i love how straight azula ships are so unpopular🤣🤣
$LAYYYTER
todays bird
Sade Olutola

#extradirty
The Stonewall Inn

tannertan36
h
cherry valley forever
ojovivo

❣ Chile in a Photography ❣
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hello vonnie
d e v o n
PUT YOUR BEARD IN MY MOUTH
Mike Driver
I'd rather be in outer space 🛸

Jimmy Eat World
Cookie Run:Kingdom Official!
KIROKAZE

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@cirque-dhomosexual
i love how straight azula ships are so unpopular🤣🤣
is this a safe space to say that i kinda wanna lez out with valak
I just think Barbara Gordon deserves a little lesbian romance. Get her out her heterosexual cage.
sabine is the original man hating lesbian. she’d wear the term misandrist like a badge of honor. i love her
Okay, but more bobitms thoughts! Cw: extremely vague bobitms spoilers, but spoilers there are.
I feel like, for as many people who react poorly to Alice's chapters and the repetition of her Catty memories, I end up finding a new thing about them that I love. Though, if i'm honest, I feel like Alice's chapters are perhaps the most challenging because they're so unsparing when it comes to her flaws and the fact that those flaws are incredibly relatable.
Alice is a young woman stuck at the cusp of her life, and has delayed that step beyond for far too long. Though what I think the Catty segments show even moreso is that Alice has always been on the cusp. She constrains herself to manage the feelings of others, trying to keep peace in a household that will never be peaceful (insofar as there is something of a feminist critique to be mined that speaks to an injustice, the very sort Catty is flipping out about), and has to silence her own wants and truth. However, what all this shows you, through each of these memories, is that the timid adult doesnt spawn ex nihilo. Each one of those moments swaddled her in layer after layer, and she's drowning within them, barely able to tread temporal water without being dislodged from her present.
Consequently, it strikes me that much of Alice's story (at least its beginning) is the presentation of a terrifying truth: if you don't make choices in your life someone will make them for you. In delaying her life, the development of herself, she becomes easy prey for Lottie. The perfect prey in fact, if we believe Lottie's reason for taking intrigue in Alice. Alice may have consented to sex, but she was very much hunted in a manner not that different from how Lottie was hunted by Sabine. Prey may choose to run, but the predator is guiding them toward the ambush.
And this is where Alice is so hard for so many to read about. They want to focus on cool vampire powers and hunts; the idea that, like Alice, they'd still be uncool, anxious, and timid despite all their newfound power is agonizing. To be told that you are only going to be more of yourself is awful when you lack a clear image of who you even are! Then there's the elements of shame at play that so many lesbians tend to have these days; while we have so much more language than our elders did (like Sabine and Lottie), there's a lot of invisible structures in play in our lives that leave us inept at even talking to girls. Made all the worse when our environment is so lacking in other queers, mentor or otherwise, who might show us how we can be. Yet, so many of us turn inward (in part due the lack of a social group usually) and self-flagellate via recognizing how our elders had it so much worse but that they can do all this stuff you're failing at, ignoring the fact that some of our elders had more mentorship and physical community than many of us possess. A strange lack which has meant a lot of us never received a low stakes space to be taught how we might exist in our world.
In this way, Alice embodies so many of the implicit struggles of the modern young lesbian. She might have no been fast tracked toward marriage, but the gravity-like presumption of naturalism that Patriarchy possesses is still in play, weakening our ability to exist. All of which is a hard pill to swallow, but a fundamentally necessary one. Being able to name your identity isnt enough. A single label will not save your life. Only through being able to live your life, make choices for yourself, and surround yourself with a supportive community will save you. To do otherwise is to be left at the mercy of any passing monster.
There's more I could say, but i'll stop for now.
So, upon finishing Re:Dracula I listened to Re:Carmilla, and you know what I'm going to post this little rant I go on in the notes of my Castlevania thing I'm doing, because it kinda hits all my feelings about it:
There’s a trend that’s extremely noticeable in almost every Monster Mash style piece of media that has both Dracula and Carmilla in it: Dracula is allowed interiority, he’s allowed to be complex and tragic and even a little sympathetic, despite being pretty clearly an abusive asshole in the book whose sole sympathetic trait is mourning for what he once had been, whereas Carmilla, who in her book is genuinely in love with her victims in a way Dracula never is (played for horror to be sure because the story was written by in 1871, but still) is always portrayed as unsympathetic, loveless and often having her sole trait be ‘boobs’.
WHEN DID RE:CARMILLA HAPPEN AND WHY DIDN’T I KNOW ABOUT THIS SOONER?!!!!! YO AND IS THAT MÉABH DE BRÚN?!!! I WILL COMBUST HOLY FUCKING SHIT
Zatanna finished (finished really means when my finger cramps too bad and I'm too tired)
She's so cool
no man is good enough for carmen sandiego. only the loving embrace of a woman. and maybe that faggot australian
Is it me or am I the only one who prefers CarmIvy over Carmulia? No hate to anyone who ships it
oh, if money didn’t matter…
Carol, sighing exasperatedly: What am I going to do with you.
Zosia: Ideally? Fuck me at some point.
Louis’ actions are wrong and uncomfortable, but they come from a deeply broken place
jacob anderson and delainey hayles did not give us some of the strongest performances and the most compelling arc of this season so far just for people to reduce it to “haha pimp louis is back to his pimp ways” and “once a pimp, always a pimp.”
it's still baffling how that's the main fandom interpretation of this arc when it clearly is supposed to be about louis' grief. it’s about a father grieving his daughter in the worst, most unhealthy way possible.
and if nuance can be applied to every character under the sun, it can be applied to him too. we can discuss that story line without reducing it to shallow conclusions that dismiss both the arc and the writing choices.
louis is a vampire in a perpetual state of grief and guilt, with paul, his family, and his humanity and claudia was deeply tied to that grief and guilt.
he chose claudia partly because of his immense guilt over the violence inflicted on his community (and i also have my own issues with how this fandom talks about that because people are way too quick to blame louis for starting a race riot as if racist white people needed an excuse to brutalize black people)
anyway, louis was not a perfect father. no one is arguing that but he loved claudia. and then he watched her get tortured while both of his lovers played a role in that trial and in the end, she died while he was completely helpless to save her and louis never actually processed that trauma.
immediately after claudia died, he entered a relationship with armand. a relationship built on manipulation, and lies because according to louis’ memory at that point, armand was also the one who saved him.
except we know now armand orchestrated the play and we also know armand manipulated louis’ memories in ways we still don’t fully understand.
we don’t know how often louis spiraled in grief and how often armand stepped in to “help,” only to further distort his reality.
but we know the grief never left, we saw a glimpse of it in the 70s interview when louis walked into the sun and wanted to die. and armand wiped it away.
then the marriage with armand collapses because of daniel in modern day and for the first time in decades, louis is left alone with himself, alone with his grief and guilt.
and then he sees a girl who literally looks like claudia.
imagine losing your daughter in the most horrific way imaginable, blaming yourself and never properly grieving her. and then one day you see her again.
of course he doesn’t know what to do with that.
and i think part of louis genuinely believed he was helping her.
he failed claudia. here is a young girl struggling. he has the money, power, and resources to help. maybe helping regina becomes a way to soothe his guilt and keep claudia close.
also, louis is: 1. rich and powerful 2. a man 3. a vampire.
any one of those things creates an imbalance but louis is all of those things. regina knows that too.
she’s not naive, she’s smart and knows a man this rich and powerful does not approach her with a story about his dead daughter without wanting something.
so she plays the role for money.
the whole story is tragic, and louis knows this is wrong and wouldn't end well but he can't stop because grief does not make people rational.
and louis, despite being a vampire, is at his core still deeply human here. this is a very human thing to do, if you've ever felt grief you'd want to do anything to escape it. it's painful and the pain is all he has left of claudia.
so i don't think the point of the louis/regina arc is to ONLY show that louis would always be a pimp, you can explore his pattern of paying for emotional intimacy the same way we’ve seen him do with miss lily and even daniel in different ways.
but honestly, i also think it’s incredibly boring that every bad thing louis does gets explained by “well, he was a pimp when he was human.”
he’s a capitalist. he’s rich. he’s powerful. he’s a vampire and what he’s doing is deeply immoral by human standards.
but it’s also very relatable and understandable in a deeply uncomfortable way.
grief makes people irrational and desperate. it makes people cling to anything that gives them relief, even when they know it’s wrong.
The Fight and the Drop: Inconsistencies and Hints in Lestat's Behavior Shown in the Acting, Directing and Hair and Makeup, Explained to You Like You are Five
Gee, I wonder what could be weird here. They totally didn't leave hints since Season 1.
The girls like girls movie was actually such a vibe.
It has its flaws yes but it’s charming and the post credit scene does tie it together (even though it could’ve just been the actual ending smh) I loved it
I need it on DVD actually
Omg I read the book and it’s so much better ?!! Like I loved the movie but the book holy-