The first descriptions of my characters from my WIP (as they appear in the text, described from someone else's POV)
Still waiting for my artist friend to draw them (I'm so impatient, bless his heart)

izzy's playlists!
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tannertan36
Sweet Seals For You, Always

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RMH

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Misplaced Lens Cap

Love Begins

shark vs the universe
hello vonnie

ellievsbear
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d e v o n
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NASA
2025 on Tumblr: Trends That Defined the Year
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@cwriteshistorysortof
The first descriptions of my characters from my WIP (as they appear in the text, described from someone else's POV)
Still waiting for my artist friend to draw them (I'm so impatient, bless his heart)
after 53,389 words, tears, early mornings, self-doubt, and all the first draft of VERTIGO PEAKS is finally complete!! 🥺
even before i started writing the first chapter, i knew the last sentence would be a direct reference to the ending of ‘paradise lost’ by john milton. paradise lost ends when adam and eve are banished from eden because they trespassed/sinned against god by listening to satan and eating from the tree. they leave eden, hand in hand, in a solitary way to live on earth. some call it the fortunate fall because adam and eve populated the earth and now we live as their children.
still, leaving eden was a punishment for their sin. i wanted to play on that, i.e., leaving Vertigo Peaks is a choice my characters make happily.
anyways, this book needs a lot of work and it will eventually be beautiful. but even in this form, i can appreciate it for what it is—setting up the story’s foundation. but i also need a long break before i can lay my eyes upon this draft lol so i shall rest. THANK YOU everyone who cheered for me, this story. i appreciate it more than you know or i can put into words. <3
Finished the first draft of my first ever book on the last day of nano, it's at 100,553 words and I'm so fucking proud of myself 😭. I hope yall are feeling good about your nano projects, even if they need a lot of editing because you made a whole book exist in a month. It's incredible.
If you finished your actually draft or even if you didn't, reblog with your last or favorite line. Mine is:
"There's not going to be a trial."
The best part is it’s impossible to tell who’s arguing for legal weed
Goncharov Lore Thus Far, based on the top tumblr post results
Main cast are Goncharov himself, his wife Katya (née Michailov), and Andrey
One side character is named Mario Ambrosini. He is described as a “sad boi” and is involved in gambling.
Set in Naples and involving a drug ring/mafia. The plot seems to involve Russian organized crime attempting to get a foothold in Italy.
There is a Boat Scene. Katya survives via resourcefulness.
Andrey and Goncharov have a substantial amount of homoeroticism. Andrey also has an internet in Katya. This forms a true love triangle.
At some point, Katya threatens to shoot Goncharov. This is framed as a Girlboss Moment.
There is also a Beer Bottle Scene.
Katya fakes her death.
heavy clock symbolism. A pivotal scene occurs at a clock tower, there is a grandfather clock in the background of some sets, etc
A supporting female character named Sofia makes an appearance, wearing a cocktail dress. Katya protects her at some point. They’re both in the Boat Scene. At one point they buy fruit together in a marketplace. This is lesbian shipping fuel.
The villain, likely Mario, has a sidekick named Icepick Joe. Joe commits a final act of heroism before being left for dead— after being killed by an Icepick. Perhaps he turned against Mario and was killed in retaliation?
Goncharov, played by DeNiro, has a very distinctive manner of walking.
Katya’s brother, Valery, makes an appearance.
from posts I’ve witnessed (only mentioning things I’ve seen >5 blogs post about) - there is an Anchovies scene, and fish symbolism also plays a heavy role. at some point Katya is seen near a fish bowl full of goldfish, and this is important to the Boat Scene as well. - Goncharov and Andrey have homoerotic tension, and this is used to further statements about the cycle of repression and violence
The story involves Goncharov losing himself in a downward spiral. It is a tragedy of unbecoming.
There’s a Bridge Scene. This is the one with the clocktower chiming in the background.
There’s a scene involving a tank of anchovies.
Icepick Joe has a traumatic backstory
Katya betrays Goncharov AND Sofia. She’s well-intentioned, but it all comes crashing down, ending in her losing them both— losing Sofia emotionally and inadvertently causing Goncharov’s death
There’s a shootout in Pompeii in which Mario destroys historically significant architecture. This is representative of the destructive nature of nationalism.
Anyone else having the experience of doing their first successful nanowrimo after years of trying? It's honestly an insane feeling to me because I've had a book I've wanted to write for years and something just randomly clicked for me like six weeks ago and I started working on it. In previous years I've never been able to get more than 5k words done, but this year I started the month at 40k and I'm set to finish on 100k with a completed first draft.
I cannot emphasize enough that I never thought this would be possible for me and it feels like such an enormous achievement. For all the writers out there who feel stuck making slow progress on a project that feels unbeatable, but that you so badly want to the world to see, just know it will get better. You won’t always be stuck, I promise.
Prepping your novel for editing
Hello, authors! Have you finished a novel recently? Well, congrats! Sit there a moment and just savour what you’ve accomplished.
Did you do it? — Ok I trust you.
You have now arrived in one of the authorial limbo zones that could trap you for a very long time if you’re not careful. That being…
Your Novel is not Perfect
Even if you’ve been editing as you go, I can guarantee you that your first draft is not perfect. And, while you should cherish it for what it is, before you send it off to your editor, you’re going to need to create the second and third draft.
Let’s get this out of the way now: ALWAYS work with an editor. Some authors can make a go of it unedited, such as Anne Rice, but compare her unedited works to edited ones, and it makes a world of difference. No matter how good a writer you are, an editor is only going to make you shine more.
So what is this limbo I mentioned before? Well, once you start reviewing your novel you’re always going to find something that could be better. I want to save you from creating 10 drafts that take you the next 2 years to create, putting off your actual publishing.
Steps for Revision
I am currently working on revising my own novel, and will be taking five steps to do so. If I want to take more after that, I’m simply not allowing it. These steps are as follows:
The first sweep
The dig deep
The second sweep
The dig deeper
The final read
This allows for initial general revision, a deep dive into those first notes, followed by one more round of that process, and a final read.
Your Editor will Thank You
I don’t know about you but the last thing I want when I gather my draft together to send off to my editor is for easily-noticed spelling or plot errors to be hanging around.
By taking these five steps to revise before an edit, your editor will have more time to do real work on your story, and it’ll save you running up that tab any more than is necessary.
Getting to this point will also save you the heartache of being too obsessed with your final draft. Your editor is going to request changes, and you don’t want to be crying in a heap on the floor when they dash a scene that you deem to be crucial.
Make it easy on yourself and on your editor, and in no time you’ll have a winning novel ready to be published!
i'm so confused rn, can you explain the goncharov thing?? i get off tumblr for five minutes
(Edits closed as of 28 Nov.)
Lmaoooo
Nah I getchu. So this post has been circulating for like two years:
Link to post.
But yesterday, it had inspired someone to do this:
Link to post.
Next thing I knew there were fake Letterboxed reviews.
Goncharov moodboards. Really good ones.
Link to post.
Meta analysis. So many fake meta essays. Disturbingly good ones. And of course the memes. (Edit: HAVE I SAID THIS SHIT IS DISTURBING)
As you can see, the myth just started to grow, characters and ships and tropes being added one after the other, almost bizzarely without contradiction, until there was enough of shape to the whole thing for people to start posting fanfic about it on AO3. "No beta we die like ice-pick Joe" is already a tag.
Link to post.
It was hilarious in the beginning, but the way it's developed within less than a day, kind of like it's being willed into existence, is freaking me out a bit. We're toying with powers beyond our comprehension. 😂😂😂
Link to post.
Of course, there could be an ulterior motive as well.
Link to post (tags mine).
Edit: guys, please tag these posts "unreality" so people with disassociation issues can filter them out (not this one, this is an explainer). <3
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Edit 2: Aparently the boots in the original post are actually referring to a movie called Gomorrah that came out in 2008, directed by Mateo Garrone, based on the Scampia Feud. And other people had also been making posts about the fake movie for a while before the poster took off.
found by @thepotch
Edit 3: Explainer: why did those boots have this movie on them anyway?
Edit 4: Alt text added to all images courtesy of @valentineish ❤️
Edit 5: Turns out tumblr has done this kind of thing before. Nine years in this hell place and I had to have "Squiddles" and penis smp explained in the replies.
Edit 6: This post collects the Lore so far.
Edit 7: Lynda Carter (real one)/ earns more/ Tumblr cred.
Edit 8: Holy shit y'all we have the theme music. With sheet music. And it's on Spotify!
Edit 9: THERE IS A TRAILER WITH THE THEME MUSIC
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I made this post 18 hours after the movie poster went up. Closed edits 27 hours after first posting. So all of the above happened within 45 hours of the movie poster going up.
Edit 10: Google document live-compiling all the lore so far (Day 3)
Edit 11: Masterpost of Goncharov soundtracks (Day 3)
Edit 12: Entertainment news articles covering the Gonch-posting (real) (Contd from yday)
Edit 13: The music from the masterpost all compiled into a 31-minute original score with video edits on YouTube (edit: unfortunately taken down)
Edit 14: Staff's Goncharov art showcase for Tumblr Tuesday
As of closing on Day 3 there are 371 works in the AO3 tag.
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Updating with Day 3 shenanigans I missed yesterday:
Edit 15: Goncharov TV Tropes page
Edit 16: Ethics of Gonchposting
Important PSA 1 (how to reduce harm to Tumblr's neurodivergents)
Important PSA 2 (reality affirmation, anti-bullying)
Important PSA 3 (why you should stop trying to vandalise legit information sites)
Edit 17: Character lore from beezlebub whose poster they originated from
Edit 18: What we know about/ Director Matteo JWHJ0715 (#unreality)
Edit 19: Link to post with screenshotted and described NYT article (scroll down) and this golden exerpt from BuzzFeed: 💀
(alt text included)
End of Day 4 there are now 485 works in the Goncharov tag on AO3
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Didn't get to update this on Day 5, so these are the Day 5 doings:
More trailers!
Trailer 1 (My favourite)
Trailer 2
Trailer 3
Trailer 4
I also just found out about the Goncharov Game Jam.
It appears this opened a day after after the meme took off.
Goncharov was first entered into Wikipedia between Day 4 and 5 (attempts to vandalise it with fake info don't count, incidentally – please knock that shit off) under List of Internet Phenomena. This was then expanded into its own Wikipedia page at the end of Day 5 because, according to the talk history: "the topic now meets the notability threshold for its own artice due to significant coverage in The New York Times and other sources cited." We're on Wikipedia, people!
And then we made The Guardian half a day later. So while the meme is definitely dying down to embers by now, it still stays winning.
YouTube channels with episodes on the meme:
InformOverlord (4:30)
Lessons in Meme Culture (2:43)
End of Day of 5 there were 511 works on AO3, and End of Day 6 (today) there are 556.
--
🚨BREAKING 🚨 from Martin Scorsese's daughter's TikTok (real actual)
tw: unreality:
We did it you guys!
Clarification: Francesca Scorcese asked her Dad about the meme and Martin played along. Please reblog this PSA to help Tumblr people with psychosis. Thanks.
Final edit: Day 8. Media reactions to Scorcese's TikTok (everyone from Forbes to Vulture). That one Tumblr user who said they'd do a screenplay if their post got notes has promised to shoot a single scene, but please don't be dicks just because you reblogged it; leave them alone until they get around to it themselves. As of end of Day 8 there are 609 works in the AO3 tag. I love all you lunatics. Peace! ❤️
Hey q if you are still taking drawing requests i have an odd one. You know the twitter and tumblr personafications in this post https://at.tumblr.com/jewishdainix/700732520552103936/14pskt46bx4k
I had a vision
smash
Intro to my WIP "The Unsteady Hand of God"
It's not actually about God I just thought the name sounded cool. There are refrences to religion and a key theme about how unstable the nature of the world and our fate are.
Blurb:
"When Charity Ellis is shot and killed in broad daylight, and the culprit is arrested, the story seems perfectly cut and dry--tragic but satisfying to all, except for one woman. A journalist named Delilah Stanton begins to see holes in the story, and even though it's not her place or personality she decides to start investigating.
She finds three key pieces of the puzzle in the children of the most powerful men in Vaychester, named Lucas Blackwell, Vivianne Larue, and Nathaniel Paulten. As she gets to know each of them, she comes to understand the complex history they share. And she sees a new side of the story of Charity's death and the city that they live in."
It seems like a standard historical fiction/murder-mystery, but it's heavily character and setting focused, incredibly aesthetic, and has quite a few surprises buried in it
A blend of 50s/vintage, old money, dark academia, some grunge, and a sprinkle of dark fantasy
You will fall in love with or identify heavily with one of the characters and I'll judge you depending on which one that is. (I'll make a separate post just about them)
It's New Adult, not young adult, so I'm trying to make it a bit more advanced. All of the characters are in their 20s, and have quite a bit of history behind and between them, but are still trying to find their place in the world because being an adult doesn't mean your "coming of age" story is over.
A lot of the scenes can get very dark, and heavy, and it does contain some "adult" content, especially in the second book (yes I already have a second one planned!)
There are complex relationships, a lot of unrequited love, and multiple queer and queer-coded characters.
Almost all of the characters are either neurodivergent or mentally ill but the story shows how people who aren't normal go from weird teenagers to functioning adults.
A lot of talk about familial relationships, societal expectations, and gender roles especially because it's set in the 50s
It's also very focused on power and privelege, and the idea that some advantages are simply impossible to surpass with hard work. Also the dangers of tradition and "the old way" while acknowledging why the idea is so potent and appealing.
Make me your villain. As if you need to, as if one must exist, as if without someone to hate and to blame for everything you’ve done to yourself, you’d cease to be able to continue. Sure. Make me your villain. Cry out to the world and denounce me, tell them I’m a monster, that I cannot be redeemed, that I’m the enemy they have to defeat and when I’m slain, when I am dying at your feet ask yourself again, now that I don’t exist…who can you blame for this?
You ever think about the fact that the same things that make some people heros, turn others into villains?
women in S.T.E.M (smuggling, treason, embezzlement, murder)
Humans are wonderful.
Last weekend I was stuck on the highway for 11 hours because of the winter storms in BC. I made it home safe eventually but the bright spot in a long scary drive was the other humans. We were at a dead stop for 3.5 hours and when we finally got moving we passed a dozen or more snowmen that people had built while waiting.
Proof that even when freezing and hungry and tired, humans will make something to brighten one another's day.
the myth of persephone is about the trauma of the separation of mothers and daughters by marriage and this is the hill i will die on
To be clear I’m not against retellings that reinterpret the relationship between Hades and Persephone and present it as consensual and healthy– I do think there’s something incredibly powerful about looking at a story that’s been passed down to us through millennia about a girl being kidnapped and raped and saying “no. No, that’s not the kind of story I want to hear, that’s not the kind of story I want to tell, and that’s certainly not the kind of story I want my daughters to grow up on.” (Although I think it’s disappointing that these are now the only sorts of Persephone retellings we get, and at this point it’s really not a particularly revolutionary take, given how often it’s been done.)
But I also think we do a great disservice to the women of the ancient world by not remembering how this story, in that form, mirrored their very real pain. I’ve been thinking recently about how we can tell that women participated in the formation of their culture’s folklore because women’s trauma is embedded in it. (In Greek terms, the stories of Leto and Alcmene very clearly come out of women’s traumatic experiences with childbirth, and there are elements of women’s traumatic experiences of sexual assault embedded in, for example, the stories of Daphne or Callisto or Artemis and Actaeon) And the story of Persephone comes out of women’s experiences of being permanently separated from their mothers and daughters at marriage. (See also this post from @gardenvarietycrime.)
For an ancient woman sending her daughter off to be married, knowing that she will see her only rarely and that the odds of death in childbirth were high, Persephone meant something. For an ancient girl leaving her mother and her entire world for a man she may never have met knowing the same, Persephone meant something. I do think a lot of the conflation of death and marriage in the ancient world comes out of this: that a girl is dead to her mother and her family whether she leaves them to go to a husband’s house or the house of Hades. Maybe it’s a consolation to know that someone else has done this before you, to know that a goddess once lost her daughter and a goddess once lost her mother the same way you are losing yours. And that they survived it.
Essentially I think we need to remember that this myth (like all myths and all folklore) is not necessarily entirely the product of men, that women’s voices and women’s trauma remain embedded in it despite all of our written sources being men’s tellings of the story. And when we retell it we risk losing those voices if we are not careful and if we dismiss the myth as it survives today as solely men’s version of the story.
This myth from my culture teaches us how strongly mothers love their children and how marriage without the consent of the daughter and the mother (generally the important female figures in the family) can bring catastrophy - because women had power and nothing is more powerful than the wrath of a wronged mother. OP’s take isn’t hypothetical. THIS IS HOW THE TALE IS INTERPRETED IN THE CULTURE. Millions of Greek women have been in arranged marriages and this has only stopped recently. This tale gave strength to my female ancestors and the trauma they had to endure. I won’t have any of “this is a myth made entirely for men“ bullshit.
(I don’t have any problem with the retellings, of course. People can get inspired by anything they want and they can write whatever they want).
Yes finally someone says it! To be frank. This is the version of the myth us Greeks are taught. The name of the myth is “Η αρπαγή της Περσεφόνης” which translates too “The kidnapping/taking of Pershephone.”
Arranged marriage where the daughter had to go miles away from her family (and would be lucky to see them once a year!) only started to stop at our grandparents time. Many of our grandparents are in arranged mariagges.
The taking of Pershephone is a myth about the strong bond of a mother and her daughter, and how she took power in her hands. And I am thankful to my mother and grandmothers for teaching it to me.
And this myth still affects today’s women!
It’s the custom in Greece to name your children after your parents. First children take the father’s parents name, and the second son and second daughter can be named after the mother’s parents.
But when my mother gave birth to me, the first daughet, she chose to name me after her mother because, and I quote: “I re-read an old mythology book when I was pregnant with you, and I remembered the myth of Demeter and Pershephone. And I thought that I didn’t have to sit do what the men want, because you are my daughet, and I want to honor my mother first.”
What I try to say is that, retalling can be nice, but the original myth was supposed to empower women. And it still does today.
tI’ll always advocate for understanding the cultural context in which myths were created, but I’m also not surprised it evolved in the way it did. I would like to bring up a few points that I don’t often see addressed in conversations such as these. The first being that while it’s important to understand a myth’s origins, ultimately these stories have been about dealing with fears and issues present in their society of origin. The evolution of Demeter and Persephone’s story happened because some aspects of the myth don’t really translate into a modern world the way some of the more modern retellings do. I’m not saying arranged marriages have vanished off the face of the earth, but with modern technology and a different social climate contact between mothers and children have become much easier even half a world away. Thus, the fear of never seeing one’s daughter again after marriage isn’t quite as potent as it would have been in ancient times.
So the original myth, for many, became ‘obsolete’ for lack of a better term.
Furthermore, the Abduction of Persephone is an empowering story, but while it’s not made for men, it is very much made for the mother. There’s a reason why it’s called “The Hymn to Demeter”, it’s her story. Demeter’s the one who overcomes her trauma, her actions result in her reunion with Persephone. Persephone, who is every bit as traumatized as her mother, doesn’t quite get the triumph that Demeter does, and has just as much agency at the end of her tale than she had at the beginning, which is very little.
I’d also like to point out that most modern interpretations aren’t just an attempt to make the romance between Hades and Persephone more palatable. They’re depicting a very different form of trauma than the original, which is something that I don’t see acknowledged often in surrounding commentary. The main difference being that instead of having Demeter’s plight be the driving force of the narrative, Persephone herself is the focal point.
Most of these retellings that I’ve seen haven’t solely been about actually liking the person you’re married to, though it’s certainly a bonus, it’s been about choice. Persephone’s choice. This evolution sprung from a culture that’s very tired of the insistence that young women are helpless, and claiming the only merits these retellings have is how revolutionary they get is a bit of a disservice. Several, if not most, retellings will bring up and address Persephone’s own feeling of helplessness and desire to be heard. The original myth is about the conflicting wills of the mother and father, but the wishes of the daughter in question aren’t really addressed, and retellings reflect that.
It may be controversial to some, but the modern interpretations in which there is notable friction between Demeter and Persephone tackles concerns many children have about their parents undermining their attempts to grow up, and while I don’t think one version is more valid than the other, I think there’s a bit more nuance to the myth’s evolution than simply a pursuit of a better romance.
Again, the original myth and the message it sent is important, and should be remembered, I also really hope people understand that retelling the story is still very much about empowering women and looking into the side of the tale that hasn’t been explored as much in the original, and not just making Hades look better.
tell me something nice
if you grow mushrooms over a toxic waste site, chemical spill, or other polluted growing medium, they will suck up the toxins into their fruiting bodies with such effectiveness that they are being studied for their ability to clean up tainted industrial sites. it’s called mycoremediation.
if you do this with edible mushrooms, they are no longer technically edible, but on the other hand they make a great way to poison your enemies. this is called murder and it’s usually frowned upon, but they won’t see it coming and you get bragging rights afterwards about your ability to kill people with a pizza topping.
Sorry this was not precisely most people’s idea of “nice.” Let me add that you are a glow of comforting absurdity in an ever-more-fucked-up world.
I love everything about mycoremediation, but also
My sister studies fungi and let me tell you the shit she comes out with when someone asks her about work is mind-blowing
I love fungi.
[video by crowbabies. original caption: My stinky baby]
enamoured with this image