Saturday Market. India Ink and Digital. 23″ x 29″, 2018.
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I'd rather be in outer space 🛸
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@carlnelsoncomics
Saturday Market. India Ink and Digital. 23″ x 29″, 2018.
Helices of the Preterite (Blue Line No. 3). Noodler’s Luxury Blue on Bristol. 23″ x 29″. 2018.
I got a kitty cat, and all he wants is to be a journalist. (Comic from May’s Dune)
Books, prints, and original art by Carl F. Nelson
For fans of my work, I now have an online store! You can purchase a copy of my new book Codex, or limited edition screen prints. Check it out!
The Brighter Torch. Pen & Ink and Digital. 11x14″. 2017.Â
Maritime Climates (Blood & Biogenic). Noodler’s Luxury Blue Ink on Bristol. 29″ x 23″. 2017.
Engineering (The Work/Life Balance). Noodler’s Luxury Blue Ink on Bristol. 29″ x 23″. 2017.
Seattleites! I’ll be giving a talk at the June 15th After Effects Seattle meet up about my process for creating cel animation. Topics covered will include converting storyboards into rough animatics, creating backgrounds, characters, and effects animation using Photoshop, and finally assembling everything and adding the finishing touches in After Effects. The meeting is on the Adobe campus in Seattle’s Fremont neighborhood, and is sponsored by TekSystems and Puget Systems. Stop by if you can make it!
Another exciting piece of news: Dirtbag: The Legend of Fred Beckey premiers at the SIFF this coming Sunday, and it features the sophomore collaboration between my friend Joe Garber and me in the documentary’s animated segments. (It looks like tickets to the premiere are sold out, but futures screenings should be announced soon.) Dirtbag (directed by David O’Leske) tells the story of notorious mountaineer Fred Beckey, and his nearly eight decades of renegade Alpine adventurism. As someone with a limited amount of outdoor hobbies, I thought Dirtbag was an excellent window into the world of mountaineering, as well as a captivating portrait of American iconoclasm. The film also acts as a thoughtful meditation on themes like ambition, aging, and the rewards of truly abiding to one’s passions, as well as the cost. If you like the outdoors, Pacific Northwest history, or tales of eccentric pioneers, this one’s not to be missed! Very proud to be part of the project!
On Saturday, June 3rd, I’ll be part of a show at Machine House Brewery celebrating the reissue of Marc Barreca’s 1983 electronic album Music Works for Industry. RVNG Intl. is creating new pressings of obscure electronic albums, while curating visual artists to create work inspired by the music, and Seattle interdisciplinary artist Satpreet Kahlon and I were each selected to create work in response to Music Works for Industry. I’ll be debuting two large-scale original drawings along with some animation, and the show will feature live performances by Marc Barreca, Rosen, and Jed Bindeman. Swing by if you can! (The event is a production of Elevator Music and Freedom to Spend.) Photos by Adriana Guiman.
My pal James Webber just finished this short as part of the 30 Seconds of Sound Visualised project, and I got to help out with some of the character animation. 30 Seconds of Sound is the brainchild of sound designer/composer Simon Pyke (Freefarm) where he challenges video artists and animators to create a thirty second film based on an audio sample with no further guidance. You can check out the other 30 second entries at http://30s.ec/, and you can see Jame’s work at www.headsquared.com
L’Enigme (after Gustave Doré). Digital. 2017.
Sunday’s animation improv.
Reclaimer (The Tree). Digital. 2016.
Strangers. Digital. 2016.
Daily animation improv.
Cafe Racer is doing a folk music night the first Tuesday of every month starting in April, and I did the poster logo! Racer’s a great destination for live music in Seattle, and you should swing by if you can.