Look at these koi
YOU ARE THE REASON
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@breached-containment-script
Look at these koi
alright I’m only gonna say this one time because i’m tired of seeing the discourse
I’m exhausted by the Iroh hate.
Iroh is a man who commited atrocities and then by the death of his son realized the intense evil he was committing and did everything in his power and in his life after that point to counteract his evil deed.
He joined the White lotus and worked to save anymore people from loosing their lives he helped the son of an evil genocidal dictator overthrow him.
Iroh is NOT comparable to real life figures who have commited atrocities and then put on an innocent face and was good in every other aspect.
the difference is Iroh WORKED to counteract what he had done.
We are not meant to simply forgive Iroh because he makes Tea and is nice.
We like Iroh because he is someone who understood the deep evil of his ways and lives his life in service of others he doesn’t expect forgiveness. Or sympathy. But he works for good ANYWAY
ATLA doesn’t want you to forgive the villains or the genocidal dictators.
ATLA shows you the complex existence and web of humanity and goes
“we are all products of war and it’s not what we say, It’s what we do that matters.”
Everyone is capable of Evil but people are also capable of change and working for it.
get that through your skull
ATLA Book 3 is often criticized for its pacing, filler, and unresolved plot threads. Its quality was affected by the 2007 writer's strike, so I wonder how different it would have turned out if that had never happened.
The writer's strike had nothing do with it.
From nicalive.net
Even when season 2 got picked up, there was no guarantee for a third season, which led to the huge cliffhanger in which Aang got hit with lightning, his fate uncertain. "They did not pick it up after season 2," Ehasz revealed. "The ratings were not strong enough! They did not pick it up. We laid off all the writers after season 2. Everybody was sent home for three or four months.
It wasn't until Nickelodeon's Eric Coleman started campaigning for the show to the rest of the Nickelodeon brass that season 3 was confirmed, but the writers and the rest of the team were still away. "So there was a rolling hiatus through all of season 3, where all the storyboard artists had to take a couple months off, all the designers had to take a couple months off. Everyone did, because we had to catch up again on the scripts. So Avatar was essentially default cancelled between season 2 and season 3. People do not know that. So there was always love, but there was not always obvious success and ratings for Avatar."
Thanks for the information. Did season 3 not have a hiatus because of the strike though? It went on for ages until Nickelodeon was forced to release the last stretch of episodes because ATLA DVDs were already being released in Canada.
Why Aang’s lines sound preachy in The Southern Raiders
I’ve often heard KA’s make the argument that Aang pushing forgiveness as an alternative to Katara’s apparent desire for retribution, is one stemming from a deeper place of concern for Katara’s wellbeing. I’ve heard many a variation of the following argument:
“Katara is a kind soul who would have been wracked with guilt if she actually killed Yon Rha, and Aang who knew her well, was just trying to protect his friend from a lifetime of anguish and regret. Ultimately, it was Aang who knew what Katara needed.”
Keep reading
i’ve read a post complaining about how people’s media literacy is ruined for viewing media through a shipping lens, but in the tags they mention anti zutara stans (a surprise), and ‘saying that sokka is ooc in southern raiders like SHUT UP’.
what do you think makes sokka ooc in the southern raiders as compared to the rest of the show? how do you think him being in character could have changed the episode?
Viewing media through a shipping lens is engaging in media analysis, so as a general statement, it doesn't make sense to say that's ruining media literacy. Poor media literacy can also be an inability to engage with a text beyond a surface value of what the text presents, because not only are you not engaging critically, you also miss a lot of what creators might be intending below the surface. A lot of shipping culture involves picking up on subtext.
I actually don't think Sokka is entirely ooc in the Southern Raiders. I think it's ooc for him to agree with Aang about forgiving his mom's murderer, and the show actually acknowledges that it's ooc by having him say that usually Aang's preachiness is annoying.
So the question then becomes, what WOULD make Sokka behave in a way that he admits is counter to his usual characterization? I will say again, good writers can make almost anything in character. Going by Sokka's other characterizations, I think what changed is that Sokka is afraid. Of what might happen to Katara if she goes after their mom's murderer, of what she might do and how that might affect her, of revisiting those memories he's tried to forget, of thinking about how much he's relied on Katara to fill the void left by his mother's absence, and how that's hurt her.
The annoying thing is that the show doesn't frame things this way or allow Sokka and Katara to have a resolution about it. Which makes it seem like Sokka's line wasn't written as an interesting bit of characterization, but just to make Aang seem right. That's what makes it feel ooc.
Agreed!
I also HC that Sokka may be struggling off-screen with having killed Combustion Man. He’s the only member of the Gaang who knows he dealt a killing blow to someone they know. It’s the only explanation I can think of for why he was so blasé about letting Zuko freeze to death in s1, yet so squeamish about Yon Rha.
Sokka was also the one pushing for Aang to kill Ozai the most out of everyone. There's so much potential for exploration with Sokka and morality.
Too bad TSR used him to make Aang look right instead of actually giving us a look at what he was thinking
I actually don't think it's out of character for him to get squeamish when it comes to his sister, who he idealizes as a mother figure and sees as the little sister he needs to protect simultaneously, which is actually a fascinating dynamic to explore. Too bad it wasn't.
I would commit many crimes to have a resolution scene between Sokka and Katara at the end of TSR where Sokka admits that he was afraid she would go after a monster that was too big and he’d lose her to it, just like he lost Kya. It would have effectively answered Katara’s, “You didn’t love her like I did,” with, “I love you like I loved her.”
I'm also convinced Sokka was afraid that Katara might get hurt or die, and that if she doesn't, she might get mentally scarred from directly going and killing someone.
I think it's why he'd side with Aang, but he wouldn't stay silent about his reasons like he did in canon and only prop up Aang's reason.
Because Sokka would 100% go on the vengeance quest himself, except he shows time and time again he chooses to not get involved in actions he deems unneeded and overly dangerous/risky. He stopped Zuko from entering and breaking up that fight in the prison, he tried to stop Katara in the FN village from interfering, telling her to just ignore it and stick to their main mission. He disliked her plans to help Earthbenders get free from the prison rig and wanted to leave without helping them when her initial idea failed. He tried to chase Aang away from their SWT village, he tried to dissuade others from chasing Azula in DotBS and focus on their main target, but he lost his temper when he's directly tested with something he cares deeply about. Sokka is hypocritical in this (rescuing Hakoda from prison, going to the Library maybe), but it's consistent with his characterization.
I think it would have been in character that later that night he'd sneak out and ask Katara and Zuko to let him come with them too, if Katara was not gonna let this go. Just like how he helped her with the fishing village, the earthbender prison rig, etc. But maybe Katara was too angry about how reluctant Sokka behaved earlier that she'd refuse to let him accompany them, feeling he might try to interfere again (and thus prevent her from getting proper closure).
Heartsong (AO3)
(...)“No? What about the First Hunt?”
Sokka sat up straight, but Katara’s frown deepened. “You told that one this morning!”
“She could tell it again!” Sokka said.
Gran Gran chuckled. “No, we’ll save it for another day. I know!” She smiled at Katara. “How about the First Soulmates?” (...)
--- fic project for the @zkbigbang ♥ ♪ make sure to check out the other artist for this story; @drachenfalter
Heartsong is written by @gemgirl28, AKA gemgirl28 on AO3!
So yeah, some ships are canon while others are not. Some plot lines are canon, many others (which are not as easy to pinpoint as ships are) are not either! Canonicity refers to the final choice of people who have the final say. It doesn't affect how good the writing itself is.
Canon can be consistent, or it can contradict itself. This is especially more likely to happen when multiple people with different visions are working on a story.
When canon is being rewritten, it's not automatic sacriledge or degrading, it can be (we've all seen examples of this) but it's not absolute. "Canon rewrites" happen even while canon isn't yet locked in, when writers rework and adjust their own writing, this is obvious.
Likewise adaptations are rewrites. Regardless of whether they're done skillfully or not, working within an already existing narrative as a writer exists AS A JOB. It's not just fanfiction that does this.
Fanfiction has a bad reputation because it often has a narrow topic or theme as fans aren't usually interested in doing an actual job level and bredth of writing, it has a much higher case of new and beginning writers, you're much more likely to run into their writing compared to original published work because it's 1) hard for new people to break in with original stuff 2) it's hard for readers to randomly stumble upon a new small franchise they've never heard of before.
Fanfiction isn't automatically "bad" because of its category. It can be badly written, amateur, too narrow, and not to one's taste but these are all seperate problems.
With all of this said, zutara has good canon writing and no resolution. It's not a fever dream and its building blocks have been proven by many meta posts. A lot of watchers are able to pick up on these, and are not "delusional fans of shallow aesthetics". These inadequate drags just work against anti-zutara fans because they simply do not stick to what exists in canon writing. "Shallow aesthetics" is not what the canon material itself says.
I just think some of y'all are waaay too comfortable judging Ursa over something she had no control over. Yes, I hate the plot point of Ursa giving up her memories, too, but I hate it because it's unnecessary, and actually stems from the same place of feeling like a woman has to have some justification for making the choice to continue with her life instead of, idk, endlessly suffering. Even if she hadn't had her memories erased, there was absolutely nothing she could have done for her children. She was literally forced out of their lives forever, and the only reason it wasn't forever is because Aang defeated the firelord.
Like, we see in the series that most people stopped believing in an end to the war after the Avatar disappeared 100 years ago. We see what hopeless people become. Ursa had no hope that her suffering would ever end, or the suffering of her children, and there was absolutely nothing she could do about it. People aren't angry at her because they think she could have saved Zuko and Azula, because she could not have. What they mostly seem angry about is that she had a happy life instead of one full of endless suffering and fear. As happy as she could be given the circumstances, although we also see in the scenes where she has her memories that she didn't want to forget her children, and regretted that she could not be there for them.
Idk, I just think it's odd that y'all can forgive a redeemed villain but not a mother for being forced into an impossible situation which she already blames herself for.
And Katara...Katara is a character who represents hope. You really think she would look at a woman who has no hope and condemn her for it? You really think Katara would condemn the actions of a woman who was forced to leave her home and family because it was the only escape from a man trying to control her, when her own grandmother did the same?
And again, this is not about her children, because there was nothing she could have done for them after she was banished from the country. What the hatred seems to primarily be about is that she continued to live her life and was her own person. Which is something that people do every day, despite being forced into horrible circumstances. It's something Ursa would have had to do even if she hadn't forgotten her children, and the fandom would have likely hated her even more for it. The misogyny directed at mothers and wives is primarily the reason the amnesia plotline exists, because y'all refuse to understand how trauma works, and Ursa still gets blamed even when writers try to come up with magical reasons to try to explain that trauma.
Ursa also doesn't get to be judged as a human being. Instead, the main criticism I hear is that she's "a bad mother." For something she did at a point in her life where it was no longer even possible for her to be a mother to her children, no matter what choice she made.
I agree with the majority of your points about people harshly judging Ursa and it being tied to misogyny. In society, women are seen first and foremost as mothers or even potential mothers before they’re seen as autonomous human beings.
However, I think it is quite possible that in a Zutara AU, Katara would judge and be angry at Ursa initially, if we keep the contents of The Search intact. Katara is a flawed person with a temper and strong set of values. If she was in love with Zuko, and Ursa came back into their lives with the same story of having chosen to erase her memories, I think Katara’s initial reaction would be fury.
She easily could see it through a lens of “my mother gave everything including her life to ensure my safety and you gave up everything to not know if your children were safe or not.” I think she’d feel frustration and contempt at that and think “how could you not have stopped Ozai from causing my husband all this pain?” Even if subconsciously in her anger.
Katara idealizes her mother the same way Zuko does his own. I think in this idealism, she could compare them so easily and be livid and resent Ursa. I don’t think it would be a permanent condition. Katara is, as we have seen, a forgiving person. I think in time, she would learn more about Ursa’s pain, how she was a victim too, and empathize with her and forgive her. She also wouldn’t want to hurt Zuko by driving a wedge between them and wouldn’t want to create issues between her children and their grandmother who just essentially rose from the dead.
I think it would be sweet for Katara to eventually have a mother figure in her life, too.
But my post was never about demonizing Ursa and berating her for being an imperfect mother. I don’t even hate that aspect of the storyline really. I think it makes her kinda a bad mother, but I don’t think that’s a bad plot or character choice. There are many problems with The Search, but I don’t really see that as one of them. We knew little about Ursa outside of flashbacks through Zuko’s rose colored glasses. It’s okay for her to suck a little as a mom amid horrid abuse and trauma.
That being said, it could be entirely possible for her to have saved her children. It’s a fantasy show. She could’ve staged an infiltration, used more poison, went back to the palace, corresponddd with Iroh by letter or messenger hawk, had Iroh bring the kids to the river and whisked them away… there’s so many espionage options that could’ve been explored and we weren’t shown her attempting anything. She threw herself down and gave up. I think that’s something worthy of judgement in a storyline of fantasy.
I think the intense hatred and deriding is chock full of misogyny, but the criticism for her making that decision in a fantasy universe outside of the limitations of real life, makes sense. She could’ve had dozens of options at attempts of rescue in the avatar verse. She was portrayed to be an intelligent woman.
I don’t think these criticisms and the nuances and imperfections of Ursa’s characters and understanding why she did them and empathizing with her character’s abuse are mutually exclusive.
They're not mutually exclusive, and I agree Katara might be angry at first, but I do take issue with you saying Ursa was "a bad mother" for literally not being able to be a mother to her children anymore. That was Ozai's bad parenting, not Ursa's. It's not a flaw or imperfection of Ursa.
And I think discussions about what an abused person should have or could have done, even in a fantasy setting, are short-sighted and border on victim blaming. It is very easy, and incredibly callous to say what someone should have done when you are not in their position. Just like it would be if we were to say that Zuko should have done x to prevent himself from being abused, or Iroh should have been able to step in and fight Ozai. Or even that Aang or Sokka or Toph or Suki or Katara should have been able to prevent every bad thing that ever happened in the series. It is shifting blame away from the actual abuser and onto a victim for not being able to stop it from happening.
Moreover, it shows a lack of understanding of what that kind of trauma can do to someone, psychologically. Learned helplessness is actually a thing that is known to affect victims of longterm spousal abuse, and it's another way that the victim is victimized, not a "flaw" or "imperfection." The fact that Ursa is not the only victim also compounds that trauma for her, since Ozai also uses and abuses her children to abuse her.
There are many criticisms I have of the Search and the Ursa plotline, but I'm not interested in pointing fingers at her for what she "could have," done.
As for Katara, I do think she can get angry at people for not meeting her standards, but she also learns in the series to understand why people might make the choices they make. Part of her learning to forgive Zuko was understanding how he was a victim, and after she understands that, her response when she sees Azula try to manipulate him is to try to protect him from her, because she's also someone who is fiercely protective and capable of understand nuance, especially post-series. And if you are also saying Ursa is a bad mother, then it's not Katara having a misperception that's the problem, there's some objective blame of Ursa in what you're saying.
First and foremost, I take immense issue with your insinuation, borderline accusation, that I am insensitive, shortsighted, ignorant, and callous because of my view on a fictional matter in a fantasy-based story.
I find it highly insulting that you don't know me and yet you are criticizing my personal integrity and character based on my interpretation of a storyline in a cartoon's spinoff graphic novel. You don't know my past, life, history, upbringing, or what I have been through. You don't know if I, myself, have been through domestic violence in the past or if my mother has and I grew up watching. I don't think it's appropriate to say these kinds of things to strangers of whom you know absolutely nothing about based solely on their criticisms on a graphic novel character's choices. I don't want to discuss my own personal traumas and experiences on my avatar shipping blog and I shouldn't feel I have to in order to defend myself from baseless presumptions.
Also, the comparison you're drawing is putting words in my mouth. Not once did I insinuate Ursa was to blame for her abuse by Ozai. She is, however, responsible for her own choices she makes. Zuko, Katara, Aang, Sokka, and Toph are too. That's kind of a key theme of the entire show.
Zuko is not responsible for his child abuse and it's understandable why he makes the bad choices he does. That doesn't excuse his bad actions, though. It explains them. It's not "victim blaming Zuko" to say it was his own fault that he yelled and lashed out at Iroh and was cruel to him. I get why he was doing so, I sympathize with him, but it's still his fault and his own mistake to own.
Likewise, it's not Ursa's fault, OF COURSE, that she was abused. What is her responsibility, though, are the choices she makes for herself in the aftermath and the domino effect of who else she might harm. She chose to selfishly throw her memories to the wind and any chance of finding, looking for, recalling, or seeing her children ever again as long as she lives. I think that makes someone a bad mother, actually. That was her choice and hers alone. It was selfish. It was cruel to Zuko and Azula.
I empathize with why someone who's been through such horrors would choose and want to forget everything. I get it and can understand what would lead to it. But, that doesn't make it right or it excuse it. Ozai didn't make that choice, just as Ozai didn't make the choice for Zuko to treat Iroh poorly or burn Kyoshi Village.
Two things can be true at once. There's nuance to be discussed and interpreted here.
And, since this is a fantasy novel and not a real-life woman, I actually am interested in discussing what the authors and creators could have chosen for Ursa to have done because… she is not real. Critiquing choices, decisions, and motivations is part of absorbing media.
You don't have to enjoy it, personally, that's fine. Different strokes for different folks. But, the people who do find this conversation interesting (if they discuss it with the appropriate sensitivity) are not ignorant or callous for doing so or for finding culpability in Ursa's choices, even if her character is a DV survivor.
Given that Ursa is a figment of imagination, I have no problem thinking about what the writers could have had this character, who poisoned her in-law and staged a coup, consider or plot up. I think it's quite interesting of a conversation, actually, and does not make me insensitive to abuse survivors or lacking in understanding of the psychological impacts of abuse because I think it's an interesting conversation to have about the concept of a woman in a spin-off of a make-believe universe.
Someone being a bad mother is hardly ever going to be an objective thing for anyone, outside the clear-cut cases of someone like Ozai (which, such horrific examples do, sadly, exist irl). This is why thousands of children are no contact with their parents over their upbringings and their parents haven't a clue in the world why. So for Katara it would absolutely be subjective, despite my own opinion on the matter, or her written one, or Zuko's conjured up one, or yours, or anyone else's.
I also don't think Ursa would be doomed to be a bad mother for all of eternity and is beyond redemption for her selfish choice. And, I think Katara would see that and come around to forgive it too. She's a complex character and it might take her time given her personal trauma.
I think Katara is nuanced and has learned those things you mentioned, but when you bring up someone she loves (in this hypothetical ZK AU) and couple that with the issue of what they (Zuko and Katara) first bonded over and the most personal issue of all to Katara in her life (mothers), I think her fangs would come out. I believe She'd be pretty angry and judgmental at first. She'd feel protective over Zuko in that sense, I think. Katara would think Zuko was wronged and be furious that Ursa didn't come looking for him when Zuko went to the ends of the Earth for her (despite it being more feasible for him at that time).
I also don't think Katara is as forgiving towards Azula as much of the fandom paints her to be in fanon, post-finale. I think she'd harbor resentment towards Azula and have to bite her tongue while offering her compassion and trying to get along with her to help her -- for Zuko's sake.
First of all, I literally said nothing to you, made no assumptions about you, did not ask you to share your history, nothing. You came onto my post. The only thing I said was in response to you saying Ursa was a bad mother, which you said several times, and in your other post you said she was a shitty mother, for what boils down to thought crimes or what she didn't do. I didn't say you couldn't come up with other things she could have done. In fact, I said in my other post that I do think there are other things she could have done and that it is interesting to explore. I said that calling her a bad mother for what she didn't do is victim blaming, because it is.
I also said nothing about the harm Zuko has done. I was comparing blaming Ursa for not being able to see her children after she was literally forced out of their lives to blaming Zuko for not fighting back against Ozai. Because even if Zuko had fought back, there is no guarantee he could have prevented Ozai from hurting him. Even if Ursa had not forgotten her children, there is no guarantee she could ever see them again, and indeed, we are shown that she believed she would never see them again or be able to help them. She did not "throw her memories to the wind," she is shown sobbing and heart broken and believing she has no other choice.
I don't think Katara would forgive Azula, either, but the difference is that Azula was intentionally cruel and was never sorry about it. You seem to be misconstruing the idea of forgiving someone for actual harm done vs blaming them for, again, thought crimes or an inability to act in an abusive situation. And your language has gone well beyond thinking about narrative possibilities and into personal moral judgments, not based on harm caused, as is the case with Azula or Zuko burning Kyoshi Island, but on Ursa's inability to stop an abusive person from doing harm. And that is victim blaming.
You don't have to agree with me or read or comment on my posts, but please do not come here and attack me because I don't agree with you.
It wasn't direct, but it was very thinly veiled in your response to your post, which I was initially very receptive and polite about (despite the shady nature of it to my prior posts). I've followed your account for years and have always enjoyed reading your meta, even if I don't agree 100% of the time with 100% of your takes, so I'm disheartened at the turn of things.
I know you didn't "ask me" to share anything, but it felt as though my character was being called into question by the insinuations in your response, so that feels like a call to speak about my own potential experiences to defend myself, not because you said anything, but in defense of myself to my followers who may have the patience to read such a long-winded back-and-forth. But, I think that was an irresponsible thing to do to a stranger because you don't know what I could have been through in real life and how such insinuations such as those you drew could impact a person.
It was clear to me that your post was directed at the several posts I made yesterday surrounding Ursa, The Search, and Katara's hypothetical reactions in a Zutara AU. I didn't entirely agree about your takes, but felt a discussion could be had, and it made sense for me to respond, since it was pretty clearly re: my Ursa posts from the same day or day before. I wasn't just hopping on the post for the hell of a debate, and never had any bad intentions, and definitely never imagined it to go South when I replied somewhat disagreeing. I felt the need to comment as my points felt "called out" and it was being somewhat "subtweeted" towards my post being "comfortable judging an abuse victim" (paraphrasing). There was a clear insinuation there about people making criticisms of Ursa character's choices as a parent and a lack of respect towards REAL abuse victims, which of course, putting two-and-two together, anyone would find offensive.
It's disingenuous to say you said "nothing to me" when this is what you wrote in response to my post:
“And I think discussions about what an abused person should have or could have done, even in a fantasy setting, are short-sighted and border on victim blaming.” “It is very easy, and incredibly callous to say what someone should have done when you are not in their position. Just like it would be if we were to say that Zuko should have done x to prevent himself from being abused.” “It is shifting blame away from the actual abuser and onto a victim for not being able to stop it from happening.” “Moreover, it shows a lack of understanding of what that kind of trauma can do to someone, psychologically.” “I'm not interested in pointing fingers at her for what she ‘could have,’ done.”
Each of these statements might avoid accusatory pronouns like "you", but the message is the same. I'm discussing what I think Ursa could have done, so of course it's calling me "short-sighted" and "bordering on victim blaming". These are criticisms of my intellect and integrity while responding to the points I was making.
I don't think I need to go on for each and every statement and dissect it.
And, you're doing it again here, saying I am victim blaming for saying that Ursa was being a bad parent in choosing to forget her children for all of time and never even hold out or wait or attempt to contact them.
"I said that calling her a bad mother for what she didn't do is victim blaming, because it is."
You absolutely can call someone a bad parent for something they did not do. It's called neglect in many cases. That's not what happened in Ursa's case, but I think it is silly to say that Ursa can't be criticized for what she didn't do, lest it be "victim blaming".
You're also addressing my previous, independent posts that I made initially here, confirming that I was correct in that your post was a response to mine, which makes it very clear why I would answer. The response post to mine had a judgmental tone about it towards people that criticize Ursa's character, which I was doing, and thinking about the day before. It was making personal, blanket statements about real people who critique the writing of Ursa's character in the comics, and I wanted to respond for the reasons I mentioned above.
"I also said nothing about the harm Zuko has done."
I was using an analogy to compare the two cases.
"I was comparing blaming Ursa for not being able to see her children after she was literally forced out of their lives to blaming Zuko for not fighting back against Ozai. Because even if Zuko had fought back, there is no guarantee he could have prevented Ozai from hurting him. Even if Ursa had not forgotten her children, there is no guarantee she could ever see them again, and indeed, we are shown that she believed she would never see them again or be able to help them. She did not "throw her memories to the wind," she is shown sobbing and heart broken and believing she has no other choice."
I don't think that's a fair comparison. One is a direct consequence in the spur of the moment act of violence. The other is Ursa making a decision to never remember her children's faces, laughs, smiles, first words, first steps, or ever get to know what happens to them or hold out hope for them. That's pretty crappy and selfish. I understand how a level of terrible abuse could lead someone down a path to make a selfish decision, but I still think it's horrible and selfish and cruel of a thing to do.
That's not blaming Ursa for her abuse and it's insulting to continue to say so to me over a character analysis disagreement/judgement/critique/whatever you wanna call it. It is a direct insult to me to say that I am victim blaming over domestic violence because I think that a character, who's a DV victim, made a selfish choice. Ursa can both be a sympathetic character who's a victim, and a complex person who also made bad, selfish, cruel choices and acted as a bad mother in moments of trauma. I don't think me having that opinion translates to me "victim blaming" those who have suffered DV. Again, I find that very insulting.
"You seem to be misconstruing the idea of forgiving someone for actual harm done vs blaming them for, again, thought crimes or an inability to act in an abusive situation. And your language has gone well beyond thinking about narrative possibilities and into personal moral judgments, not based on harm caused, as is the case with Azula or Zuko burning Kyoshi Island, but on Ursa's inability to stop an abusive person from doing harm. And that is victim blaming."
I'm not misconstruing anything. A lack of action can equate to guilt in many cases. Not equating the severity, but there's a reason you can go to jail for not calling 911 when you witness someone drowning. If you see someone begging for help on the side of the road and think, "someone else will help them", that bystander effect is selfish, your inaction is selfish and certain people have higher degrees of duty than others. A public servant should feel more of a duty to help a citizen in peril than your average joe. A mother has a duty to at least try to check in on her children. She didn't, to our knowledge. I think she's kinda crappy for that.
I think Ursa not trying to do anything to contact her children or even check in on them is bad, yes. I also think her direct action: choosing to forget her children for all of time and giving up on them forever and not getting to know if they live or die— was bad and selfish, yeah. You can absolutely disagree with that take, lots of people do. My problem lies with the insinuation that I'm morally inferior because of my disagreement and that I have the mindset of blaming real life domestic violence victims for their abuse because of it.
Yes, people judge fictional characters. I have seen you do it on your account many, many times over the years. I'm judging Ursa on something I think is immoral. Yes. That's not a "wrong" thing to do.
Not once have I been insensitive to the horrific abuse Ursa suffered, belittled it, blamed her for not getting out and taking the kids with her before it happened, or said it's her fault Zuko was burned or anything of the sort. My language has been nothing but respectful and considerate, thinking of the real life victims who might stumble across my words.
But this is stretching the paper thin to say that criticizing any action (or sin of omission in action, in my view) by a DV victim is victim blaming them for their abuse.
"You don't have to agree with me or read or comment on my posts, but please do not come here and attack me because I don't agree with you."
I did not attack you. Your response was the one indirectly criticizing my integrity on a personal level beyond discussing characterizations. Your original post was clearly a subtweet at mine. I responded with a polite disagreement because I knew it was indirectly addressing my posts. Then, your post took indirect shots at my personal integrity. This is flipping the script entirely.
So the scarring discourse is still going.
No, characters keeping scars does not automatically equate to that being torture porn. In this context, fans clearly intend it in a way that says "even if you end up with physical marks, it doesn't diminish you". Or is Aang getting scarred torture porn too? Or do you think things like Mortal Engines movie shrinking the female lead's facial damage to a minimum "spared her of physical trauma"? No, it was afraid of depicting something deemed "ugly" and it's a huge disservice to real people who look like she was described in the book.
The topic was not handled super well in ATLA. Katara's wounds got healed leaving no trace on her, on her psyche nor on how she views Aang which is not just unrealistic, but you can literally feel in the show Katara having to go "no Aang it's ok, I'm fine, you don't have to beat yourself up over it, I'm healed, let it go Aang, it's not your fault," it is too much. It would have been much stronger had the burns left some mark, even a tiny one, because then Aang's reluctance to practice firebending would have made more sense and all characters would have gotten a more solid demonstration that the Avatar can be dangerous too. It would have been a wakeup call to Katara that Aang isn't a completely harmless kid she can always shield and protect. That's character development! This would have been a more powerful moment in the progression of their relationship, especially after they sort it out and Aang learns safe firebending later on, because they'd have a more real problem to overcome rather than just Aang's guilt.
Again, show didn't frame things too cleverly - there's no heightened moment of perhaps Katara being extremely happy that she discovered a part of her lost Southern waterbending heritage (just remember her behaviour with Hama, there's none of that here). The show just removes her wounds, she's confused about the ability, and this leads to Jeong Jeong making a point about how fire is wild and destructive. The whole segment ends with removing the source of the problem (wounds) and is about how evil fire is. Aang ends up being traumatized anyway, he isn't less traumatized because Katara's wounds didn't scar.
The point is - Katara gets nothing character-building out of this event, even though it made her cry and cradle her arms for several minutes on screen. Because of this her burns could be considered torture-porn (slightly). Her discovering healing abilities is not a reward she got exclusively because she suffered the burns, she could have discovered it by accidentally hurting herself, or healing someone else. Imagine if Aang hurt himself by being reckless and Katara discovering she could heal him? What she should have gotten out of specifically being burned by Aang, is a changed view of him. I don't mean her viewing him negatively, but taking a step back and both learning they should be more careful. Who said zutara stans want Katara getting scarred by Aang in order to make Aang a villain in this? He literally cannot be a villain here, he made a big mistake by being careless. It's got nothing to do with zutara. It's not helpful to misinterpret some storytelling tools that have nothing to do with shipping, just to prevent them from creating some later story hooks which could potentially be used in shipping a NOTP. Heck, Katara getting scarred could even be used (with skilled writing) in shipping her with Aang - like zutara fans use Katara being angry at Zuko and expecting him to demonstrate that he wouldn't betray or hurt them again.
And if you have a distaste for two happy friendly characters hurting each other on accident, that's fine, but well I have a scar on my arm from my brother's scratch that happened on accident. These things happen and stories shouldn't be scared of portraying it, especially if later on they show how to make ammends and overcome the problem. I'm not saying "Katara should definitely have kept her scars!!!" I am showing narrative weak points and suggestions how things could have been done differently, what benefits it could have had character-wise and what that might have changed.
this scene happened in my head so it's real
someone should study these people's brains
Show writing: canonically makes two characters be similar and good at working together and resolving problems
Antis: "One of them is terrible, you lack eyes and media literacy!"
Zuko and his protectiveness over Katara backfired on the show
I think we're all quite aware of the fact that Zuko is canonically very protective over Katara
Exhibit A
When he saves Katara from falling rubble in the Western air temple.
Exhibit B
When he protects Katara from flames in that same episode when she is about to blood bend that fire nation soldier.
Exhibit C
The famous Agni Kai where he take lightning for Katara
Now why are these so significant? I think these are big gestures are to show Zuko's efforts to make amends after what he did to Katara. It could be argued these are very extreme ways of making it up to her because these came at the cost of his life. But this also goes to show his character development, as he is willing to protect Katara from danger. For me, one of the reasons why I ship them is because of his protectiveness. It's refreshing to see a character that has always been there to help and to be a support system to others be protected by someone else. I think it can be very fulfilling as a viewer. This effort that was made to write their relationship was so genuine, and it felt so heartfelt as the viewer, that it just made their dynamic one of the strongest in the show. Whether that be romantically or just platonically, their dynamic is probably one of the best in my opinion.
Now, with all that his protectiveness towards Katara immediately evaporate after the last Agni Kai which was pretty shocking, as they didn't get time to be able to talk about what happened. I feel like it removes a piece of genuineness from the show that the characters care for each other. And of course I know a reason why this could have happened is because, well, Kataang and Maiko exist. I think what made their dynamics so strong is because of their protectiveness for one another. Especially, Zuko's protectiveness over Katara. When it was removed in the comics, it felt like a bond had been destroyed because a big part of their dynamic was protecting each other and being there for each other, and having that level of communication. They were protecting each other through their communication and through their support for one another.
How I feel like it backfired on the show is that it created a bit of an emptiness in both of the characters. Especially when they interacted, it felt more distant in the comics, and it felt as if they were strangers. Zuko's writing, which leads to him being protective over her, is so poignant in their relationship that once it is removed it creates a hole in a way it makes his character feel more hollow in his relationship with Katara. It feels like an effort to create a divide and an erasure of their past and how significant his taking lightning for her was. A show that is built of meaningful character relationships took a piece of its own heart out and of its own show and stabbed it in front of all of us when it came to the erasure of Zutara. So they could push the canon ships. They were willing to remove that important element of character relationships for 2 poorly written couples.
I think it creates a level of ingenuity in this show. That is not shocking as many of Katara's other love interests met the same fate of ingenuity, whether that be Jet or Haru. Where she's never able to show her feelings about these people. Which I find quite strange seeing how the show aims to create depth and talk about feelings that actually provoke feelings in you. They don't actually go in-depth with what the leading lady's thoughts are about other people. For all the sake of keeping the focus on Kataang it costs the good writing for Katara to be able to feel complex emotions about the other male interests in her life. And it leads to a rough ending for a strong dynamic like Zuko and Katara that shows their desperation for Kataang at the cost of good writing especially for Katara.
I don't think it's a valid argument to say people shouldn't create theories and analyses for what they ship, shipping isn't just about putting together characters you like.
Sure it can be that for many people, but in many cases it's about good and satisfying storytelling. And mocking people for writing metas is both annoying and forgetting the value of storytelling.
Kataang shipper: Zutara would get far less hate if the shippers would stop to bash and mischaracterize every single atla character or canon ship to uplift Zuko/Zutara
(I'm getting so much mileage out of this one 😂💀)
Kataang shipper: Zuko's a colonizer who wanted Aang's corpse as a trophy
Kataang shipper: Zuko is racist who was pro genocide
Kataang shipper: Katara is ableist
Kataang shipper: Aang is always even tempererd, spewing lava at Katara for not wanting to talk about a kiss is just OOC and I don't consider it canon
Kataang shipper: Aang is a Tibetan Buddhist monk and any negative thing you say about him is racist!
I hope you guys stretched before you made that reach.
The Katara is ableist thing is sending me because I know exactly what you mean, but it's also ironic considering how uncomfortable they are with the idea of Katara having scars.
you forgot when in the desert where aang was actually really ableist. like he blamed a disabled girl which at that moment was disabling and she even tried to stop the sandbenders!!! and she held it up for so long too
Kataang shipper: it's okay for Aang to accuse a disabled person of failing at something on purpose
Kataang shipper: anyway wasn't it awful of Zuko for not liking it when Song stuck her hand in his face?
one of the most baffling thing about kataang to me is how the romantic interactions between aang and katara have little to no impact on their relationship. sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it. aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all. i'm not saying that romance should've had a larger role in the series, but that if bryke wanted us to root for kataang, they should've displayed a natural development of a platonic relationship becoming a romantic one. i've watched tv shows and movies and read books where romance is a subplot but the relationships are still believable, so "romance isn't an important aspect of atla" isn't a good excuse.
All of this! Katara doesn't ever get to play an active role in her "romance" with Aang, and considering how many girls were fans of the show, that was a really stupid oversight by Bryke. Incredibly stupid. Insultingly stupid. And honestly, Cave of Two Lovers is one of my favorite examples of how Bryke missed the mark on making Kataang a ship worth rooting for.
No, but seriously, I love it when people try to point to Cave of Two Lovers as a keystone Kataang ep. First of all, kissing was Katara's suggestion, yes, but it was under duress. It was because she thought they were going to die. Then when they find the path out, she takes off running, and then she never brings it up again. In fact, neither of them do. Later, in EIP, when Aang is whining that he thought they would be together after he kissed her on DoBS (which, again, she canonically avoids talking to him about), he doesn't even bring up the cave. Like, even Aang at his most delusional doesn't consider the Cave episode proof that she likes him, and it's the only time Katara comes close to doing anything that could be considered making a move on Aang until the finale, when she is presented to Aang by the narrative like a prize for doing his job. Gag me.
All of this is really strong signal to me that the ship was not intended to become canon at all, all the way until the very last episodes. Just like it was said in the first story bible, Aang's crush was supposed to just be a flavour-side-plot that would make the audience laugh or feel endearing. Then it was supposed to fizzle out and not lead anywhere. Which is fine of a choice, especially in a show with target audience of children.
Any arguments pointing to events in book 1, book 2... they're all as thin as paper, it's more retroactively trying to push a foot to fit a shoe that isn't really meant for it. Yeah I get it, KA shippers have to resort to that... or they could rewrite canon and say "this is how I would have done it differently" which I think is a better option.
For all that I do think Zuko being a sympathetic character who was meant for redemption almost at the same time he was given his scar and it was decided that his father gave it to him is a big step in deconstructing the "scarred villain" trope, Zuko is still a character who started out as a villain. When people talk about Katara not having burn scars or Toph not having burn scars, you know the real reason is that heroes don't typically get scars, villains do. So when I see people talking about how Katara shouldn't/doesn't have to have scars, in response to headcanons, I kinda have to think part of the reason is because we don't like the concept of a heroic character, and a female character who is meant to be the hero's love interest at that, having scars.
The fact that the Katara with scarred hands headcanon was invented largely by people who ship her with Zuko is pretty powerful on that front, presenting a heroic character having scars who is also female and a character seen as worthy of love not just in spite of the scars, but with them.
Lol I forgot about Aang having the tiniest scar on the bottom of his foot that we never see. Proves my point.
We do actually see that tiny scar in several scenes! And I really like that because it's being dedicated to world consistency. The exit wound of the lightning on his foot.
But anyway you're right, it is basically true - reality should be bent in order to tell a satisfying story (if it stays consistent with the story's own rules in 99,9% of cases ig? For example the Lionturtle and Rock of Destiny both tell a dissatisfactory story and break the rules of the world -__-)
More stories especially those in visual medium should have scarred and disabled heroes. Too many times especially female characters aren't allowed to not be "aesthetically pleasing/perfect". Meanwhile half of Zuko's face is ruined and yet that doesn't dampen his popularity in the slightest. That shows us majority of audience will accept such a character being heroic - and yet his scar was drastically underplayed in the live action, to the point that the actor himself was disappointed. Same thing happened with Mortal Engines movie.
And what's sad is that Zuko really was just a villain when he was concieved as a character and his scar was nothing more than "a cool mark" that's meant to shock and repulse. I'm forever grateful the writers team gave him and Iroh the backstories and development they did
Which character significantly hurts whom depends on what the story is trying to say, so it's really interesting to me that the worst damage Zuko ever did to Katara was breaking her trust under Ba Sing Se (even though he didn't technically promise her anything, but it ended up feeling as him tricking her anyway) for which he spends significant narrative energy atoning to her, later. No physical strike or a burn or anything. The angry fire prince who constantly apparently causes collateral damage through arson. He broke her trust.
Zuko burning Toph happened because the writing wanted Aang to have a demonstration by his future firebending teacher that he understands it's easy to hurt someone with your power. I didn't get a feeling that it was very focused on affecting the relation between Toph and Zuko even though it could have, more than just Toph not wanting to admit that she got hurt by someone she was defending a day before without knowing him personally. With that said, real-life physically she probably wouldn't have gotten scarred... story-wise maybe, if the story wanted to focus way more on hers and Zuko's interaction. But yet again, if both Katara and Toph got scarred, narratively it would be - for Katara because Aang was being careless, but for Toph because Zuko was scared and defaulted to his automatic reaction. That's way less a thing to frown upon than being careless after several people warned you. Aang needed to learn a lesson, but Zuko needed to be in a safe environment.
In terms of “canon-compliant” zutara, I think often about how Zuko’s development is both his redemption and his doom.
Because how come the obsessive go-getter of the show does not fight harder against fate (bryke’s annoying ass) to save his beloved from putting herself into a rewardless martyr-like situation in the form of a marriage that serves as repopulation program? (Which I always thought was ridiculous).
He learns bit by bit to acknowledge and make up for his mistakes. He respects Katara above all else. He fights fair. He does not guilt-trip her nor treat her like a reward. He loves her. He gave his life for her. He would not have survived had she not been the exceptional person she is. He supports her decisions no matter what. He listens to her.
So when she tells him about her ridiculously good and selfish intentions of pandering (once again) to a non-celibate Monk who wishes to have her mother his children for the sake of airbending and his supposed affection that was born out of the self-insert of narrators who give way too much importance to childhood crushes for one’s babysitter, he might argue but he can’t help but love her and respect her decision, both horrified by the cruelty of fate (aka bryke) and filled with admiration for the person she has always been.
If Orpheus loved Eurydice too much not to turn back when she tripped behind him, then Zuko loved Katara way too much not to validate and support her terribly selfless decisions. Because how dare him be selfish and want her for himself. And how dare him tell her what to do after years of war.
It is terribly tragic because on the other side, a part of her wishes he had fought harder.
A “villain” turned “hero” sometimes can mean the upholding of ideals made by two men who enjoy shaming young girls for their choice of love interest. Sometimes, the lack of a “villain” to whisk away the princess from the “hero’s” hands means said princess will remain unacknowledged and forgotten in a narrative that turns it into something of her own volition, a narrative that ignores everything a beloved female character represented for the people she was made to represent (by their own words, must I say). It leaves the realm of picking the love interest (which honestly could simply not ever happened in any form and would still be better than this) and enters the realm of once again giving a poor treatment to a female main character who quite literally Drives the story from its beginning.
And just like Orpheus and Eurydice are doomed by fate, Katara and Zuko are doomed by Bryke. And surprisingly, Katara gets the worse of it.
I love your post <3 it hits the nail on the head for so many things. Interpreting canon logically (disregarding author intent aka Br'/ke's) leads to precisely your conclusion, that Katara accepted being a prize but was too stubborn and proud to cry or in her eyes whine about her situation, and Zuko "stayed in his lane" so rigorously out of respect for her choices AND because he was too afraid of ever crossing that boundary back into villainy and hurting someone, that he bowed out.
And it's a tragedy just like it was a tragedy for Oma and Shu, when they couldn't be together. Good relevant mention of Orpheus and Eurydice, I love that detail; when Katara runs out of the Cave of Two Lovers, she doesn't look back at Aang. But when she's leaving the area in the Crystal Catacombs she turns around to look back at Zuko and he looks back at her. I've seen a post on tumblr that says there is no way to game the system because if they do love each other, they will look back as there will always be a reason. I'm certain that Zutara absolutely exists but in the form of strong subtext, and it's not just the things that exist in explicit form that are the only correct ones.
It's so sad that their story ending in tragedy also matches the sad ending of Oma and Shu. I do hold this line of story development but also as "canon au" where I treat canon as a lesser side-timeline!