You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you.
The Stonewall Inn
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I'd rather be in outer space 🛸

Jimmy Eat World
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EXPECTATIONS
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RMH
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Kiana Khansmith
Noah Kahan
KIROKAZE
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Origami Around

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@butyoureyessaidyes
You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you.
Buck: *Speaks* Bobby : 👀😒🤨
1x01 ● 2x13 ● 3x14 ● 4x11 ● 8x15
Buck & Hen 9-1-1, S1-S8
DIAZ PARENTS VS. BOBBY NASH
[Image desc: 14 small GIFs from 9-1-1.
Row 1: Helena doubting Eddie’s parenting capabilities, telling him, “Don’t drag him down with you, Eddie,” vs. Bobby affirming his faith in Eddie’s parenting when Shannon believes she might be pregnant, “If you two do decide to have another baby, you’ll figure it out. We already know you’re a great dad.”
Row 2: Ramon insulting Shannon right after she died, “How [was Shannon brave]? By running out on [Christopher]?” vs. Bobby gently reminding Eddie that Shannon didn’t leave, “She died, Eddie.”
Row 3: Eddie repeating his dad’s philosophy for dealing with emotions, “Whenever stuff didn’t work out for me, my dad always told me to brush it off, keep moving forward,” vs. Bobby encouraging Eddie to allow himself to process his feelings, “Eddie, I just wanna make sure you don’t think you have to lose everything before you can allow yourself to feel anything.”
Row 4: Ramon telling Eddie, “Christopher needs consistency,” as Eddie considers a new career option vs. Bobby hugging Eddie when Eddie tells him he’s changing careers for his son.
Row 5: Helena expressing her disappointment in Eddie’s parenting, “You don’t have time for what matters most. Christopher,” vs. Bobby asking Eddie when he has ever failed his son, “When did you let him down before?”
Row 6: Helena expressing doubt in Eddie’s ability to be a single father, “But she’s gone - and you are a single father, again, okay, and the hours you work, Eddie - Come home,” vs. Bobby providing Eddie the support he needs to handle single fatherhood when Eddie asks, “I didn’t know where to take [Christopher].” - “Yeah, you did. Right here [to the firehouse].”
Row 7: Ramon expressing his pride when Eddie comes home from the army with a Silver Star as Eddie protests, “I’m not a hero,” vs. Bobby expressing his pride in Eddie becoming a full firefighter while Eddie smiles at him.
/end ID]
eddie + queening out with his girlies
you'd have to stop the world just to stop the feeling
One of the best looks for Buck is when his eyes get wide and vulnerable because he’s responding to being seen for all he is. Where he looks like he could splinter apart at any moment but be held together by Eddie’s gaze alone. Every fracture upon his soul on full display, limned in gold like kintsugi, shining a light that captures Eddie in its glow.
And Eddie doesn’t take for granted that he gets to have Buck so unguarded and trusting and fully present for him. He sees it for the privilege it is and can only marvel at the weight of it, the sheer inevitability of it. Because no one else puts this look on Buck’s face. It’s only Eddie, for Eddie, because of Eddie.
the saga continues (7x06 I 8x02 I 8x05)
“Buck, you saved two lives without the uniform. It’s not a costume, it’s who you are.”
Evan Buckley + saving people without wearing his firefighter uniform
+ bonus: the one time he actually died for 3 minutes and 17 seconds
Evan Buckley + Near death experiences
Good luck, babe. You´d have to stop the world just to stop the feeling.
Both these cemetery scenes are about belonging and feeling seen. One is a vulnerable moment that highlights the connection between two men. The other has Tommy literally blending into the tree behind him while his boyfriend spent all episode bonding with a corpse.
In 6x15, Buck stands shoulder to shoulder with Eddie. The camera and their positioning invites the viewer into the scene to stand with them. It’s an honest, vulnerable moment that reveals some truths and brings them closer.
Meanwhile, 8x05 has the camera pointed up at Buck cuz the scene is between Buck and Billy. The viewer isn’t in Buck’s eyeline, and Tommy literally blends into the scenery. The entire episode highlights all the ways Tommy isn’t anything more than backdrop in Buck’s world.
9-1-1 AU: Demon Buck corrupts priest Eddie. [x]
"Let him go," Eddie demands, simmering with rage. "And why would I do that?" The voice is Buck’s, except it’s twisted, fractured somehow, crackling with a malice that sets Eddie’s nerves on fire. "He’s such a delicious vessel. So much pain. So much fear. So...much." The demon chuckles, low and menacing. "Do you have any idea what he thinks about when he’s alone at night?" Eddie doesn't dignify that with a response. He knows where this is going, and he refuses to have the conversation. Not now, not when Buck is trapped in his own body, fighting for control. "He’s terrified, you know," the demon taunts, leaning closer, as if to share a secret. "You should hear the way he cries out for you in his nightmares. It’s...intoxicating." "Shut up!" Eddie’s voice cracks, anger laced with desperation. He needs to do something—anything—to make sure this thing doesn't harm Buck. "Oh, it gets better." The demon smirks, relishing the torment he’s causing. "Buck’s been praying. But not to God. No, no...he’s been praying to you," the demon says, voice slick with oily delight. "He’s been begging you to save him, Eddie. Isn’t that tragic?" Eddie swears he can feel his heart crater. Buck has always put entirely too much faith in him. "Take me," he says, voice trembling with conviction. "Ruin me. But not Buck," he pleads. "I'll do anything. Just let me save him." "Nothing sweeter than a holy man on his knees for me," the demon murmurs. A dark smile spreads like smoke across Buck's face, and he watches as Eddie falls.
- "Blue Graffiti by Calahan Skogman weaves nostalgia and longing into a poignant exploration of small-town life. Set in Johnston, Wisconsin, it follows Cash, a young man tethered to his roots by love and loss. When a mysterious stranger named Rose enters his life, Cash finds himself grappling with the familiar comforts of home and the intoxicating allure of something new.
The novel's meditation on the nature of small-town life is both a love letter and a lament. Skogman captures the beauty and melancholy of a place where time seems to stand still. The quiet moments—like sitting by the lake, listening to good music, having an honest conversation with a friend, or the simple act of watching the stars—are imbued with a sense of timelessness. Blue Graffiti hums with warmth and affection for the overlooked corners of America, and the people who inhabit them.
This novel will resonate with anyone who has ever felt the pull of home, the weight of loss, and the desire for something more. If you liked The Outsiders by S.E. Hinton or On the Road by Jack Kerouac, you’ll definitely want to check this out!"
Blue Graffiti will be available to purchase Aug. 13. Read the full (spoiler-free!) advance review courtesy of the brilliant @butyoureyessaidyes:
Blue Graffiti by Calahan Skogman weaves nostalgia and longing into a poignant exploration of small-town life.
Whumptober 2023
Day 26: Working to Exhaustion
9-1-1 3x03
@whumptober @whumptober-archive
the 118 whump: evan 'buck' buckley 911 s1 thru 6 -> sorry about the blood in your mouth