I evoked that woman.* I remembered her with a kind of affectionate respect: because she had been afraid. But she was the only one!''
*Early in the chapter, doctor mentions a woman that appeared in the clinic with a letter from her soldier husband, where he wrote that he had syphilis and told her she should go to the doctor too.
DEATH
Recommended reading: Voices of Chernobyl - Svetlana Alexievitch. The Death of Ivan Ilitch - Lev Tolstoi
“Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone - the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.”
Death is the only horseman that doesn’t need to mount their horse; they will reach everyone eventually. Who is the saddle for then? Open ended question because this one you have to figure out personally
Many people pointed out how the horse is a Clydesdale. Good eyes! I purposefully asked a friend to guide me towards what type of horses are the sturdiest and most-friendly looking. I drew the horse grazing. It's not injured, it doesn't gallop. It's grazing peacefully because life moves on.
This is the only design that had a painting serve as a base - The Reaper, by Alexey Venetsianov. Not much or nothing at all is written about, I saw it in a book. It is a literal reaper but it haunted me, as if it's portraying more than a person.
The choice to make it a woman was due to a book about a crematory (Smoke Gets in Your Eyes - Caitlin Doughty) that connected women to death because everyone born is bound to die.
Ahhh, I don't want to give it all away. It's fun to figure things out. About them all. From the enviroment, to the movement, to the horses themselves. Many people even mentioned details that I did not notice and didn't add purposefully that were so inspired and amazing. I truly mean that the interpretations of the public enrich the works even more than my own words. And it's an honor to share that work with everyone.
Thank you anon!
Hiii, I was just wandering if you wouldn’t mind blabbing about the symbolism and stuff behind some of your design choices with the horse men that you might not have mentioned. Like with pestilence and death specifically I feel like there’s a lot of symbolism I’m picking up on without fully understanding. Like with Death’s sickle, both a homage to the classic scythe and a nod to the “reaping/harvesting” of souls. And with pestilence I feel like there’s something that I’m skirting around without grasping. The multiple legs strike me as a deliberate similarity to insects, and if I’m right I think that the rider is bound in a body bag type deal, similar to how disease and pestilence is so often both spread through the improper disposal of body’s, and how wide spread pestilence leads to mass graves filled with disease and the horrible anonymity that comes with being just one face in a pit of hundreds etc? All of this is, ofc, to say that I’ve adored your series of the horsemen so far and would go absolutely rabid for some insight on some of your design choices<3
My horsemen of the apocalypse! I will add the original commentary and some extras, less about the symbolism and more about what brought me to design them the way I did.
The symbolism is for you to chose, there is no wrong answer.
WAR
I can't bring myself to represent war with a cool knight. It's horror. War is a bound child crowned with shrapnel, tied to a wounded horse that is being pulled forward by unseen people.
I've read a handful of books regarding war. A lost quote said that it should be shown as horror, it should make generals vomit, it should make you sick. I haven't seen war but my family has.
It was the first horseman I've designed, and it was in my sketchbook for months (maybe over a year, maybe even more) before I had the courage to draw it. I was really scared about how people would react to a mutilated child.
Recommended reading: The Red Crown - Mikhail Bulgakov, a short story about a man coping with the loss of his brother in the war
FAMINE
Someone who lived thro a famine shared that their head was only occupied with thoughts of food. Famine consumes your mind. All animals were eaten. Neighbors gave their pets away cuz they couldn't do it themselves. People walked around town as if in a dazed dream, slowly
Recommended reading: The Last Witnesses - Svetlana Alexievitch, a collection of testimonials of people who were children when WW2 began. Some quotes below;
'''A cat! A cat!' Other children saw it and started chasing it. The educators were local habitants, looked at us as if we were insane. In Leningrad there were no living cats left...A living cat was a dream. Food for one month...We talked about it, but they didn't believe us.''
''During the first year of evacuation, we didn't notice nature, everything that was nature provoked in us only one desire - taste to see if it's edible. Only a year later I noticed the beauty of the Urals''
''I dreamt of catching a sparrow and eating it...''
''A candle burns and the shopgirl cuts the bread pieces. People follow her with their gaze. Her every movement...with burning eyes...crazed...and all that in silence.''
''People walked slowly through the city like shadows. Like in a dream...a deep dream...As in, you see it, but you think you're seeing a dream. Those sluggish movements...floating...As if a person walked on water and not on land.''
''In Leningrad there are a lot of monuments, but one is missing that should exist. They forgot about it. The monument to the dogs of the seige. Dear doggy, forgive me...''
I don't like talking about it. It made no sense to draw Famine with a horse.
PESTILENCE
Based on the notes of a doctor who said the most frightening thing about viral disease was how it didn’t frighten. People didn’t know or didn't care. They lived and spread until it was too late and they became another name on the record
The clothing being made out of shredding plastic is no coincidence; pollution is a form of pestilence too
Recommended reading: Notes from a Countryside Doctor - Mikhail Bulgakov. Roughly translated quote below;
''Ah, I verified that here syphilis was frightening precisely because it did not frighten. That was why I evoked that woman.* I remembered her with a kind of affectionate respect: because she had been afraid. But she was the only one!''
*Early in the chapter, doctor mentions a woman that appeared in the clinic with a letter from her soldier husband, where he wrote that he had syphilis and told her she should go to the doctor too.
DEATH
Recommended reading: Voices of Chernobyl - Svetlana Alexievitch. The Death of Ivan Ilitch - Lev Tolstoi
“Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone - the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.”
Death is the only horseman that doesn’t need to mount their horse; they will reach everyone eventually. Who is the saddle for then? Open ended question because this one you have to figure out personally
Many people pointed out how the horse is a Clydesdale. Good eyes! I purposefully asked a friend to guide me towards what type of horses are the sturdiest and most-friendly looking. I drew the horse grazing. It's not injured, it doesn't gallop. It's grazing peacefully because life moves on.
This is the only design that had a painting serve as a base - The Reaper, by Alexey Venetsianov. Not much or nothing at all is written about, I saw it in a book. It is a literal reaper but it haunted me, as if it's portraying more than a person.
The choice to make it a woman was due to a book about a crematory (Smoke Gets in Your Eyes - Caitlin Doughty) that connected women to death because everyone born is bound to die.
Ahhh, I don't want to give it all away. It's fun to figure things out. About them all. From the enviroment, to the movement, to the horses themselves. Many people even mentioned details that I did not notice and didn't add purposefully that were so inspired and amazing. I truly mean that the interpretations of the public enrich the works even more than my own words. And it's an honor to share that work with everyone.
Thank you anon!
Unknown , Sacred Place - Serge de Vries
Dutch, b. 1968 -
Oil on wood , 19 x 15,2 cm. 7.5 x 6 in.
CHATGPT IS NOT A SEARCH ENGINE
CHATGPT IS NOT A SOURCE OF INFORMATION
CHATGPT IS NOT STUDY NOTES
CHATGPT IS NOT A WRITING TOOL
CHATGPT IS NOT YOUR FRIEND
ive always been willing to die on the hill of cis women being able to beat cis men in sports so nobody will ever ever make me concerned about trans women in womens sports even if i was delusional enough to believe that was a comparable situation. do i think a cis woman could beat a trans woman in fucking pickleball or whatever? Buddy I think a cis woman could beat a cis male bodybuilder in sports. You will not get me
this feels too important (and correct!!) to leave in the notes
Research has shown that women, due to specific reasons, have regularly produced faster times than men in marathon swimming.
The sport’s governing body says there is little difference in performance between genders. Should men and women compete head-to-head as indi
Uncover the unique differences between men’s and women's gymnastics at the Olympics. Explore how these events contrast in style and rules.
Women outperform men in many sports, and in many instances, the men's versions of these sports are rewritten into completely different versions so that they can't be compared.
And if your reaction to this is "well women don't outperform men in skills that we typically find impressive" I would implore you to think about why things women tend to be better at than men are valued less by society.
If your reaction is "well that's cherrypicking examples, its such a small handful of formalized sports" I'd implore you to think of why so many popular sports are structured around the specific set of skills men are better at.
Because the answer starts with m and ends with isogyny.
👏 let 👏 people 👏 get 👏 sloppy 👏 on 👏 company 👏 time 👏
interesting how they didn’t share this instead where study show that productivity has actually increased, almost as if people tend to do their jobs more efficiently when they’re not miserable
With the world discovering alternative ways to work without human contact, the work from home force is getting a facelift.… Read More »
And both can be true simultaneously…. My BiL was just telling me that he’s so far ahead on his quotas (and his whole unit is) that their manager keeps telling them to slow down a little so he spends like 3 hrs a day on video games and is still ahead.
The ways we could restructure our economy if we were willing to admit that working people to the bone is NOT the most efficient way to do things and isn’t good for people OR companies…
Writing Therapy
How to Write and Journal Therapeutically
Writing therapy - (or journal therapy) a low-cost, easily accessible, and versatile form of therapy.
It can be done individually, with just a person and a pen, or guided by a mental health professional. It can also be practiced in a group, with group discussions focusing on writing. It can even be added as a supplement to another form of therapy.
Writing therapy differs from simply keeping a journal or diary in 3 major ways (Farooqui, 2016):
Writing in a diary or journal is usually free-form, where the writer jots down whatever pops into their head. Therapeutic writing is typically more directed and often based on specific prompts or exercises guided by a professional.
Writing in a diary or journal may focus on recording events as they occur, while writing therapy is often focused on more meta-analytical processes: thinking about, interacting with, and analyzing the events, thoughts, and feelings that the writer writes down.
Keeping a diary or journal is an inherently personal and individual experience, while journal therapy is generally led by a licensed mental health professional.
Some Tips to Get you Started
First, think about how to set yourself up for success:
Use whichever format works best for you, whether it’s a classic journal, a cheap notebook, an online journaling program, or a blog.
If it makes you more interested in writing, decorate or personalize your journal/notebook/blog.
Set a goal to write for a certain amount of time each day.
Decide ahead of time when and/or where you will write each day.
Consider what makes you want to write in the first place. This could be your first entry in your journal.
Next, follow the 5 steps to WRITE (Adams, n.d.):
W – What do you want to write about? Name it.
R – Review/reflect on your topic. Close your eyes, take deep breaths & focus.
I – Investigate your thoughts and feelings. Just start writing and keep writing.
T – Time yourself. Write for five to 15 minutes straight.
E – Exit “smart” by re-reading what you’ve written and reflecting on it with one or two sentences
Finally, keep the following in mind while you are journaling (Howes, 2011):
It’s okay to write only a few words, and it’s okay to write several pages. Write at your own pace.
Don’t worry about what to write about. Just focus on taking the time to write and giving it your full attention.
Don’t worry about how well you write. The important thing is to write down what makes sense and comes naturally to you.
Remember that no-one else needs to read what you’ve written. This will help you write authentically and avoid “putting on a show.”
It might be difficult to get started, but the first step is always the hardest! Once you’ve started journaling, try one of the following ideas or prompts to keep yourself engaged.
Writing Ideas & Journal Prompts
Some writing exercises for dealing with pain (Abundance No Limits, n.d.):
Write a letter to yourself
Write letters to others
Write a poem
Free write (just write everything and anything that comes to mind)
Mind map (draw mind maps with your main problem in the middle and branches representing different aspects of your problem)
If those ideas don’t get your juices flowing, try these prompts (Farooqui, 2016):
Journal with photographs – Choose a personal photo and use your journal to answer questions like “What do you feel when you look at these photos?” and “What do you want to say to the people, places, or things in these photos?”
Timed journal entries – Decide on a topic and set a timer for 10 or 15 minutes to write continuously.
Sentence stems – These prompts are the beginnings of sentences that encourage meaningful writing, such as “The thing I am most worried about is…” “I have trouble sleeping when…” and “My happiest memory is…”
List of 100 – These ideas encourage the writer to create lists of 100 based on prompts like “100 things that make me sad” “100 reasons to wake up in the morning,” and “100 things I love.”
Tartakovsky (2014) provides a handy list of prompts, including:
My favorite way to spend the day is…
If I could talk to my teenage self, the one thing I would say is…
Make a list of 30 things that make you smile.
The words I’d like to live by are…
I really wish others knew this about me…
What always brings tears to your eyes?
Using 10 words, describe yourself.
Write a list of questions to which you urgently need answers.
Tips and exercises to help you start your regular writing habit (Hills, n.d.):
Start writing about where you are in your life at this moment.
For five to 10 minutes just start writing in a “stream of consciousness.”
Start a dialogue with your inner child by writing in your nondominant hand.
Cultivate an attitude of gratitude by maintaining a daily list of things you appreciate, including uplifting quotes.
Start a journal of self-portraits.
Keep a nature diary to connect with the natural world.
Maintain a log of successes.
Keep a log or playlist of your favorite songs.
If there’s something you are struggling with or an event that’s disturbing you, write about it in the third person.
If you’re still having a tough time getting started, consider trying a “mind dump.”
This is a quick exercise that can help you get a jump start on therapeutic writing.
Researcher and writer Gillie Bolton suggests simply writing for 6 minutes (Pollard, 2002).
Don’t pay attention to grammar, spelling, style, syntax, or fixing typos – just write.
Once you have “dumped,” you can focus on a theme.
The theme should be something concrete, like something from your childhood with personal value.
This exercise can help you ensure that your therapeutic journal entries go deeper than superficial diary or journal entries.
Source ⚜ More: Notes & References ⚜ Writing Resources PDFs
Where's the African mythology?
The Kickstarter is live now!
I know I have close to zero Tumblr fame, which I normally appreciate, but I would love it if this made it into the world and got fully backed. You can even pledge to get the digital content and send a real copy to a school in Africa or to a HBCU or community library of your choosing!
crossposting from bsky - glad I stopped using spotify when I did and that I unlinked it from my discord, but still
[ reddit thread | bsky post ]
As a guide, its best to remove everything after the ? in HTML. It's sometimes useful, but in those cases, you'll probably already know what it's for.
I do love it when small children say something about my disability that clearly challenges their parent/carer to really think about disability in a way they haven’t before.
Today a small children turned to their dad and loudly said “Wow dad did you see how hurt that guy was?!”
And their dad was clearly thinking very hard and slowly said “well, he’s not exactly hurt?… more… that’s just how his body is”, as if he was thinking about the relationship between injury and disability for the first time.
It was a moment where the child and parent were learning together and from each other in a really wholesome way.
“The truth was I was tired way underneath my skin. I was tired where even I couldn’t see. I do not know how that happened. How I ended up like that. It all happened so fast.”
— Rebecca Wells, The Divine Secrets of the Ya-Ya Sisterhood
Something that gets really lost in a lot of discourse is that what we would now call 'going low-contact' or 'going no-contact' with your family used to be so completely within the normal range of familial contact that there wasn't even a term for it. Sure, in the pre-IM pre-social media days some people were calling their parents daily, but I'd wager the vast majority of people were not. Long distance calling used to be quite expensive, after all. If your kid went to the big city to seek their fortune you might hear from them every few weeks, or every month, or once a year, and that wasn't particularly odd. This was even more the case before telephones were common, of course - people would send letters, but definitely not more than once a week and probably a lot less. It was just a normal, accepted fact that you'd hear from some family members who lived nearby often, and some who lived farther away very rarely.
The minimum amount of contact with family that is expected of people in the groupchat-facetime-instagram era is so much higher than at any previous point in history. The ceiling is about the same, since then and now multiple generations often live under the same roof, but the floor is higher by orders of magnitude.
How many adult children who are 'no-contact' or 'low-contact' now would also have been the ones who moved to the city and sent a letter every three months then? Is family estrangement an actual current problem, or is it just an illusion caused by smartphones?
When I complain about increased surveillance, control, and infantilization of older kids and young adults, it's often a level of surveillance and control that wouldn't have been possible, or at least practical, in previous generations. At minimum, it would've been escapable.
People in the UK especially, please don't give your ID to Spotify
Getting thiiiiiiis close to bringing back One Drop Rules.