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Today's Document

#extradirty
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Cosimo Galluzzi

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I think my favorite thing about the backrooms movie is how much it doesn't hold your hand and over explain things to you. you as an audience member have to figure stuff out on your own via context clues and your own thought process.
It's something I really love to see, because I really love it when a film actually trusts the audience to listen and pay attention to the film and actually figure things out.
The film never throws too many questions that it becomes hard to figure out, the movie doesn't overwhelm you with lore and questions (which is also great) but it gives you enough questions for you to start wondering about the backrooms and you should feel about it.
Part 1
Backrooms (2026) - Kane Parsons, A24
backrooms date night
Backrooms (2026) - Kane Parsons, A24
backrooms spoilers with no context:
Iron Lung and Project Hail Mary as "men who persevere against impossible odds and find courage in the depths of despair"
Versus Obsession and Backrooms "men will willingly stay in a literal horror movie situation over confronting their mistakes and taking responsibility for their actions"
Me the first half of The Backrooms: "oh I get it. He's a down on his luck failed architect and even more failed furniture store owner who's trying to better himself. He'll probably be fascinated with the furniture/architecture of the backrooms and start selling the items there for money + notoriety. And eventually he'll go deeper and deeper to get more and more items until he gets trapped and encounters The Horrors. A classic tale of hubris :) "
Me the second half of the backrooms:
"Is the Backrooms gonna make me gay?"
Seán William McLoughlin, 2026
For a little I felt like we missed Clark’s spiral and that’s why the change felt so sudden but in the same scene that Clark shows this “sudden” violent part of himself he says ‘I don’t want to change’.
Clark has always been like this. We saw his extreme anger at the start of the movie. His disregard for those around him with how he speaks to and about them. The implied breaking of the glass was that he threw it, not knocked it over.
I was expecting a spiral but he didn’t need one. He was already there.
my favourite part of Backrooms was when Phil showed Mary a photo of Clark on the cameras and you could see the big fuckass censor square over the Pirate
Was really interested going into this movie because as someone who isn’t very up to speed on any backrooms lore besides the og post I like the backrooms best when there are no monsters, but the environment itself makes you feel unsafe. You’re paranoid and panicking but then you get out and realize that there was nothing to be afraid of, nothing was even there to chase you in the first place it was just your mind tricking itself.
So I think it’s so interesting that this movie did both- there is a monster but it’s You. It’s a monster you made up it’s a physical manifestation of your fear. It hurts people because you hurt people. You’re unsafe because you created the environment and that means your fear is out to get you.
come on clark
When changing yourself is terrifying and hard and change means destroying your current self so you want to stay the same and the person who is meant to help change you says you can but never changing is only remembering worse and worse each time and it destroys you in a different way
Severe lack of Clark and Mary art on this website so I must pick up my pen and draw in swiftness, hopefully encourage others to do the same. It's really a shame because they definitely had the most interesting and robust relationship/depth in this movie.
A little different than my usual art but the backrooms has gotten under my skin, in my brain, my soul.